Vanguard product in Nagra’s new Series II – positioned between the established HD and Compact ranges – is a triode tube preamplifier complete with an iconic Modulometer
So prolific is Nagra of late that the catalogue now has five families. I realise that sounds like I’ve just described the New York mafia. They consist of Compact, Classic, HD and Reference in ascending order of price, with the brand-new PREAMP II-S reviewed here introducing the new Series II.
Launched in the vanguard of a new flagship series of hi-fi separates, is this powerful and comprehensively equipped amplifier ‘the best integrated Quad has ever made’?
Trust me on this: Quad is definitely on a roll. In rapid order, it has delivered the reborn 33/303 pre/power [HFN Jan ’25] and Quad 3 entry-level integrated [HFN Sep ’25], the ESL 2912X electrostatic speaker [HFN Feb ’26], and now this absolute honey of an integrated amplifier. The Platina is billed by Quad as the best integrated amp it’s ever delivered, a claim certainly justified.
Japanese moving-coil artisan Yasushi Yurugi proposes ‘an analogue life that will make you feel “at ease” from the bottom of your heart’. Will the EX700 set pulses racing?
Perhaps hoping to replace the much-loved but-now-in-limbo Koetsu, fellow Japanese brand Analog Relax has developed into a range of five ‘artisan’ moving-coil cartridges. The EX700 sits exactly in the middle, above the EX500 and below the EX1000, at a no longer shocking £7288. Stop here if you find the pricing of cartridges (and cables) has no bearing on reality, but that’s now mid-priced for the high-end, whether we like it or not.
Compact in stature only, Nagra’s svelte MC-focused phono preamp is offered with the optional Compact PSU and a vibration-damping base. Should you budget for them all?
You gotta love a product that lives up to its name. With a footprint of only 185x166mm and a height of 41mm, the Nagra Compact Phono is just that: compact. It’s also about as far removed as possible from the all-singing, all-dancing, all-valve two-chassis £68,500 HD Phono [HFN Jun ’25]. The Compact Phono costs £4500, is solid-state, MC-only and as minimalist as a phono amp can be.
DeVore’s ‘Orangutan’ loudspeaker range has a new sibling, based on the established O/96 but hosting bronze-chassis drivers and ports inspired by the flagship O/Referencer
At the risk of making an inappropriate statement, size really does matter, at least in the realm of the loudspeaker. Being an owner of the smaller DeVore Fidelity O/93 [HFN Mar ’23], I learned this again after listening to the manufacturer’s larger DeVore O/Bronze (£28,998). It was a similar situation to hearing Quad’s newly launched ESL 2912X [HFN Feb ’26] right after spending time with its slightly shorter grandfather, the otherwise similar ESL63. But more about this aspect in a moment.
As old as Hi-Fi News itself, Quad’s iconic full-range electrostatic stays fresh courtesy of new upgrades
Apocryphal it may be, but one of the lingering mysteries about Quad was why MD and chief designer Peter Walker never went ‘high-end’ with bigger amps or speakers. His answer was always that his amplifiers and speakers were ‘adequate for most needs’. While that’s true, one cannot deny the efforts of others to make Quad’s inaugural ESL go louder and deeper. So while the ESL 2912X may not be the cost-no-object/size-no-object electrostatic that some devotees of the brand might dream of, I wonder what Peter Walker would have made of the not inconsiderable £12,999 asking price?
From the Talk Electronics clan comes a range of MCs named after ‘one of London’s most iconic musical districts’. Fortunately, they cost less than a foothold in the Royal Borough!
It never hurts to have a sibling manufacturer making phono stages when you’re also offering cartridges. Better still is having a range of tonearms and turntables in the family, too. In this case, the oh-so-Britishly-named Kensington Audio can boast being part of the Talk Electronics group, along with Edwards Audio and Kestrel Audio, so its quintet of cartridges is in good company.
The Dutch specialist broke with its all-tube tradition when it launched the EVO 300 Hybrid integrated amp. Its success has now inspired a bridgeable power amp version
Three questions sprang to mind when discussing the PrimaLuna EVO 300 Hybrid ‘poweramplifier’ with editor PM. The company has been merrily supplying all-valve products for 22 years, so the introduction of hybrid models seemed a non-sequitur, especially given that this particular amp’s £6498 price tag doesn’t preclude an all-tube design on the grounds of costs.
This month we review and test releases from: The Art Of HiFi, Louis Sclavis & Benjamin Moussay, Egberto Gismonti, Beans On Toast, and the Ron LeGault Quintet
Co-founder of the Grimm Audio marque makes his own mark with the ‘Phono Wizard’ – a solid-state phono preamp inspired by a tube design. Does it have the bottle?
Although long ago settled by the declaration ‘We agree to disagree’, the tubes-vs-transistors (or if you prefer ‘valves-vs-solid-state’) debate continues to keep us busy. Grown-ups use both, the deliberately argumentative choose sides, and there are ample products to support or counter either stance. Grimm Audio, though a maker of not just solid-state gear but with a reputation for digital hardware, has given us in the PW1 ‘Phono Wizard’ (£4695) a chameleon of a product that will both delight and confound music lovers who are still fascinated by hi-fi’s greatest dichotomy.