LATEST ADDITIONS

Review: Ken Kessler, Lab: Paul Miller  |  Dec 08, 2022
One-time royalty of the horn-loaded full-range driver, Lowther is reclaiming its crown. We hear the 'princess'

Although I am no devotee of horns, I adore two of the genre's specialists, Lowther and Klipsch, and recall the delights of the former's Bicor and Acousta. But I had thought Lowther had joined other defunct brands until I met Martin Thornton in late 2019, at the last pre-Covid Tonbridge Audiojumble. I was overjoyed to hear that he had acquired the company's remnants, designs, name and everything else needed to relaunch it. Three years on, and he's arrived with an all-new Lowther, dubbed the Almira.

Mike Barnes  |  Dec 06, 2022
Psychedelic rockers? Punks? Flag-bearers for the New Wave? This fourth album from the UK quartet proved they could be all of the above and now ranks as one of their best, even if it meant their regular producer would walk away, saying they were 'losing it'

In 1976 The Stranglers were a fixture on the pub rock circuit and were also in at the very start of punk, supporting The Ramones on their historic first UK date in July that year. But while they developed in parallel to this new wave in music and were certainly associated with it, they didn't really fit in.

Review: Jamie Biesemans, Lab: Paul Miller  |  Dec 05, 2022
hfnoutstandingThis Slovakian-built DAC retains the brand's signature triode-tube analogue stage from the companion CD 2.10 disc player, but its digital engine beats to a very different tune

Many manufacturers building tube-based products seem to prefer retro-nostalgic designs but Slovakia's Canor is one of the few that favours a more modern, progressive aesthetic. It not only produces tube amplifiers but also integrates line-level tube stages into source products, such as the CD 2.10 CD player [HFN Apr '21]. The partnering DAC 2.10 also marries an output stage containing four Electro-Harmonix 6922EH triode tubes with a digital mainboard, the latter equipped with a pair of ESS9038Q2M DACs. Otherwise this is a dyed-in-the wool 'legacy' DAC with no network or wireless functions and a fixed rather than variable output. So that large rotary is not a volume control…

Review: Andrew Everard, Review and Lab: Paul Miller  |  Dec 02, 2022
hfnoutstandingAimed at very high-end headphone users, dCS's Lina Network DAC, Master Clock and Headphone Amplifier might also be the ideal compact system front-end for audiophiles

Headphone use has changed in recent years, from something to be endured through necessity to its own subset of hi-fi listening, with no shortage of ambitious and upmarket hardware currently available. Now dCS is on that bandwagon, for while it's been busy launching its APEX DAC technology for its 'full-size' offerings [HFN Jun '22] it's also developed the Lina, which is not so much a headphone amp as a complete playback system.

Ken Kessler  |  Nov 29, 2022
This month we review: Eric Clapton, Ry Cooder, The Jazz Passengers and Richard Thompson.
Ken Kessler  |  Nov 29, 2022
This month, we review: Steeleye Span, Clandestine Amigo, The Police and Mary Wilson.
Mike Barnes  |  Nov 29, 2022
This month we review: Bonny Light Horseman, The Beths, Motorpsycho and William Orbit.
Steve Harris  |  Nov 29, 2022
This month we review: Kendrick Scott, Julius Rodriguez, Avishai Cohen Trio and Scott Hamilton.
Peter Quantrill  |  Nov 29, 2022
This month we review: Latvian Radio Choir/Sigvards Klava, LPO/Jurowski, B'Rock Orchestra/Jacobs and Beauty Farm.
Andrew Everard  |  Nov 28, 2022
This month we review and test releases from: Clare Farr, Paul Berner & Michael Moore, Octave Records, Howard Shelley/Ulster Orch. and Järvi/Tonhalle-Orchester Zürich.

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