LATEST ADDITIONS

John Crabbe  |  Jul 23, 2021  |  First Published: Jun 01, 1977
hfnvintageJohn Crabbe, editor of HFN/RR, reflects on two decades of audio advance

The galaxy of experts that were gathered together by Miles Henslow, founder and first editor of HFN, to help fill the pages of his pioneering magazine in 1956 still has a ring of authentic hi-fi quality as it shines across two decades of progress and expansion: Cecil Watts, Ralph West, Gilbert Briggs, Stanley Kelly, James Moir, R S Roberts and H Lewis York.

Review: Mark Craven, Lab: Paul Miller  |  Jul 22, 2021
hfnoutstandingDanish brand Copland beefs-up the power supply to its all-singing, all-dancing CSA100, crowning its range of tube hybrid integrated amplifiers with this heavyweight model

Not long into my audition of Copland's CSA150, I began to feel a little annoyed that, at some point, I'd have to unplug it and send it back. Reviewer remorse isn't quite as galling as buyer remorse, but it is still 'a thing', and this £4988 hybrid tube integrated had given me a bad case of it. Hybrid? Yes, for the CSA150 looks to be an upscaled CSA100 [HFN Aug '20] combining a 6922 double-triode and solid-state FETs in its preamp stage, driving a bipolar transistor amplifier output. Perhaps keen to avoid overselling the benefits of this architecture, Copland warns buyers not to expect 'the warm and nice, coloured charm of some older tube designs'.

Review: Andrew Everard, Lab: Paul Miller  |  Jul 20, 2021
hfncommendedThe latest in a lineage of DACs stretching back some 27 years has a name – 'DacMagic' – that's as memorable as the parent brand itself. Hey presto, here's the 200M...

The modern hi-fi market is not exactly short of affordable DAC/headphone amplifiers, but the £449 Cambridge Audio DacMagic 200M has not only previous form, but an impressive pedigree on its side. Indeed, a full 27 years have passed since the arrival of the original DACMagic-1 as a slightly late, but very affordable and accomplished 'CD upgrade' DAC. Since then, the company's range of digital-to-analogue converters has been developed and refined, as well as adapted to the requirements of the changing hi-fi arena.

Peter Quantrill  |  Jul 19, 2021
'The fourth man' on the stage of the biggest classical music concert in history. A 60-year career from Bombay to Rome via Vienna, surveyed by Peter Quantrill

India has a classical music tradition of its own: does it need the European sort? The British imperial colonialists thought not, and hired Italian salon orchestras to play in their clubs and hotels without fostering any programme of music education.

Review: Mark Craven, Lab: Paul Miller  |  Jul 16, 2021
hfncommendedThis slim floorstander has million-dollar looks but a wallet-friendly price, and aims to sound bigger than it seems

Monitor Audio's close-to-entry-level Bronze series wants to offer something for everyone – the full range runs to eight models, including various multichannel options – but it's perhaps the Bronze 200 floorstander that many potential buyers will investigate first. A slim two-and-half-way tower speaker priced £569, with attractive finish options (white, walnut, urban grey and black), plus driver technologies borrowed from pricier models, it appears at face value to offer performance potential and that hi-fi holy grail: value for money.

Mike Barnes  |  Jul 15, 2021
The '80s is generally looked back upon as a time of glossy escapist pop, yet by writing songs about topics such as vegetarianism, street violence and despair, Mancunian quartet The Smiths became one of the biggest and best-loved indie bands of the decade

The Smiths' debut single 'Hand In Glove' was released in May 1983. Although ostensibly indie guitar-pop, it was a fresh take on the genre. Ushered in by blasts of wheezy harmonica and punctuated by cymbal crashes, the singer intoned, in sinuous melody lines, a tale of a pair of defiant lovers in the verses, while the instrumental choruses were based around an intricate guitar refrain.

Review: Andrew Everard, Lab: Paul Miller  |  Jul 13, 2021
hfncommendedPowered by in-house hardware and software engineering from Korea's Citech group, the HiFi Rose brand combines slick visuals with the promise of state-of-the-art sound

One of the great benefits of the rise of streaming – be it network or online – is the flexibility it gives manufacturers to create just about any product they like. There are some basic formats, including the all-in-ones like the Naim Uniti [HFN Nov '17], NAD M-Series [HFN Aug '20] and the new Cambridge Audio Evo. There are also streaming amps and standalone playback components (network players or DACs), but within those parameters the engineers and designers have no shortage of freedom to create network audio devices in just about any shape they want…

Johnny Sharp  |  Jul 12, 2021
Johnny Sharp on the creation of the artwork for Hot Rats, Frank Zappa's second solo LP

The '60s were coming to a messy, slightly bitter end, and so were Frank Zappa's The Mothers Of Invention. Deep in debt after six studio albums and fed up with paying the wages of a nine-piece band who didn't always seem to be fully on board with his creative vision, Zappa was starting to become disillusioned.

Review: Ken Kessler, Review and Lab: Paul Miller  |  Jul 09, 2021
hfnoutstandingAfter nearly a decade in production, KEF's iconic LS50 compact monitor has been comprehensively updated. We compare the original with the latest 'Meta' variant

Hardly a curse, but it's still a massive challenge for any manufacturer to improve on a smash hit. I don't care if you're talking about cars, cameras or cookers – whatever the classic, the follow-up is metaphorically referred to as 'that difficult second album'. KEF faced this with the LS50 which (terrifyingly) will be ten years old in 2022. In the interim, there have been active and wireless versions of the speaker, but the passive original [HFN Jul '12] is a much-loved default purchase in the under-£1000 sector. The new LS50 with the Meta suffix (£999) is KEF's The Godfather Part II. Yes, it's really that good.

Steve Sutherland  |  Jul 08, 2021
Part record label, studio and direct-to-disc recording facility, the home of Third Man in Nashville also houses a Voice-O-Graph recording booth. Steve Sutherland explains...

Ithink I was born in the wrong generation. I probably should have been around in the 1800s, or 1930s. I am a lost soul in this time period, with the Internet, with digital technology and so on. This is not my place to be.'

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