Network Audio Players/Servers

Three boxes, and not a DAC in sight… Aurender’s flagship music server, the N50, is a £38,900 combination of Server box with display – able to play from online services, local storage on USB or NAS devices, or optional onboard storage – and a separate ‘Audio’ unit that offers numerous digital outputs. The third box is a screened PSU, offering separately regulated supplies to power both the Server and Audio enclosures.

Here’s one in the eye for anyone still convinced that hi-fi is being taken over by unknown brands bringing in cut-priced equipment. Not only is Lumin very well-established, having launched its range back in 2012, it’s been expanding that lineup ever since to cover a wide range of market sectors. Lumin now has a half-dozen network players, three music transports, two dedicated music servers and an all-in-one player/amp system – while continually developing its in-house technologies.

In the wake of well-established products such as the Sonos Amp and Bluesound’s Powernode, we’ve seen a slew of compact all-in-one amplifiers from brands including Denon, Marantz [HFN Aug ’24] and WiiM [HFN Nov ’24]. Now Chinese company Eversolo enters the fray with an offering that, while not the most affordable of its ilk, is keenly priced if you consider its extensive list of features. The Eversolo Play, at £599, even boasts a touchscreen displaying the Android-based interface also found on the brand’s DMP-A10 [HFN May ’25] and DMP-A8 [HFN May ’24] streaming DAC/preamps.

To misquote those old M&S adverts, this isn’t just a network streamer, this is the HiFi Rose RS451 Master Fidelity Network Streamer. The latest addition to the Korean company’s ever-expanding digital audio offering, it features second-generation technology trickled down from the high-end RS151 [HFN Jul ’25] launched earlier this year. This makes it, in HiFi Rose’s terms, ‘a semi-reference level network streamer’.

With its latest integrated amplifier, German marque T+A says it is offering a ‘bold look to the future of audio’ as well as a nod to the company’s near 50-year past. And the Symphonia, yours for £7990 in silver or black finish, certainly has a styling that’s unusual, if not unique. The busy front fascia, with crisp monochrome OLED display and hand-built analogue VU meters, continues the kind of retro-modern aesthetic seen on other recent models from HiFi Rose [HFN Jul ’22] and Yamaha [HFN Jul ’23], plus T+A’s own series 200 separates [HFN May ’22 and Feb ’23].

Bluesound is less of a HFN regular than sister brand NAD, but many hi-fi buffs looking to add streaming to an (older) amp or active speakers will have encountered the brand’s Node streamer. According to the company the Node is its best-selling product, outshining its wireless speakers and soundbars. Earlier this year, the Node received a fourth major update, expanding the lineup with a cheaper Node Nano and an upmarket £899 Node Icon (N530). For the brand, founded to rival Sonos, it’s the first foray into what you could call a ‘real’ hi-fi territory.

On recent form, the £13,500 dCS Lina DAC X could almost be considered ‘conventional’. Following on the heels of the Lina headphone amp system [HFN Nov ’22], and the massive – and massively pricey – multibox Varèse player [HFN Feb ’25], complete with separate mono DACs and the option of an SACD/CD transport add-on, the Lina DAC X looks dangerously like any number of models from rival companies, from its proportions to the inclusion of a front-panel rotary volume.