Turntables, Arms & Cartridges

As I stated in a recent column: I'll no longer be making apologies for high-end pricing. So £5500 is needed to acquire the DS Audio ES-001 Eccentricity Detection Stabiliser, a highly specialised device that allows for the correction of off-centre pressings. It is, I believe, the first attempt at resolving this issue since the demise of Nakamichi's TX-1000 and Dragon CT turntables (1982-1993), which tackled the issue mechanically using a sliding two-part platter [see Vintage Review, HFN Aug '16].

It's too easy to presume, just because only one change separates a new model from an earlier one, that assessing it will be a breeze. DS Audio's £18,995 Grand Master Extreme optical cartridge differs from its stablemate solely in its cantilever/stylus assembly. Aside from a different body colour for easier identification, I wrongly imagined that a side-by-side shoot-out with the earlier Grand Master [HFN Feb '21] would suffice, and that a couple of LPs' worth of listening would reveal all. Silly me.

To borrow a phrase from the Buffalo Springfield (though it defined a far graver situation than a change of cantilever), 'there's something happening here – what it is ain't exactly clear'. DS Audio has released yet another cartridge in the Master series, the Master 3 (£8330 without PSU/equaliser) and I fear it's going to be an even bigger disruptor than the Grand Master EX [HFN Oct '23].

A tough review for me to write, at least objectively: I'm rooting for the CS 600 to be something special because my first turntable was a Dual and I recall it with fondness. I want the CS 600 to be a champ like the all-conquering '505 was back in the days of the NAD 3020-based systems. But this new deck costs £1199 in black, or another £200 in gloss black or white (as reviewed), and the competition for turntables with tonearms is fierce around this price point.

The fact that Dual couldn't achieve serious success in the middle sector of the British turntable market back in the late '70s was testament to how fast the hi-fi world had changed. That part of the market was becoming the province of Japanese companies such as Pioneer, Sony and Technics, which were making complex, technologically advanced turntables packed with modern, user-friendly features that people wanted to buy.

Just below the mid-price point of European Audio Team’s (EAT) nine-model range, the C-Dur belt-drive deck looks likely to identify a new price/ performance benchmark. We have been flooded with decks at the £10,000-£12,000 mark to designate entry to the scary high-end, and companies such as MoFi, Thorens and Pro-Ject have numerous models from £500-£3000, but something was needed in between from, say, £3000 and £5000. At £3500 with arm, EAT’s C-Dur – German for C major – fits the bill.