This flagship MC marries a brand-new stylus profile with a diamond cantilever, silver coils, rare earth magnets and a titanium body. Is this the apex of vinyl replay?
A quick web trawl shows that there are now more than a dozen cartridges on the market costing over £10,000, with Kuzma's CAR-70 at roughly $42,000. Ulp! Premium models from Glanz, Clearaudio, ZYX, et al aren't far off that. I suppose it was only natural that Ortofon would find it prudent to top its range of over 50 models with the new MC Vertex costing £12,999, almost double that of the second dearest in its catalogue, the MC Diamond [HFN Dec '22].<
The clue is in the name... Luxman celebrates its 100th anniversary with a series of Centennial separates including a new integrated and this heavyweight SACD player
First impressions usually set the mood. In the case of Luxman’s new flagship CD/SACD player and DAC, the D-100C (£15,995) with ‘C’ for Centennial, it’s the weight. I have no idea how many high-end digital front-ends tip the scales at 25kg, but it told me that this unit must have one chunky chassis, accounting for dimensions of 440x154x420mm (whd). If you’re a ‘tyre-kicker’ – and I admit to succumbing to the notion that ‘massive’ equals ‘better’ – then this player impresses even before you’ve opened the triple-layer carton.
Celebrating the D'Agostino brand's 15th anniversary, the Momentum Z and partnering C2Z two-box preamp are next-generation realisations of the original amplifier platform
It was at Milan's TOP Audio show in 2009 that Dan D'Agostino parted ways with Krell, the company he had founded nearly 30 years earlier. Within two years, he had designed a new solid-state amplifier with which to assault the high-end, and launched a new company, Dan D'Agostino Master Audio Systems. The two units reviewed here show careful evolution, retaining a recognisable look while adding to a legacy of fewer than 25 models over 15 years.
Retaining the core circuit elements from the flagship MasterPhono, MoFi's UltraPhono Pro jettisons the former's 'current input' for a very elegant, affordable vinyl solution
With a gap of over £5000 between MoFi's UltraPhono [HFN Mar '20] and flagship MasterPhono [HFN Dec '23], it was only a matter of time before the US brand inserted a third model between these two phono preamps. On the surface, the new UltraPhono Pro (£2499) looks to be a stripped-down version of the MasterPhono [see boxout], effectively halving the price for a full-size, function-rich MoFi unit.
First hinted at a year ago, EAT's flagship Jo N°10 moving-coil pick-up finally breaks cover with a new mechanism and sporting a native diamond cantilever. A girl's best friend?
It hasn't taken long for solid diamond cantilevers to become a thing. EAT's Jo N°10 is the fifth moving-coil cartridge we've reviewed – including models from Ortofon [HFN Oct '19 & Mar '22] and DS Audio [HFN Feb '21] – that is so-equipped, distinguishing it from its predecessor siblings, the Jo N°5 [HFN Dec '18] and Jo N°8 [HFN Dec '19]. At £6999, however, the Jo N°10 represents quite a price hike from those latter models, selling for £999 and £1999, respectively. This suggests there's plenty of scope for EAT to develop interim models and fill the gap.
This latest TechDAS turntable sees all the core technologies of its premium models, including an air bearing and vacuum LP hold-down, engineered into a compact chassis
Two essential features define all TechDAS turntables: an air bearing beneath the heavy platter and vacuum hold-down of the LP. From the inboard-motor entry-level Air Force V [HFN Jan '19] to the king's ransom Air Force Zero, all possess those two operational niceties, while the Japanese manufacturer's top two models add an air suspension for the entire chassis. The latter is less important if your floor is solid or your equipment stands rigid, but the air bearing and vacuum hold-down are the deal makers. And the new Air Force IV at £19,998 may be the best deal of all.
Honouring Franco Serblin’s legacy, this latest floorstander is the walnut-hewn flagship of the brand’s Accordo range
Entrusted with the legacy of his father-in-law, the late Franco Serblin, Massimiliano Favella has stuck rigidly to the design precepts which established Sonus faber, and which were the basis for Franco Serblin, the company. Favella inherited Serblin’s notes and concepts, which have ensured that the eponymous brand would have a steady flow of new models and ideas for years to come. This treasure trove, and the success of the Accordo family, has resulted in a new flagship speaker for the range, the Accordo Unica.
Made in Japan for US-brand Sumiko, the low-output Oriole MC sits between the Songbird and flagship Starling pick-ups in its range-topping Reference series
What goes around comes around: if it wasn’t for Sumiko, we would probably still be listening solely to moving-magnet cartridges. As recounted in our review of the Sumiko Celebration 40 [HFN Apr ’22], company founder Dave Fletcher helped introduce to the West Japanese audiophiles’ passion for moving-coils in 1972. Sumiko’s latest, the Oriole, is entirely representative of 21st century MCs, a half-century on since Sumiko made us aware of Supex, Grace and the rest.
True to Decca’s original ‘positive scanning’ concept, this re-imagined classic cartridge features a superior stylus profile and shrewd choice of magnets, coils and iron cantilever
For a Decca worshipper of 47 years, its return via the London Decca Reference Type II (£7702) is miraculous. Reviving these oddball cartridges has involved a tortuous learning curve as the last generation of craftsmen transferred the ‘technology’ to the firm’s new owners. Even securing the name required negotiation, as the Decca record label has also recently returned.