Turntables, Arms & Cartridges

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Steve Harris & Paul Miller  |  Jul 04, 2009
There must have been at least a few moments in the 1990s when Linn came close to dropping the Sondek for good. In the brave new world of multi-room, AV and custom install products aimed at well-heeled Beocustomers, that old belt-driven LP spinner was becoming a serious anachronism. Then there came a sea-change, as, to its credit, Linn seemed to rediscover its musical roots, launching the Majik CD playing system, and at around the same time starting to wheel out the LP12 for hi-fi shows once more. Subsequently, the latest enhancements of the LP12 and the Ekos arm have been highlighted as ‘SE’ upgrades.
Steve Harris & Paul Miller  |  Dec 04, 2009
Simplicity! That was the slogan when Linn advertised in the 1974 Hi-Fi Yearbook. ‘Simplicity itself. . .
Andrew Harrison and Paul Miller  |  Mar 04, 2009
It’s no idle exaggeration to say that the Sondek LP12 has been a touchstone for record playback during the three decades-plus of its continuous production. And although Linn Products has earned its credentials as a progressive company by embracing new areas of business such as multiroom and AV electronics, and despite the low demand for record players compared to the heyday of the 1980s, the LP12 has stubbornly stayed in the catalogue. It’s a reminder of the company’s heritage but also surely a testament to the turntable’s abiding popularity, since Linn wouldn’t trouble itself to make something no-one would buy. Externally almost identical since 1973, many small changes have been made inside over the years in order to improve its sound, principally by tightening tolerances on metal components and substituting superior suspension pieces.
Review: Ken Kessler, Lab: Paul Miller  |  Apr 29, 2026  |  First Published: Jun 01, 2026
hfnoutstandingTrue to Decca’s original ‘positive scanning’ concept, this re-imagined classic cartridge features a superior stylus profile and shrewd choice of magnets, coils and iron cantilever

For a Decca worshipper of 47 years, its return via the London Decca Reference Type II (£7702) is miraculous. Reviving these oddball cartridges has involved a tortuous learning curve as the last generation of craftsmen transferred the ‘technology’ to the firm’s new owners. Even securing the name required negotiation, as the Decca record label has also recently returned.

Hi-Fi News Staff  |  Jan 09, 2015
This is a superb statement of intent from a classic Japanese name, clearly acknowledging that vinyl is well and truly back to stay. The PD-171 most certainly wears a retro look but incorporates some fine technology. The deck is belt-driven and the high-torque synchronous AC motor derives its power from a digitally-controlled oscillator, which feeds its output signal into dual DACs and amplifier circuits. As a result, 33.
Review: Ken Kessler, Lab: Paul Miller  |  Dec 17, 2019
hfncommendedTaking its cues from the PD-171 turntable, but with a more elegant aesthetic, the PD-151 is Luxman's first new deck in eight years. Does it sound as clean as it looks?

How deliciously ironic: two turntables this month from companies with vast experience in vacuum hold-down of the LP, yet neither of them possesses it. Continuum's Obsidian is a complete departure from its LP-sucking forebears, while Luxman's PD-151 is fundamentally a simplified PD-171 [HFN Dec '13] – the model which revived the brand's turntable line in 2011, but minus the vacuum function of yore.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 25, 2024
hfnoutstandingFew brands can match Luxman when it comes to blending traditional engineering values with timeless elegance, and the new PD-191A flagship is an exemplar of the art

There is a coterie of Japanese brands whose products never fail to delight. Along with Air Tight, Denon, SAEC, Stax and a smattering of other high-end producers, Luxman has provided gem after gem, from valve amps of undeniable desirability to great turntables. Luxman's latest flagship deck, the PD-191A, honours the brand's traditional mix of beguiling sound, superior build quality and stunning looks.

Hi-Fi News Staff  |  Oct 21, 2014
Lyra designer Jonathan Carr has devoted a large part of his life to developing a range of moving-coil pick-ups, and they’re expertly built by Akiko Ishiyama and Yoshinori Mishima in Tokyo. The Delos is the latest in a long line – the baby of the range it’s designed to be tonearm and phono-stage friendly: of medium weight and compliance it pushes out a claimed output of 0. 6mV at 5cm/sec. Recommended phono stage loading is from 98ohm to 806ohm (Lyra says the final value should be determined by listening).
Review: David Price, Lab: Paul Miller  |  May 01, 2018
hfncommended.pngWith a radically different design to other MCs, Lyra's second-to-top cartridge has a sound unlike anything else around. Costly yes, but what price the pursuit of perfection?

Analogue addicts find themselves with a bewildering array of choices that extends way past which turntable and/or tonearm to buy. The world of cartridges is complex and potentially baffling, especially with moving-coil types. Many eventually progress from buying the big brands to trying out specialist makers – and it's here that we find Lyra. Its products inhabit a niche within a niche: they are all hand-built, low-volume devices that for nearly a generation now have sold largely to devotees of the brand.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 20, 2023
hfnoutstandingCoinciding with the 40th anniversary of the company's founding, Lyra introduces a refinement to the popular Kleos moving-coil cartridge – the SL with, yes, lower output

Has it really been 40 years since Jonathan Carr and Stig Bjørge founded what would become Lyra? Did I really play with a (Scan Tech) Tsurugi, launched in 1986 and which I still have, when Maggie was PM? As I have enjoyed Lyra cartridges for over half my life, including many happy hours with the mono Kleos, the £3095 Kleos SL arrived with positive anticipation.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 01, 2021
hfnoutstandingMark Levinson's second turntable, the No5105, has been designed to be a painless, all-in-one, 'turnkey' affair – but does it still tick all the high-end boxes?

Like that 'difficult second album', any sequel to the Mark Levinson No515 [HFN Oct '17] has to live up to a heady precedent. At £5799 less cartridge, or £6499 with Ortofon's Quintet Black S MC pick-up installed, the No5105 sells for just over half the price of the No515. While the inclusion of the cartridge does not save any money – certainly not always the case when buying a package – it does remove any set-up worries by being factory-fitted.

Hi-Fi News Staff  |  Jan 09, 2015
It’s one thing to be a whizz at electronics, and another to do turntables. They’re a completely different sort of challenge. McIntosh obviously wanted to do something a bit different in a crowded marketplace, and has come up with a combination of user friendliness and ‘millionaire chintz’. Vinyl rookies will appreciate the pre-aligned cartridge already mounted in a prefitted arm.
Review: Adam Smith, Lab: Paul Miller  |  Jun 23, 2026  |  First Published: Jul 01, 2026
hfnoutstandingMichell Engineering breathes new life into its iconic 1980s turntable design with detail changes from tip to toe – the Gyro is instantly recognisable but sounds refreshed

Updating or replacing any iconic design is not without risk, so when Michell Engineering announced that production of its famous GyroDec and Gyro SE turntables was to come to an end, it begged the question ‘what next?’. In practice the GyroDec’s replacement, the £5995 Michell Gyro, looks very similar indeed – it’s an evolution that, according to Michell’s MD, Jonathan Nye, is a result.

Review: Adam Smith, Lab: Paul Miller  |  Jan 14, 2025  |  First Published: Dec 01, 2024
hfnoutstandingWith two tried-and-tested belt-driven turntables already in its repertoire, vinyl maven MoFi dallies with a novel drive strategy for its heavyweight MasterDeck flagship

Since the company’s inception in 2014, MoFi Electronics has developed a reputation for high-quality products. And in a range now encompassing turntables, cartridges, phono stages, loudspeakers, a DAC and a growing number of accessories, there is also a convenient pathway of progression along an upgrade ladder. For MoFi’s vinyl-related items, this takes you from ‘Studio’, through ‘Ultra’, and onto ‘Master’ models.

Review: Ken Kessler, Lab: Paul Miller  |  Mar 13, 2020
hfnoutstandingMobile Fidelity, champion of audiophile vinyl, has now wrapped up an EISA Award for its flagship UltraDeck – does the more affordable StudioDeck give much away?

It might seem that we played this one in reverse, reviewing Mobile Fidelity's dearer UltraDeck turntable first [HFN Jul '19], before working backward. A buzz in the underground, however, suggested that MoFi's less-costly, entry-level StudioDeck might be something of a 'sweet spot' candidate, so what could have been an anti-climax is anything but.

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