Audiophile Vinyl

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Ken Kessler  |  Oct 25, 2019
This month we review: Curtis Mayfield, Miles Davis Quintet, Aretha Franklin and Buck Owens
 |  Sep 17, 2019
This month we review: Stevie Ray Vaughan And Double Trouble, Ted Hawkins, Simon And Garfunkel< and Sun Ra And His Astro Infinity Arkestra
Ken Kessler  |  Aug 28, 2019
This month we review: Tony Joe White, Julie London, Buck Owens and Linda Ronstadt
Ken Kessler  |  Jul 25, 2019
This month we review: Bo Diddley, Big Brother & The Holding Co, Holly Cole Trio and The Shadows Of Knight
Ken Kessler  |  Jun 20, 2019
This month we review: Marvin Gaye, Gene Clark, The Remains, and Johnny 'Guitar' Watson
Ken Kessler  |  May 14, 2019
This month we review: The Beatles, The Band, Little Willie John, and The Kinks
Ken Kessler  |  Apr 03, 2019
This month we review: Simon And Garfunkel, The Police, Rolling Stones, & Twisted Sister
Ken Kessler  |  Mar 06, 2019
This month we review: King Solomon, Mel Henke, Sarah Mclachlan, & Matthew Sweet
Ken Kessler  |  Dec 01, 2018
This month we review: Doug MacLeod, Ruth Brown, The Minx Soundtrack, and Matthew Sweet
Ken Kessler  |  Nov 01, 2018
This month we review: Buffalo Springfield, Paul Rodgers, Ultimate Spinach, and Sonny Boy Williamson.
Ken Kessler  |  Oct 01, 2018
This month we review: Michael Nesmith, John Butler, Carmen McRae, and Nina Simone.
Ken Kessler  |  Sep 01, 2018
This month we review: Slim Harpo, Lynyrd Skynyrd, A Sea For Yourself, and The Rising Storm.
Ken Kessler  |  Dec 10, 2010
There’s no end to the astonishingly good albums that the psychedelic era produced, which were overshadowed by the genre’s giants. Although Fever Tree’s origins are Texan, the group sounds like it could have been part of Boston’s ‘Bosstown’ sound or from New York’s artier element, with its heavy orchestration and baroque touches. And while their eponymous debut from ’68 features fascinating originals, like the hit ‘San Francisco Girls (Return of the Native)’, what’s more intriguing are interpretations of the Beatles’ ‘Day Tripper/We can Work it Out’ and Neil Young’s ‘Nowadays Clancy Can’t Even Sing’. Another great find for hard-up collectors from Sundazed.
Ken Kessler  |  Dec 10, 2010
Humble Pie embodies a genre yet to find a name, the division of ‘stadium rock’ that seemed to consist entirely of ex-pat British bands who did better in the USA than they ever could back home. Amusingly, as Smokin’ – their biggest-seller – shows, they were simply feeding back to America what Yanks rockers invented: southern-fried HM boogie, only now with an Essex twang. But when the line-up included ex-Small Faces frontman Steve Marriott, one of the best hard-rock vocalists ever, the results were miles away from the pedestrian. Marriott’s mod roots are evident, with covers of ‘Road Runner’ and ‘C’mon Everybody’, but elevated to a tougher, harder level.
Ken Kessler  |  Dec 10, 2010
If you’re bemused by the current obsession with ‘the American Songbook’ – even the BBC got in on the act with a week of specials devoted to it – this is an ideal time to hear one of the finest practitioners of the genre, before it became retro-cool. Ms Lee, arguably one of the half-dozen or so finest female popular music vocalists of the 20th Century, sexily slides through a dozen lesser-known gems, including her politically-incorrect composition which provides this LP with its utterly non-contemporary title. But stuff that: this is an album to play after you’ve run out of Mad Men DVDs, when you long for a time when men were men and women didn’t mind it. Sound Quality: 85% .