Integrated Amplifiers

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Hi-Fi News Staff  |  Jan 30, 2015
British company Ferrograph, as its name suggests, has its origins in the production of tape recorders. After the Second World War it successfully marketed a series of professional machines based around the sturdy Wearite deck. Having mastered this most difficult of components, it would have been relatively straightforward for Ferrograph to diversify into other lines. But its first integrated stereo amplifier is one of the most interesting.
Review: Andrew Everard, Lab: Paul Miller  |  Jan 28, 2020
hfnoutstandingHere's a compact amp with both digital and analogue inputs, plus a full Roon-ready network audio implementation, and radically lowered price – what's not to like?

Alot can happen in three years, and while the amplifier we have here is very much the smaller sibling of the DIA-400S [HFN Oct '16], it's also boosted by the inclusion of the Danish company's NPM module, a complete network audio solution giving access to a wide range of streaming options.

Ed Selley  |  Nov 17, 2011
Revisiting the first British solid state amplifier Goodmans was one of the most prolific loudspeaker makers of the 1960s, also supplying the radio and television trade. The company ran from 1932, ending when the TGI group was broken up in 2004. But the brand name as such survives marketing a range of DVB set-top boxes and LCD TV sets. Introduced in 1966 with a price tag of £49 10s, this compact little amplifier, the Maxamp 30, measured just 10in tall, 5in wide and 7in deep.
Review: Tim Jarman, Lab: Paul Miller  |  Jan 10, 2023
hfnvintageHandsome, affordable and boasting a top-notch tuner to boot, should this early '70s receiver top your list when it comes to securing a pre-cherished radio star? We find out

Almost all audio enthusiasts will know Goodmans for its range of loudspeakers. However, the company's other hi-fi products are less well remembered, despite the fact that more than one or two achieved considerable popularity among buyers.

Review: Mark Craven, Lab: Paul Miller  |  Jan 16, 2025  |  First Published: Dec 01, 2024
hfnoutstandingLeveraging key know-how from its flagship Apex amplifiers, and replacing the original Diablo integrated, the Diablo 333 is more powerful, more flexible and yet more devilish!

Integrated amplifiers are ten a penny, but not when you get into five figures. Often, at this point, consumers and manufacturers pivot toward pre/power systems, pursuing gains in performance and functionality in favour of the simplicity that comes from a one-box design. Yet high-end integrateds do exist, as illustrated by the Diablo 333, starting at £24,500, from Denmark-based Gryphon Audio.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 24, 2020
hfnvintageThe sweet spot in a three-strong series of late '80s amps, this high current integrated promised to handle low impedance speakers without breaking a sweat. We listen...

Most hi-fi enthusiasts know how many watts their amplifier can produce, but does that figure tell the whole story? In the early '80s, Harman Kardon's HCC (High Current Capability) range of integrated amplifiers gave listeners another number to think about, which was how much current an amplifier was able to source.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 16, 2019
hfnoutstandingA little over half the price of the mighty H590 amp, in a slimmer design and with very similar facilities and output, this new arrival from Norway is a sure-fire bargain

They're clearly fans of the old buckled swash at Hegel: having evoked Master And Commander in announcing its £9000 H590 flagship amplifier [HFN Oct '18], the Norwegian company says it's calling the new H390 'Robin Hood'. Why? Well, it's all a matter of re-distribution of wealth, apparently, for the £4900 debutant takes much of the ability of its big brother, and makes it available to those of us of humbler means.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 23, 2025  |  First Published: Oct 01, 2024
hfnoutstanding

With the H600’s streaming/DAC platform at its heart the new H400 – dubbed the ‘Streamliner’ by Hegel – looks set to take over as the sweet spot of the range

When Hegel’s reference H600 integrated amplifier [HFN Oct ’23] arrived to replace the H590 [HFN Oct ’18] last summer, it didn’t require much insight into the hi-fi industry to guess that the H390 [HFN Aug ’19] would also be marching in the general direction of the exit soon enough. It’s taken a year, though, before the replacement H400 – aka the ‘Streamliner’ – eventually pulled into port.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 16, 2020
hfnoutstandingThe new entry-level model in the Norwegian company's amp range is a sensible mix of facilities and performance – or at least it would be, if the sound wasn't sensational!

Oslo-based Hegel has been enjoying something of a purple patch of late: not content with raising eyebrows with the sheer performance of its flagship H590 integrated amplifier [HFN Oct '18], it went on to get dangerously near that level with the much more affordable H390 model [HFN Aug '19], offering almost all of big brother's sound quality for not much more than half the price. Our HFN review concluded that it was 'sensationally good value, with a clean, powerful sound and bags of musicality, not to mention exceptional flexibility including onboard network streaming'. Unsurprisingly, it won the 2019-20 EISA Award for 'Best High-End Amplifier'.

Jamie Biesemans, Review and Lab: Paul Miller  |  Aug 02, 2022
hfnoutstandingSteampunk styling meets luxury audio as the masters of touchscreen streaming launch one of the most tactile and flexible all-analogue integrated amplifiers ever seen!

Say what you will about HiFi Rose, the fledgling brand hailing from Seoul in South Korea, it sure knows how to capture the attention of audiophiles. First by launching remarkable do-it-all streaming players featuring huge touchscreens and options galore, and now this 'steampunk' integrated amp which left Internet forums speechless for about 15 seconds. Quite an achievement in this day and age... and those pundits hadn't yet seen the baffling rear of the RA180 with its sixteen loudspeaker terminals!

Review: Jamie Biesemans, Lab: Paul Miller  |  May 06, 2024
hfnoutstandingMore sober than the 'steampunk' styled RA180, and more powerful too, the new RA280 takes HiFi Rose's GaN FET-based Class D architecture into the audiophile zone

HiFi Rose delighted, and in some cases flabbergasted, hi-fi enthusiasts with its RA180 [HFN Jul '22], an amplifier that looked like it had just escaped from the pages of Gibson-Sterling's steampunk classic The Difference Engine. Boasting lots of knobs and dials on the outside, and novel GaN FETs in its Class D power amp on the inside, it was undeniably 'something else'. It was quite an unexpected product from the Seoul-based brand too, as up to that point HiFi Rose was principally known for streamers and DACs with very large touchscreens [HFN Jun '21 and Mar '22].

Review: Andrew Everard, Lab: Paul Miller  |  Apr 25, 2022
hfncommendedKorea's Citech group is ploughing its considerable in-house hardware and software resource into a series of network-attached players. Here's its most compact all-in-one

One of the great advantages offered by network-capable audio hardware is that, once a platform has been designed, it can be rolled out across a number of products, re-purposed and scaled depending on the target market. We've seen the same from brands as diverse as AVM [HFN Dec '21], Cambridge Audio [HFN Nov '21] and Naim [HFN Aug '21], and now recent arrival HiFi Rose is following the same path with high-end players designed to be used in existing systems all the way through to one-box soundbar set-ups.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 09, 2023
hfnoutstandingCombining the network streaming capability of the RS150 flagship with the GAN-FET Class D amplification of the RS180, the RS520 aims to be the 'all-in-one' for everyone

Another smart move from the Korean tech specialist? That certainly seems to be the case with the latest arrival from Seoul-based HiFi Rose, which has rapidly established itself as a major player in the network audio/video market with a string of excellent streaming players. Having taken what looked like an abrupt turn with the launch of its bonkers-styled – but great-sounding – RA180 integrated amplifier [HFN Jul '22], it's now delivering on the promises made by the company's Sean Kim, interviewed for that review. We're yet to see the simpler, more affordable RA280 integrated amp, but here's the company's all-in-one streaming amp, the RS520.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 16, 2023
hfnoutstandingDesigner David Shaw has stripped the best-selling Stereo 40 tube amp back to its basics and replaced its KT88s with 6L6/KT66s for a less 'power hungry' musical experience

Who'd have believed that the world would be awash with affordable valve amps in the 2020s? Certainly not those who recall the desperation of trying to source fresh tubes during the era when solid-state ruled and valves were yet to make a comeback. But now the choice is so vast that you can look beyond nursing vintage Leaks or Quads, with the risks that entails. Arguably the doyen of affordable valve amps is Icon Audio, its latest the absurdly cost-effective integrated Stereo (ST) 40 MkIV 6L6, starting at £2200.

Review: David Price, Lab: Paul Miller  |  Jul 11, 2019
hfnoutstandingPromising more power, better sound and greater flexibility, will this latest incarnation of a longstanding 'audiophile favourite' tube integrated meet the challenge?

The first Stereo 40 tube integrated amp arrived in the year 2000, and according to Icon Audio's founder and chief designer David Shaw, 'is the heart of what we do'. It's the metaphorical ham sandwich of the valve amplifier world – the staple diet of audiophiles wanting a simple, affordable, user-friendly integrated that offers classic tube sound and some interesting features too. This new £2200 Stereo 40 MkIV sits bang-smack in the middle of the range and, as claimed, is uncommonly versatile.

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