Integrated Amplifiers

Sort By: Post DateTitle Publish Date
Review: Ken Kessler, Lab: Paul Miller  |  Mar 18, 2022
hfnoutstandingHot on the heels of its tube hybrid integrateds comes this altogether cooler solid-state amplifier from Danish brand Copland. It packs on the style while also packing a punch

Nothing causes more consternation than a product seemingly 180 degrees at odds with a company's core philosophy, whether hi-fi, cars, watches, what-have-you. Audio Research dealt with the repercussions of its first solid-state amp… but an all-transistor amp from the equally tube-centric Copland? Not its first – these were the mid-'90s CSA8/CSA18 – so the CSA70 probably won't cause too much of a ruckus despite the absence of bottles.

Review: Mark Craven, Lab: Paul Miller  |  Dec 11, 2023
hfnoutstandingWith solid-state and tube/transistor hybrid models in its range, Copland returns to its roots with an all-analogue, all-valve integrated that supports aftermarket tube upgrades

By Copland's own reckoning, its noughties-era CTA405 integrated amplifier [HFN Aug '07] was an 'object of desire for audiophiles worldwide'. Now, some 16 years later, it has taken the idea of that model and considerably overhauled it – the £6500 CTA407 is both recognisably a descendant of the '405 and also markedly different.

Review: Ken Kessler, Lab: Paul Miller  |  Jun 12, 2019
hfnoutstandingA modern integrated amp with the valve du jour, Copland's CTA408 leaves nothing out and delivers the lot – could this be the biggest bargain in high-end audio?

Of late, I have been banging on, to the dismay of many, about how high-end audio has priced itself beyond any regard for reality. That said, context is everything. So, if I tell you a burger can cost £18 in a London restaurant and that Copland's CTA408 integrated tube amp is actually a bit of a bargain at £6398, please accept that I'm painfully aware the latter sum is a fortune to many, but the former is highway robbery. Eighteen quid for a burger!

Review: Ken Kessler, Lab: Paul Miller  |  Feb 12, 2024
hfnoutstandingThis new heavyweight integrated blends inspiration from D'Agostino's Momentum HD preamp and MxV power amp into an app-controlled design with modular upgrade path

Integrated amplifiers are a matter of lifestyle choice, and we've all heard the arguments about why they are either better or worse than separate pre/power combinations. Whatever the sales pitch, pro or anti, the bottom line is that you are choosing space-saving over possible audiophile preferences. With the Momentum MxV Integrated – the other one in the family being the less-costly Progression [HFN Nov '20] – founder and chief engineer Dan D'Agostino is giving you absolutely everything in a single box, for a heady £73,998 in silver or black.

Review: Ken Kessler, Lab: Paul Miller  |  Dec 21, 2020
hfnoutstandingBy extreme high-end standards, it's almost an 'entry level' product – so is Dan D'Agostino's Progression Integrated amplifier the perfect introduction to the brand?

After nearly four decades' worth of using Dan D'Agostino's designs, from Krells in the 1980s through to his more recent, eponymous models (I use a Momentum Stereo as my solid-state reference and love it to bits), I thought I knew what to expect. Silly me: surprise No 1 provided by the D'Agostino Progression Integrated was that I could lift it without any assistance. Surprise No 2 was a price under £20k.

Keith Howard & Paul Miller  |  Jul 06, 2009
This way madness lies. Or so you’d think if you buy hook, line and sinker into the mythology that has grown up around the Swiss darTZeel brand. And yet our Movers & Shakers feature in the March ’09 issue illustrated that darTZeel partners Hervé Delétraz and Serge Roch are nothing if not methodical in their approach to amplifier design. Their goal is to keep the audio path as straight and simple as possible, avoiding input/output switching and even using an optically-coupled rotary encoder for volume rather than a conventional potentiometer.
Richard Stevenson & Paul Miller  |  Jul 06, 2009
With HD technology and disc formats now on a firmer footing, almost every maker worth its transistors has launched a range-topping ‘HD’ amplifier. Enter Denon’s AVC-A1HD, goodbye AVC-A1XVA. Price-wise, the AVC-A1HD amplifier’s £3800 ticket nestles between Denon’s flagship AVR-4308 receiver (£2000, HFN, Dec ’07) and its new £10,000 A1HD multichannel pre/power combination. But of far more relevance is its position against its only serious competition – Yamaha’s DSP-Z11 (HFN, Apr ’08) and Pioneer’s SC-LX90, both at £5000.
Review: James Parker, Lab: Paul Miller  |  May 27, 2020
hfncommendedDenon's Design Series brings us this attractive-looking two-box system, combining disc playback with streaming. But does style and flexibility mean a compromised sound?

Each of Sound United's two mainstream hi-fi brands – Denon and Marantz – has its own take on compact, room-friendly separates. In the case of Marantz, it's a lineup comprising an integrated amp and a USB DAC/headphone amp, each styled in 'retro' casework designed to evoke memories of Marantz amps of the past.

Review: Andrew Everard, Lab: Paul Miller  |  Jan 14, 2021
hfnoutstandingA 110-year history makes Denon a record-holder in the hi-fi industry – and it's marking that landmark with an Anniversary series that includes this very fine disc player and amp

Hi-fi companies marking anniversaries is nothing new – indeed, it seems something crops up almost every month to mark some celebration, from 25 years of the Bowers & Wilkins 600 Series upwards. However, few brands have the history to warrant an anniversary as significant as Denon, for this year the Japanese company marks not merely its centenary, but a full 110 years in business.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 19, 2023
hfnoutstandingDenon has been in existence for 111 years, resolutely supporting CD playback for the last 40. Its latest CD disc spinner handles SACD too, and joins the 1700 series amplifier

The Denon duo in the limelight here are an obvious refresh of the previous generation DCD-1600NE disc player and PMA-1600NE amp, introduced in 2017, rather than entirely new designs. Partly that's because both the £1299 DCD-1700NE and £1699 PMA-1700NE look very similar, if not identical, to their predecessors. The solid construction, metal front fascia that curves to ensure the Denon logo catches the light, the weighty volume knob in the middle of the amp, the old-school tone controls… it's all very par for the course, as is the choice between black or silver colourways.

Hi-Fi News Staff  |  Nov 11, 2014
When Devialet’s D-Premier was launched [HFN Apr ’10] it appeared to offer everything – tremendous power, direct digital inputs and a uniquely slim form factor. Its beautiful industrial design was matched by the elegance of its technology, a hybrid of Class A voltage amplification with precision digital Class D current dumpers. Devialet first chose to implement HDMI as the digital interface of the future. But now we all know that USB is digital audio’s all-conquering interface.
Paul Miller  |  Apr 16, 2010
Once in a generation a company will emerge, often from left-field of audio’s mainstream, with a concept so original and innovative that it has the capacity to re-define the expectations of a product genre. That company is Devialet of France and its product is the D-Premier integrated amplifier, expected to cost around £12k when launched in the UK. Embarking on this review, little was known about the nitty-gritty of the D-Premier aside from its description as an ‘ADH’ (Analogue/Digital Hybrid) amplifier. It was not exhibited at CES in January nor formally announced to the press, so much of what we’ll discuss here is derived from very close inspection and even closer lab work, all exclusive to Hi-Fi News.
Ed Selley  |  Nov 19, 2011
A clean sheet design that makes a considerable visual statement Although EAR-Yoshino founder, boss and designer Tim de Paravicini describes the new V12 integrated amplifier as a totally ‘clean sheet of paper design’, you can’t help but notice its resemblance to the V20. That amplifier sired this one, yet all that remains to cause confusion are identical dimensions and looks. This time around, Tim wanted more still. ‘I wanted more grunt, a good, honest 50W/ch, and more extended tube life.
Review: Jamie Biesemans, Lab: Paul Miller  |  Nov 14, 2022
hfnoutstandingA Serbian brand based in Chicago packs a streamer, DAC and headphone amplifier into three bijou cases, topped off with a bespoke outboard PSU. We lend an ear, man

Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.

Review: Ken Kessler  |  Nov 02, 2020
hfnoutstandingThe extension of EAT's E-Glo range of valve phono stages into something bigger was inevitable, but not hurried – enter EAT's first integrated all-tube amplifier, the E-Glo i

Regular readers will already know that I use two of EAT's cartridges [HFN Dec '18 and '19], two of its phono stages [HFN Mar '17 and Feb '19] and a B-Sharp turntable [HFN Jul '20]. The E-Glo i is thus among family members and there's every chance I was going to be predisposed…

Pages

X