In an age of bulky carousel and multi-disc cartridge-loading solutions, this Pioneer player combined a single laser mech with dual trays for many hours of uninterrupted listening
Once CD players had become established it did not take long for hi-fi manufacturers to come up with new features and facilities to offer. Of these, the ability to play more than one disc at a time was perhaps the most intriguing and visually obvious. Toshiba was the first to produce a practical machine with the XR-V22 [HFN Jun ’24]. This could take two discs, but it was fellow Japanese brand Pioneer which led the field, coming up shortly afterwards with a six-disc cartridge player. This ‘universal’ cartridge system was common to all Pioneer’s multi-play models, allowing collections of discs to be rapidly swapped between systems at home and in-car.
Illustrative of a ‘new wave’ in both the mechanical design and ergonomics of early-1970s turntables, Braun’s fully automatic PS 450 was an idler-drive of some distinction
Braun’s hi-fi activities are little known in the UK, although the company’s Regie 510 and Regie 350 receivers have been featured in previous Vintage Reviews [HFN Jun ’16 & Apr ’17]. At its peak, the Braun hi-fi range was as broad and as sophisticated as that of any rival manufacturer, in addition to the kitchen, personal care and photographic equipment that the company also produced. Unlike some, Braun designed and manufactured its own turntables and these were engineered to the very highest of standards.
Following its inaugural AD 800 CD player, based on a first-generation Sanyo chassis, the AD-812 slips into the mainstream with a stripped-out 16-bit/x2 player. How does it fare?
The AD-812 is the perfect CD player for those who dislike banks of buttons and legions of flashing lights. It has only nine controls and the simplest possible display, with no remote control or hidden menus with extra functions concealed within. While it might be marketed today as a stripped-out audiophile product, in 1986 it was simply a no-frills, straightforward player.
Available in two guises – with an integrated or pre/power amp – Aiwa’s system 30 is emblematic of an era when miniaturisation was in vogue. How does it stack up today?
The mini/micro system craze was one of the Japanese electronics industry’s last great flourishes of the 1970s. Aiwa joined with Technics, Toshiba (Aurex) and Mitsubishi in producing tiny equipment with the same (or better) performance than many full-sized units, the contention being that improved component miniaturisation meant large boxes were no longer needed.
Largest of a trio of bookshelf speakers featuring diecast alloy cabinets and horn-loaded tweeters, Technics’ SB-F3 was a true high-tech compact. How does it fare today?
The smallest speaker in Technics' three-strong F series has already featured in our Vintage Review section . It was a popular product and sold in decent numbers for something that could have easily been mistaken for a mere novelty. Less well remembered were the larger members of the same family, the SB-F2 and SB-F3. Neither of these was exactly 'large', but the SB-F3 was certainly too big to be considered a miniature model like the SB-F1. It was, instead, in the class of conventional compact loudspeakers intended for shelf or stand placement, a sector where the number of competing models was far greater.
A very early use of laser interferometry saw B&O sculpt an injection-moulded speaker cabinet that controlled resonances and could be placed on the wall or floor...
Imagine the difficulty of designing a high-quality loudspeaker with a radically new appearance. While buyers were happy to accept amplifiers, tuners and cassette decks with fascias that looked like the dashboard of a Concorde, speakers were furniture and so had to blend in - square box, plain grille and nothing more. If anyone could solve this problem it would be Bang & Olufsen, masters of creating designs that are at the same time futuristic-looking, appealing and enduring.
Arriving in 1967, the Ravensbourne Stereo was the first transistorised amplifier to be introduced by Rogers Developments, and slotted into the manufacturer’s range between the existing HG88 integrated and Master pre/power models. At a time when the HG88 sold for around £46 and produced 15W in total from ECL86 tubes, the Ravensbourne was £64 and offered 25W per channel from modern silicon transistors.
Rising phoenix-like from the ashes of Deltec Precision Audio in 1992, the 'continuity brand' DPA retained designer Robert Watts' flair for innovation. How does it fare today?
The story of DPA is not uncommon among small and specialised hi-fi manufacturers. Arriving in 1992, it actually represented the second iteration of a company co-founded by Robert Watts (who has since gone on to be digital design consultant at Chord Electronics). And while Deltec Precision Audio, which debuted in 1984 with its CTA80 preamplifier, had ultimately shut up shop in the early '90s, the ideas behind its original models clearly had some merit – it was soon back with Watts onboard, albeit under a slightly different name.
Putting its re-badged CD players behind it, in 1987 Denon unveiled a machine to take on models from the brands that first brought CD to the market. How will it shape-up today?
Early CD players from Philips and Sony are considered by some collectors to be the most covetable vintage models because they came from the very companies that created the format. You can add to this list machines from Denon, whose Pulse Code Modulation (PCM) system underpinned the way analogue signals were transformed into digital data, recorded, played back and finally turned back into music again.
Automatic arm, quartz-locked motor and a chassis that was a challenge to design... How will this one-time, top-tier direct-drive turntable from 1979 shape up today?
Every keen LP listener should try to experience the joys of a quality direct-drive turntable in their system at least once. Everyone knows the popular favourites, but in the past all the big Japanese names made one or two decks that should still fit the bill.