The latest ES model from the SACD originator is a luxury player at a middle-market price. Ken Kessler samples its sound in stereo and 5.1
You don’t have to be a marketing analyst with a subscription to the Financial Times to understand why SACD might win the format war. Clearly, the SACD crew has delivered more hardware and (most importantly) in the order of ten times more software than DVD-Audio, according to the estimates of music vendors I’ve canvassed. All of which makes the arrival of a high-end SACD player with a mid-range price point something worth considering.
Here’s a traditional triode tube amplifier with a modern twist as Manley’s evergreen Neo-Classic 300B proves there’s more than enough power to energise your music
Are you the hands-on type who finds most power amps a bit boring because all they have is an on/off switch? Manley Laboratories’ Neo-Classic SE/PP 300B monoblock (£13,699 per pair) is the opposite: it lets you fine-tune the sound by fine-tuning the applied feedback.
Promising ‘a new era of analogue sound’, DS Audio launches its first all-tube energiser/equaliser to partner its growing range of optical pick-up cartridges. Has it succeeded?
This just may be the most self-fulfilling review I’ve ever written. DS Audio has unleashed a valve energiser and equaliser, the TB-100, for its optical cartridges. Up to this point, every one of its cartridges has been launched with a matching solid-state energiser of relative or comparable price, but the TB-100 has been released on its own. Because every DS Audio cartridge will work with any of the energisers regardless of price, this time it’s all about the tubes.
High style meets high mass in EAT’s flagship turntable, coupled here with one of the most flexible tonearm solutions ever seen – the F-Note even includes an alignment laser!
If anyone doubts we are treated to as much, if not more novelty than back in the day when LPs ruled, EAT’s Fortissimo turntable and F-Note tonearm will put paid to that. Like TechDAS’s vacuum hold-down and air bearing [HFN Jun ’19], or the Reed deck [HFN Apr ’24] available in idler- and belt-drive versions, this EAT combination bursts with clever features.
Those wizards of trickledown tech are at it again: DS Audio’s new entry-level model, the DS-E3, gives you a taste of the Masters series at less than a tenth of the price!
It’s hard to name a cartridge brand as prolific as DS Audio. It seems every time you turn around there’s a new model. Following a flurry of entries at the extreme top-end, including the Grand Master EX [HFN Oct ’23], DS Audio has returned with a new optical cartridge at entry level, an absolute cracker called the DS-E3 – and with no price increase over the DS-E1 [HFN May ’19] it replaces.
With the tube-based Chinook phono stage as its inspiration, the Oasis brings greater flexibility in gain and loading. Moreover, it debuts Manleys custom switchmode PSU
When we reviewed Manley Laboratories’ long-lived Chinook phono stage [HFN Dec ’21] the reaction was ‘Wow!’ and it was deemed ‘irresistible’. The £2699 Chinook, a ‘stripped down’ version of the company’s flagship Steelhead, climbed to £3399 by the end of its run and has now been replaced by the Oasis at £4249. Manley has approached its successor with care, so as not to compromise the Chinook’s virtues.
Designer looks, battleship build quality, superior sonics... Ken Kessler is beguiled by an amplifier that shows off its manufacturer’s true colours
True story: a knowledgeable audiophile arrives at my listening room in mid-November. Pink Triangle’s Integral integrated amplifier is driving a set of Wharfedale Diamond 8.1s, its badge covered with tape. I state to this collector of some repute with a memory spanning 35 years, ‘You will never guess who made this amplifier. Never’.
This month we review and test releases from Anne Drummond & Café, Roger Eno, Nadia Tarnawsky/Cappella Romana, Bill Cunliffe and The Devin Daniels Quintet