Lab: Paul Miller

Review: Ed Selley, Lab: Paul Miller  |  Nov 26, 2021  |  0 comments
While one Austrian/Czech brand may account for over 50% of 'hi-fi' turntables sold, this hasn't stopped other brands from offering alternative vinyl-friendly packages

With enthusiasm for vinyl showing no sign of diminishing, many companies are now launching record players in a bid to reel in buyers. For the most part this process sees them approach an existing turntable manufacturer and select anything between core components on which to base their own design, to a complete 'turnkey' unit, requiring only the application of branding and a name.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 24, 2021  |  0 comments
hfncommendedSince its birth, devotees of the LS3/5A have craved more bass – does the answer lie in Rogers' active AB3a sub?

Delayed because of the pandemic, Rogers' AB3a subwoofer is one year off being able to claim it's the 25th anniversary celebration of its passive predecessor, 1995's AB1. Yes, the gap between them has been that long. The postponement doesn't, however, diminish the delight LS3/5A users will show for the arrival of a dedicated active subwoofer for one of the most celebrated small monitors in the history of hi-fi. It's here, and it's a honey.

Review: Mark Craven, Lab: Paul Miller  |  Nov 22, 2021  |  0 comments
hfnoutstandingNAD's M33 BluOS streaming amplifier was the first to utilise Purifi's groundbreaking Eigentakt Class D modules. Now they are in a stripped-back 'purist' power amp...

We sometimes hear a hi-fi component described as 'a wolf in sheep's clothing', but the idiom seems particularly apt for NAD's C 298. From the outside, there's little to distinguish this £1700 power amp from market rivals – indeed, its general demeanour is so nondescript it would likely struggle to standout from flashier competition. But NAD, a company that's no stranger to high-tech design style elsewhere in its stable, has opted to keep the chassis simple and make the amp's story about what's going on inside.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 18, 2021  |  0 comments
hfnoutstandingArguably the most durable model in the Kudos catalogue, the C20 has witnessed a graceful 12-year evolution

As is so often the case, last time I was at a hi-fi show – c'mon, you remember shows – I was amused by the reaction of a visitor. Having listened to a fully active system using Naim electronics and a pair of Kudos Titan speakers, 'Hmmm,' he said to no-one in particular, and with deadpan seriousness, 'Not bad for a stand company…'. Well, stands may have been the beginnings of Kudos, but it's come a long way since then.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 16, 2021  |  0 comments
hfnvintageIt may have been based on a machine from Dutch giant Philips but this was the first CD player from a specialist high-end British manufacturer. How will it sound today?

Compact Disc enjoyed a halo of glamour in its early years that the more established formats had lost. Talk of laser beams and digital electronics, those holographic rainbows on the disc surface – not to mention all the smart new hardware – brought an interest in top quality listening to a whole new demographic.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 15, 2021  |  0 comments
hfnoutstandingOriginally inspired by Class D maven Bruno Putzys, the innovative Mola-Mola brand returns with a fully integrated version of its separate amp, DAC and phono technologies

Never judge a book by its cover… or an amplifier by its industrial design. Take the Kula integrated amplifier from Groningen-based Mola-Mola – at first glance you may raise an eyebrow at this relatively compact, if solidly-built and undeniably stylish, integrated amplifier's £9900 price-tag. Then, complete with optional onboard DAC (£5999) and £1799 MM/MC phono stage, it adds up to just under £17,700 – well, that should raise the other brow into an expression of some shock.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 11, 2021  |  0 comments
hfnoutstandingBuilt as a 'box within a box', and promising a slicker all-round performance, Auralic's G2.1 series now extends to the fully-fledged Altair streaming DAC/preamplifier

We've commented previously on the similarity – at least in styling – between many of the products in the Auralic range, and here's another head-scratcher in the form of the Altair G2.1. It's only a little more than the Aries G2.1 'Wireless Streaming Transporter' [HFN Feb '21] – £4599 plays £4199 – yet this model, designated a 'Digital Audio Streamer', is a much more comprehensive product. It comes complete with onboard DAC, a preamp that allows it to drive a power amp or a pair of active speakers directly, and there are even analogue inputs – a line level and MM phono – to reinforce that role as a complete system hub.

Review: Mark Craven, Lab: Paul Miller  |  Nov 08, 2021  |  0 comments
hfnoutstandingHot off the production line, this flagship of MA's 7th-gen Silver range marks a significant uplift in performance

By now, there's surely not an audiophile alive who doesn't know that Monitor Audio's Platinum loudspeaker series is its pinnacle, and that as you move down through Gold, Silver and Bronze the prices become friendlier and the technology trickles. Silver – a range that's been rolling for over 20 years – represents the sweet spot in this hierarchy, and, says the UK company, is its most popular series. Judging from the performance, build quality and elegant design of the £1725 Silver 500 7G, I can't imagine this popularity waning.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 04, 2021  |  0 comments
hfnoutstandingWith the DS 003, DS Audio delivers its 3rd generation technology in a system one-tenth the price of its flagship Grand Master. Can it hope to offer a taste of its authority?

Attesting to what I firmly believe is a 'hi-fi truth' – that differing technologies have innate sonic traits, eg, valve vs transistor – is this latest DS Audio 'optical' cartridge, the £4995 DS 003 with matching energiser. It replaces the £5050 DS 002 [HFN Jun '17], so there's even a slight price reduction.

Review: Ken Kessler, Lab: Paul Miller  |  Oct 25, 2021  |  0 comments
Dubbed the 'most audiophile' Debut turntable yet, this deck/arm/cartridge solution takes over from last year's Debut Carbon model with a host of detail refinements

Like the Land Rover and Ray-Ban sunglasses, the Pro-Ject Debut comes in many flavours. What started as a pure entry-level product has been joined by enough siblings over the last 20 years that the new Debut PRO reviewed here can be regarded as the range's flagship and crowning glory. The numerous improvements elevate the price to £699, but even that hasn't undermined this record deck's bargain status.

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