Turntables, Arms & Cartridges

Few brands can match Luxman when it comes to blending traditional engineering values with timeless elegance, and the new PD-191A flagship is an exemplar of the art

There is a coterie of Japanese brands whose products never fail to delight. Along with Air Tight, Denon, SAEC, Stax and a smattering of other high-end producers, Luxman has provided gem after gem, from valve amps of undeniable desirability to great turntables. Luxman's latest flagship deck, the PD-191A, honours the brand's traditional mix of beguiling sound, superior build quality and stunning looks.

With a radically different design to other MCs, Lyra's second-to-top cartridge has a sound unlike anything else around. Costly yes, but what price the pursuit of perfection?

Analogue addicts find themselves with a bewildering array of choices that extends way past which turntable and/or tonearm to buy. The world of cartridges is complex and potentially baffling, especially with moving-coil types. Many eventually progress from buying the big brands to trying out specialist makers – and it's here that we find Lyra. Its products inhabit a niche within a niche: they are all hand-built, low-volume devices that for nearly a generation now have sold largely to devotees of the brand.

Mark Levinson's second turntable, the No5105, has been designed to be a painless, all-in-one, 'turnkey' affair – but does it still tick all the high-end boxes?

Like that 'difficult second album', any sequel to the Mark Levinson No515 [HFN Oct '17] has to live up to a heady precedent. At £5799 less cartridge, or £6499 with Ortofon's Quintet Black S MC pick-up installed, the No5105 sells for just over half the price of the No515. While the inclusion of the cartridge does not save any money – certainly not always the case when buying a package – it does remove any set-up worries by being factory-fitted.

With two tried-and-tested belt-driven turntables already in its repertoire, vinyl maven MoFi dallies with a novel drive strategy for its heavyweight MasterDeck flagship

Since the company’s inception in 2014, MoFi Electronics has developed a reputation for high-quality products. And in a range now encompassing turntables, cartridges, phono stages, loudspeakers, a DAC and a growing number of accessories, there is also a convenient pathway of progression along an upgrade ladder. For MoFi’s vinyl-related items, this takes you from ‘Studio’, through ‘Ultra’, and onto ‘Master’ models.

Mobile Fidelity, champion of audiophile vinyl, has succumbed to the lure of producing its own turntables, like record labels of the past: enter the MoFi UltraDeck

Back in the early days of audio, numerous record labels had electronics divisions, or vice versa. You would see the logos of EMI, Philips, RCA, Decca, JVC and others on both LPs sleeves and hardware. The logic was that they originated the material and could also control the entire chain, from artist to listener. So, who better to introduce its own turntables than Mobile Fidelity, for decades the most prolific source of audiophile LPs? Now you can spin its platters on, well, its platters.

Inspired by Musical Fidelity's statuesque, near all-acrylic M1 turntable from 2004, the brand's new owners have reimagined the design to partner its massive Nu-Vista amps

There can be no doubt that retro is 'in'. From cars to kitchen appliances to hi-fi, many manufacturers are taking inspiration from the past and bringing famous and fondly remembered designs into the 21st century. The acquisition of the Musical Fidelity brand back in 2018 by Heinz Lichtenegger's Audio Tuning Vertriebs GmbH has given the company a very extensive and highly capable back-catalogue to mine. As a result, Audio Tuning (parent of the ubiquitous Pro-Ject marque), has taken the opportunity to boost its portfolio with a spot of retro fever.

A classic Japanese brand stages a welcome return with a competitive design It’s easy to forget that movingcoils were once the minority cartridge choice (not least because the best of them were low-output types needing complicated step-ups). For most hi-fi enthusiasts, moving-magnets ruled. In between MMs and MCs were other types: variluctance, movingflux – with Nagaoka providing, with its ‘Moving Permalloy’, one of the more successful alternatives to straight MM operation. Common to all, or nearly all, non-MCs was a higher output that would work with the standard 47kohm phono input then prevalent.