Ed Selley

Sort By: Post Date | Title | Publish Date
Ed Selley  |  Jan 14, 2012  |  0 comments
Audel gets down to basics with a speaker that combines contemporary design with traditional craftsmanship Italy has a prized reputation for flamboyant and uniquely styled luxury goods. The nation’s passion for design is woven into the very fabric of its culture. That’s why the country’s cars look like Ferrari Enzos rather than Ford Cortinas and why the men driving them are probably wearing Gucci loafers, rather than grubby sneakers. For a new high-end hi-fi company to be launched and get noticed is no easy task, especially in the loudspeaker market, where, to some, looks can be as important as sound, and where rivals include exotic brands such as Sonus faber and Zingali.
Ed Selley  |  Jan 12, 2012  |  0 comments
An ultra- sophisticated interface is paired with strong sonics to good effect. With over 15 years’ experience in stand-alone phono stage design, Creek Audio needs little introduction: its £185 OBH-18 model is a stalwart at entry level. The Wyndsor, a completely different beast, contains a level of user sophistication rarely seen in a phono stage.
Ed Selley  |  Jan 12, 2012  |  0 comments
This dimunitive design produces a very pleasing sonic performance. A quick glance at Clearaudio’s product range shows that the company prides itself on using quality materials to house its audio electronics, and the Nano Phono certainly continues in this vein. Its case is formed from a solid CNC-machined aluminium block which makes the Nano feel surprisingly heavy, despite its diminutive size.
Ed Selley  |  Jan 12, 2012  |  0 comments
A product with performance that is hard to beat at the price. Founded in 1988, Germany’s Lehmann Audio offers an extensive series of phono stages which employ technology drawn from its pro-audio range of mixing consoles and the like. All Lehmann phono stages are based around passive RIAA filter designs and, according to Lehmann, the differences between models can be found ‘in the quality of the parts and/or in the grade of sophistication of the circuit design.
Ed Selley  |  Jan 12, 2012  |  0 comments
The full sized casework is matched by the large and lively sound. Uncomplicated Scandinavian design’ is how Primare defines its ethos and a quick glance at the R32’s front panel tells you that this phono stage is truly living Primare’s ‘brand values’. Since it measures 430x95x380mm (whd) and weighs a substantial 8. 5kg, you could be forgiven for thinking you’ve been sold a power amp in the wrong box. Of course much of this weight can be attributed to the R32’s case, with its 8mm-thick front plate and solid feet.
Ed Selley  |  Jan 12, 2012  |  0 comments
Some clever ideas but a little too laid back sonically. Established in 2003, Astin Trew is a British hi-fi company with a product portfolio that includes amps, CD players, cables and its first phono stage: the AT8000. Astin Trew’s philosophy is simple: ‘create very high quality mid-priced home audio products that convey the emotion and passion of real music as naturally as possible.
Ed Selley  |  Jan 12, 2012  |  0 comments
An immensely flexible design but somewhat sterile in use. Whether you’re an audiophile on a budget or you have deep pockets to fund a seriously high-end system, it’s likely that Musical Fidelity has a range of products to suit. MF’s ever expanding M1 series sits above the entry level V series and offers a choice of half-width separates in well made cases, based on its more expensive M3 and M6 models.
Ed Selley  |  Dec 16, 2011  |  0 comments
Innovative technology helps the Quadral stand out from the field A mere glance at the Platinum M4 is sufficient to identify it as a Quadral, the bass drivers recessed behind aluminium slats being a clear visual cue, whether the speaker carries the Quadral name or that of its prestige Aurum brand. It isn’t just a cosmetic feature but a part of Quadral’s enhanced form of reflex loading – there’s a large port at the rear of the cabinet – which really does perform differently if the relatively flat impedance curve is anything to judge by. A four-driver three-way, the Platinum M4 matches its twin metal-coned bass drivers to a similar metal-coned midrange unit, above which is not the ‘ribbon’ (actually leaf) tweeter we’re used to seeing in Aurum models but Quadral’s RiCom-M ring tweeter, which is unusual for its annular diaphragm being of titanium. Quadral claims that it produces character-free treble output with broad dispersion.
Ed Selley  |  Nov 20, 2011  |  0 comments
The flagship Olive server backs up convenience with audiophile credentials. Olive Media Products has developed its digital range slowly and logically, initially with the less ambitious O2M multi-room player and O3HD and O4HD music servers, all of which feature 4. 3in touch-screens and command lower prices. The O6HD is its premium product, aimed at audiophiles who desire the convenience of a music server but are not prepared to sacrifice sound quality.
Ed Selley  |  Nov 20, 2011  |  0 comments
Anniversary edition of the Reference five splits into two boxes for improved performance Released to commemorate the 40th anniversary of the company’s Reference preamp, the Anniversary Ref 5 promises to address the few solutions not available in its recently unveiled single-chassis version. This two-chassis model sees the valve power supply relegated to a box of its own and, being a true dual-mono layout, two fat umbilical cords connect it to the chassis. Under the lid can be found an all-valve, zero feedback, pure Class A circuit employing four 6H30 triodes per channel, again dual-mono, while mounted on the bottom of the main board are four massive custom Teflon coupling capacitors, weighing around a kilo apiece. Each valve is fitted with a now-familiar damping ring; the main circuitry is fitted to a large mother board; daughter boards deal with the front panel and the socketry.

Pages

X