Turntables, Arms & Cartridges

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John Bamford & Paul Miller  |  Jan 04, 2009
It was a brave move going into business making record players in the mid 1990s when LPs were already relegated to niche status. As Avid’s founder and chief designer Conrad Mas is wont to point out: ‘My friends and family thought I was bonkers. ’ Conrad’s bravery, coupled with his belief that there was still a market for high-end record players that were immaculately finished and built to last, has proved well founded. From humble beginnings Avid has grown to become an internationally recognised brand name among vinyl enthusiasts.
Hi-Fi News  |  Sep 12, 2024
Acutus turntable brings motor system back onboard

AVID Hi-Fi has announced its first new turntable since 2018. Priced £10,000, the Acutus Dark Iron replaces the previous Acutus Dark Limited Edition to become the new entry model in the manufacturer’s top-line series, and debuts a new AC motor system – with DSP-generated adjustable speed control – that’s coupled to the deck’s cast aluminium sprung-suspension chassis.

Review: Ken Kessler, Lab: Paul Miller  |  Jun 02, 2022
hfncommendedThe foundation of AVID's MC pick-up range, beneath the Ruby and Boron, is the Ionic (not the 'Alloy'!), and featuring more than a little artisan wizardry in its construction

No rest for the wicked, I feared, as PM assigned me another AVID MC cartridge. But I worried needlessly, thinking I might be reduced to comparing cantilevers once more. Not so. The dynamic was different here because the time had arrived to deal with the entry-level model in the Brit brand's range. Both stylus and cantilever differ from those in its siblings, the £6000 Reference Ruby [HFN Nov '20] and £4000 Boron [HFN Apr '21], so the £2000 Ionic blazes its own trail despite all three sharing the same magnet, coils and body design.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 11, 2020
hfnoutstandingSynonymous with top-end turntables for two decades, AVID has extended its 'Very Interesting Design' portfolio to include MC pick-ups. Here's its open-bodied flagship

Irrespective of having installed what must be thousands of cartridges in my life, AVID's Reference Ruby moving-coil brought me out in a cold sweat. The top model in a trio that also includes the £4000 Boron and the £2000 Ionic, its £6000 sticker price, allied to a completely exposed cantilever, reminded me of the first cartridge I ever destroyed. The irony was not lost on me: that honour goes to the Dynavector 23R, the first-ever cartridge with a ruby cantilever. But unlike AVID's ruby rod, it was also one of the shortest at just 2.3mm.

Review: Adam Smith, Lab: Paul Miller  |  Feb 03, 2026  |  First Published: Feb 01, 2026
hfnoutstandingThis Cambridge-based turntable brand celebrates its 30th anniversary in style – the Relveo is its first ‘new’ deck design in 12 years, complete with 2nd-gen Altus tonearm

The birthday cake supplier to the audio industry has been having a busy time over the last couple of years, but it seems they are needed once more. This time, cards and presents should be sent in the direction of Cambridge, as AVID HiFi has reached the ripe old age of 30. And what better way could there be to celebrate than with a new turntable? Hence the Relveo, which retails for £5500, or £6900 with the partnering Altus V2 tonearm.

Review: Adam Smith, Lab: Paul Miller  |  Oct 19, 2020
hfnoutstandingInspired by the flagship Acutus turntable, and bucking the trend for unsuspended decks with socially-distanced motors, the Volvere SP also comes with a familiar tonearm

Given that pretty much every component AVID has ever offered is still in production, it's clear company owner Conrad Mas does not chop and change designs on a whim. So it's no surprise that when it comes to turntables AVID has largely stuck with the thinking behind its very first deck, the Acutus, which was launched in 1999.

Review: Nick Tate, Lab: Paul Miller  |  Apr 09, 2019
Employing a novel dual-pulley drive system and a bespoke 10in tonearm, AVM's first deck is a flamboyant addition to the rapidly expanding pantheon of high-end turntables

Ibuilt a unique record player for my son's 18th birthday,' says Udo Besser, Managing Director of AVM (Audio Video Manufaktur) GmbH, 'and that's what sparked the development of this turntable'. What then kept the fire burning, he told HFN, were the numerous requests for a vinyl spinner from his customers, adding that, 'also, turntables are my passion'. So Udo set about designing his own deck from scratch, and the £5490 AVM Rotation R 5.3 you see here is a clean-sheet design, new to the market.

Review: Tim Jarman, Lab: Paul Miller  |  Jul 26, 2025  |  First Published: Aug 01, 2025
hfnvintageLaunched in 1967, and updated five times over the next five years, the ’1000 was B&O’s first ‘Beogram’ turntable, equipped with custom tonearm and plug-in cartridge

B&O’s Beogram 1000 was one of those turntables that seemed to be everywhere in the late ’60s and early ’70s. Combining simplicity with careful design, for many years it was one of the most popular high-quality decks on the market. As ubiquitous as a Garrard SP 25 [HFN Jun ’25] or a Pioneer PL-12D [HFN Jun ’25], the inexpensive Beogram 1000 made great sound available to listeners of all levels of experience.

Review: Tim Jarman, Lab: Paul Miller  |  Sep 25, 2020
hfnvintageDesigned to be worthy of the company's flagship Beolab 5000 system, this late '60s turntable was the last conventional deck to top the B&O range. How does it sound?

The argument for building a system using components from different manufacturers because 'no company is good at everything' is a good one – up to a point. Conversely, the Japanese heavyweights such as Sony, Technics and JVC were once able to put together a fairly convincing complete package, as could Philips (on a good day!).

Hi-Fi News Staff  |  Jan 30, 2015
The Beogram 4000’s motor unit, arm and cartridge were designed together to work as one optimised system. B&O had considered building a conventional turntable with a long arm but this was rejected in favour of tangential tracking, the Beogram 4000’s most famous feature. The basic structure comprised a die-cast tray that served as the basis for the slim and elegant plinth. This housed another casting, which formed a floating sub-chassis.
Review: Tim Jarman, Lab: Paul Miller  |  May 19, 2023
hfnvintageThis turntable from 1975 saw the company cut its costs by replacing digital logic with a system that included a lamp, a photocell and paint. Did sound quality suffer?

It certainly says something about the enduring appeal of a turntable when the company that made it buys up examples that are over 40 years old and sells them on to a new generation of buyers. It sounds remarkable, but this is precisely what Bang & Olufsen did recently with its 'Recreated Limited Edition' Beogram 4000c. Although offered as a revival of the Beogram 4000 [HFN Jul '14], it was actually the later Beogram 4002 that formed the basis of the project.

Paul Miller  |  Nov 16, 2011
A cost-effective Swiss offering that gets to the heart of the music With a background in developing delicate instrumentation (including Swiss time pieces), turning his hand to styli and cartridges seemed an obvious step for music-loving Ernst Benz, who founded Benz Micro and subsequently released a number of high-end MC cartridges from the 1980s onwards. In 1994 Ernst retired, selling Benz Micro to his friend and long time product collaborator Albert Lukaschek who still runs the company today. The Swiss pedigree is obvious from the packaging and accompanying accessories alone, which include a circular bubble level and stainless miniature screwdriver. The Micro ACE is the third model up in Benz’s MC-only product line, priced alongside a low output version distinguished by its red casework, and the cheapest to feature a solid boron cantilever and line contact stylus, rather than conical or elliptical profiles.
Steve Harris and Paul Miller  |  Aug 30, 2009
One of those recurring fallacies is that a hi-fi component should be like a musical instrument. Really, it should be something quite the opposite. An instrument amplifies the vibration of a string, for example, adding its own tonal character in the form of complex harmonics. A hi-fi component, by contrast, is not supposed to add its own character, but is meant to reproduce the signal that it receives, without adding or taking anything away.
Review: Jamie Biesemans  |  May 28, 2025  |  First Published: Nov 01, 2024
hfnedchoice Produced under the watchful eye of Monitor Audio, Blok’s modular ‘hi-fi furniture’ combines acoustic engineering with contemporary design.

As the EISA Awards jury noted this year [HFN Oct ’24], AV furniture is ‘often overlooked… but has a crucial part to play’. Monitor Audio would agree, and having acquired Blok in 2019, it has launched a redesigned Stax 2G system this summer. Retaining its predecessor’s wooden box-like supports and full-width shelves, the improved modular form-factor promises to be easier to configure and assemble.

Review: Tim Jarman, Lab: Paul Miller  |  May 01, 2025  |  First Published: Apr 01, 2025
hfnvintage

Illustrative of a ‘new wave’ in both the mechanical design and ergonomics of early-1970s turntables, Braun’s fully automatic PS 450 was an idler-drive of some distinction

Braun’s hi-fi activities are little known in the UK, although the company’s Regie 510 and Regie 350 receivers have been featured in previous Vintage Reviews [HFN Jun ’16 & Apr ’17]. At its peak, the Braun hi-fi range was as broad and as sophisticated as that of any rival manufacturer, in addition to the kitchen, personal care and photographic equipment that the company also produced. Unlike some, Braun designed and manufactured its own turntables and these were engineered to the very highest of standards.

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