Review: Tim Jarman

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Review: Tim Jarman, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
hfnvintage.pngLaunched in 1980, these slimline separates proved just the tonic for those seeking sophisticated sonics wrapped in eye-catching casework. How do they sound today?

Who buys top quality hi-fi equipment? First there is the audiophile, who is willing to devote considerable resources in the pursuit of components that deliver what he or she regards as the best sound quality for a given budget. There was once also a largely non-technical group who had equally high musical expectations. Wealthy and design conscious, they wanted complete systems that not only sounded good but looked good too, and included all the latest technological refinements.

Review: Tim Jarman, Lab: Paul Miller  |  Mar 01, 2018  |  0 comments
hfnvintage.pngThe British contender for the late '70s budget amp crown won the hearts and wallets of many a budding audiophile thanks to some canny tech. How does it sound today?

In the early days of hi-fi, the budget amplifier was usually considered an object of disdain, to be quickly upgraded as soon as funds allowed. More capable designs such as the NAD 3020 changed this view and by the late '70s improvements in component technology had made it possible to produce really good amplifiers that still could be sold for reasonable prices.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 01, 2018  |  0 comments
hfnvintage.pngIt wasn't a budget buy, but this late '70s integrated from the masters of the MOSFET spearheaded fresh thinking on amplifier design. But how does it sound today?

The advantages of using separate pre and power amplifiers over an integrated is a discussion that can still occupy audiophiles for hours. What was almost a necessity in the valve era became less technically significant once transistors were established, a quality solid-state preamp circuit being undemanding in terms of space and power.

Review: Tim Jarman, Lab: Paul Miller  |  Jan 01, 2018  |  0 comments
hfnvintage.pngWhen launched, this turntable was just one of over a dozen Technics decks offered. Is it now the pick of the radial-tracking pack? Time to take it to the test bench...

Think of direct-drive turntables and the chances are that one brand will spring to mind: Technics. What's more, its SL-1200 turntable will be the model most people think of first. This famous deck casts a long shadow over the others in the company's range and yet there were many to choose from. In fact, when the SL-Q303 seen here was launched in the UK in 1982 it was part of a 13-model lineup – a series that went from the professional-spec SP-10 MkII right down to moulded plastic belt-drive budget models such as the SL-B202.

Review: Tim Jarman, Lab: Paul Miller  |  Dec 01, 2017  |  0 comments
hfnvintage.pngDesigned by James Sugden in collaboration with Richard Allan, is the second iteration of this milestone Class A transistorised amp the one to buy? It's time to check it out...

The late '60s provide an interesting choice of equipment for the vintage hi-fi enthusiast. The rapid development of high-quality transistor amplifiers during the period resulted in some intriguing models and the Sugden A21 is a fine example. Why? Because it was the first successful domestic hi-fi amp on the UK market to offer a fully transistorised implementation of Class A.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 01, 2017  |  0 comments
hfnvintage.pngWith components sourced from Dutch giant Philips, does this slick-looking CD player from 1986 still represent the 'last word' in 14-bit sound? We take it to the test bench

The step change in technology that came with the introduction of CD was too great for all but the largest hi-fi manufacturers to handle alone. As a result, those that lacked the resources to design and produce their own machines had instead to buy completed assemblies from either Philips or one of the larger Japanese brands.

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