Turntables, Arms & Cartridges

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Steve Harris and Paul Miller  |  Nov 30, 2009
Outstanding hi-fi products have never been designed by committee. They nearly always originate in the mind of one very gifted individual, like the late Dr Noboru Tominari. Dr Tominari was a professor of engineering at Tokyo State University when he launched the Dynavector company in 1975. He developed the first successful high-output moving-coil, which did not need a special step-up device but worked with the moving-magnet phono input that was then standard on every hi-fi amplifier.
Review: Ken Kessler, Lab: Paul Miller  |  Aug 13, 2020
hfnoutstandingDespite shedding all 'non-essential cosmetic adornments' EAT's B-Sharp still cuts a dash in the world of plug-and-play turntable solutions. Does it sound as slick as it looks?

Conditioning has, I believe, led the cynics among us to assume that 'plug 'n' play' is a sexy euphemism for 'lowest common denominator' or 'user-friendly-enough for anyone to appreciate'. After all, this is what freed normal souls from going crazy with pre-USB computer peripherals. Today, it welcomes newcomers to vinyl, referring almost exclusively, in a hi-fi context, to turnkey turntable/arm/cartridge packages, because every other audio source has always been plug 'n' play.

Review: Ken Kessler, Lab: Paul Miller  |  Jul 18, 2024
hfnoutstandingEvery product range has its sweet spot and the combination of EAT’s C-Dur deck with C-Note tonearm and optional Jo No5 moving-coil pick-up makes it the ‘plum’ choice

Just below the mid-price point of European Audio Team’s (EAT) nine-model range, the C-Dur belt-drive deck looks likely to identify a new price/ performance benchmark. We have been flooded with decks at the £10,000-£12,000 mark to designate entry to the scary high-end, and companies such as MoFi, Thorens and Pro-Ject have numerous models from £500-£3000, but something was needed in between from, say, £3000 and £5000. At £3500 with arm, EAT’s C-Dur – German for C major – fits the bill.

Paul Miller  |  Jan 14, 2012
EAT revives an old idea from NAD in the 1980s, but with a modern execution. Welcome the E-Flat belt-drive turntable with its, er, flat carbon fibre tonearm The wife of Pro-Ject’s CEO Heinz Lichtenegger, Jozefina, is one of the gutsiest individuals in hi-fi today. Not only does she insist that the turntables under her EAT Forté banner are high-end, while hubby’s Pro-Ject concentrates on the affordable, she’s had the sheer guts to revive a much reviled form. Flat tonearms are as old as hi-fi itself, the E-Flat’s arm following Connoisseur’s CS1, the wooden Grace G-714, an early Grado, the back half of the ‘hinged’ Dynavector DV-507 and many others.
Review: Ken Kessler, Lab: Paul Miller  |  Apr 26, 2025  |  First Published: Nov 01, 2024
hfnoutstandingHigh style meets high mass in EAT’s flagship turntable, coupled here with one of the most flexible tonearm solutions ever seen – the F-Note even includes an alignment laser!

If anyone doubts we are treated to as much, if not more novelty than back in the day when LPs ruled, EAT’s Fortissimo turntable and F-Note tonearm will put paid to that. Like TechDAS’s vacuum hold-down and air bearing [HFN Jun ’19], or the Reed deck [HFN Apr ’24] available in idler- and belt-drive versions, this EAT combination bursts with clever features.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 01, 2018
hfnoutstanding.pngFollowing its ever-descending prices for its high-value turntables, EAT (European Audio Team) has issued the Jo No5 moving-coil cartridge to do the same for phono pick-ups

As if to answer my continued pleas for sane price tags, and my continued dismay at the fees charged for some MC cartridges, the inclusively named European Audio Team (EAT) has delivered what may be a game-changer. It was the talk of 2018's High End Show in Munich, not least because it looks unlike nearly any cartridge ever seen before. And another thing: the EAT Jo No5 sells for £999.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 17, 2020
hfnoutstandingAfter wowing the audio community with the Jo No5 moving-coil cartridge, EAT has unleashed the second in the family – the Jo No8. And it's an even bigger knock-out

Having previously dipped its toe in the water with the Yosegi moving-coil cartridge [HFN Mar '12] – effectively a rebodied-in-wood Japanese design – EAT stunned us last year with the Jo No5 [HFN Dec '18], selling at a sane £799. There's no shortage of amazing moving-coil cartridges on the market, but this was blatantly head-and-shoulders above the pack. It heralded a new range of MCs to complement EAT's expanding catalogue of turntables, arms, phono stages and its recently-unveiled integrated amplifier.

Review: Adam Smith, Lab: Paul Miller  |  Jun 01, 2018
hfncommended.pngAfter returning to making turntables two years ago, the company is now back with a more affordable package that includes a pre-fitted arm and cartridge, all ready to go

Vinyl’s renaissance has resulted in some thought-provoking developments, particularly when it comes to turntable manufacturers. Naturally, well-established brands such as Rega and Pro-Ject have seen their output rise dramatically and, unsurprisingly, more than a few new names have appeared on the scene. What is fascinating, however, is to see manufacturers that made turntables in the past return to their vinyl roots once more.

Review: Jamie Biesemans  |  Mar 13, 2023
hfncommendedELAC revived the Miracord name for its 90th anniversary with a brand-new turntable – a celebratory model now trickled-down into the new Miracord 80, complete with MM

When ELAC relaunched its turntable lineup in 2017, earning an EISA Award along the way for the Miracord 90 Anniversary, it wasn't at first clear the German audio brand actually intended a concerted push into this back-from-the-dead product category. After all, there was a lot going on at the company and this turntable was presented as a celebration of ELAC's distinguished history.

Review: Ed Selley, Lab: Paul Miller  |  Nov 26, 2021
While one Austrian/Czech brand may account for over 50% of 'hi-fi' turntables sold, this hasn't stopped other brands from offering alternative vinyl-friendly packages

With enthusiasm for vinyl showing no sign of diminishing, many companies are now launching record players in a bid to reel in buyers. For the most part this process sees them approach an existing turntable manufacturer and select anything between core components on which to base their own design, to a complete 'turnkey' unit, requiring only the application of branding and a name.

Review: Nick Tate, Lab: Paul Miller  |  Aug 23, 2019
hfnoutstandingWith a heritage in broadcast and studio environments EMT has always married robustness with precision engineering, witnessed in this 'domestic' high-end MC series

Elektromesstechnik – under the abbreviation EMT – is a brand that needs no introduction to vinyl fans, not least because of the reputation its turntables earned as the workhorses of recording and broadcast studios across the globe. The company's cartridges share a similar reputation for quality, robustness and reliability, but so far these have been somewhat overshadowed by its record decks. That's a pity, because not only has EMT been making pick-ups since 1959 but it has buyers in all four corners of the world.

Hi-Fi News Staff  |  Oct 21, 2014
One of the world’s most expensive, highly-developed tonearms are ‘unipivots’, though in some cases they have additional bearings: Mørchhas a dual pivot to give lateral stability, Kuzma a cunning four-point system; Continuum’s Cobra arm uses a secondary outrigger pivot mounted on its own bearing. However, it was left to Bob Grahamof Graham Engineering to come up with what is arguably the most elegant way of maximising the benefits of the unipivot concept and smoothing away its disadvantages. The breakthrough came with his ‘Magneglide’ magnetic stabiliser system – the major innovation of the first, B-44, Phantom arm. Graham lists six separate benefits for it: increased lateral stability, easy azimuth adjustment, a higher lateral inertia component for improved bass reproduction, augmentation of system damping, true vertical pivoting of the stylus with no rotation as the arm is raised, and easily adjusted anti-skate compensation.
Review: Adam Smith, Lab: Paul Miller  |  Oct 23, 2024
Launched in 1954, the Garrard 301 'transcription motor' saw seven editions until production ceased in 1964. Sixty years later comes another, in an 'Advanced' plinth!

I can sense your confusion. However, before you start wondering why our 'Vintage Review' has moved closer to the front of the magazine than usual, let me explain. Yes, you are looking at a turntable based around a Garrard 301, but this is a rather special one - a Garrard 301 produced in limited numbers and made strictly to order. In the plinth shown here and complete with SME Series V-12 tonearm, it will set you back £51,645, or £43,945 with an SME M2-12R. What, you might reasonably ask, is going on?

Ed Selley  |  Nov 24, 2010
The history of Garrard as a manufacturer can be traced back to World War One, when the famous jewellers to royalty wished to do ‘their bit’ for the wartime effort, ultimately setting up an ammunitions company. After hostilities ceased, the family was left with a small manufacturing plant in Swindon, which switched to the manufacture of wind-up motors for gramophones. From Tommy gun to turntables, one might say. .
Ken Kessler  |  Jul 17, 2020  |  First Published: Jan 01, 1984
hfnvintageOrtofon's SPU cartridge has reappeared. Ken Kessler gives it a whirl

Paranoia is not a condition to which I subscribed prior to entering the brotherhood of audio writers. Ignorant of my near-leper status, it came as something of a shock to find myself the only valve-loving, moving-magnet cartridge supporter in the immediate vicinity. Thankfully, editor John Atkinson tends to offer advice and make suggestions, rather than threaten my physical well-being for failing to embrace the solid-state, and so decided that a review of a moving-coil cartridge would be a subtle way of sowing the seeds for my conversion. And he knows my weaknesses well: anachrophilia.

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