Integrated Amplifiers

Hi-fi companies marking anniversaries is nothing new – indeed, it seems something crops up almost every month to mark some celebration, from 25 years of the Bowers & Wilkins 600 Series upwards. However, few brands have the history to warrant an anniversary as significant as Denon, for this year the Japanese company marks not merely its centenary, but a full 110 years in business.

Denon updates its AV receivers at the drop of a hat, but its stereo amplifiers typically enjoy a far longer shelf-life. Side-stepping its 110th anniversary PMA-A110 model [HFN Dec ’20] for a moment, the brand’s previous flagship, the PMA-2500NE [HFN Aug ’16], illustrates this longevity. Nonetheless, there’s a direct line between the PMA-A110 and the £2999 PMA-3000NE tested here, as numerous hardware tweaks devised for that limited edition model underpin Denon’s new stereo integrated.

French audio marque Devialet has been on quite a journey. Its first product, in 2010, was the D-Premier [HFN Apr ’10], an innovative integrated amplifier showcasing the ADH (Analogue/Digital Hybrid) topology of designer/company founder Pierre-Emmanuel Calmel and colleague Mathias Moronvalle. Eye-catchingly designed, thrillingly innovative and a sonic marvel, Devialet’s amplifier was a shot in the arm for the hi-fi industry.

Shall we first dispense with the debate about what constitutes ‘expensive’? Just as ‘luxury’ means anything more than you need, ‘expensive’ means anything more than you’re prepared or able to spend. I’m not about to gloss over the fact that £18,000 for a stereo amplifier isn’t chicken feed to most of us, even in a world of amplifiers costing 30 times that amount.

Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.

While there is a drive to bring (hi-fi) manufacturing back home to Blighty, some brands never left. One such stalwart is Edwards Audio, a sub-brand of the longstanding Talk Electronics range of full-width components. The Edwards Audio IA1 integrated amplifier on these pages is handmade in the UK – yes, designed, engineered and assembled here – and yet costs just £430. Still not convinced? Well, you can have a simpler version of the same amp, shorn of remote control, for £60 less, and you can even buy both versions in red, white or blue – but not all three at once – as part of a range of six acrylic colours in which Edwards Audio offers its full stable of products.