Integrated Amplifiers

Headquartered in Kanagawa, Japan, Soulnote has created a trio of product ranges in just ten years. Its mid-range Series 2 comprises a phono stage, DAC and the A-2 integrated

Soulnote’s A-2, available for £6300 in silver or black, is an integrated amplifier with an air of the ‘old skool’ about it. No network or digital connectivity, just analogue all the way, and only line-level too, as the Japanese manufacturer prefers to keep its phono stages separate. There’s no form of system control (ie, 12V triggers), and the user experience is very much plug-in-and-play, aided by an elegant remote and even simpler front-panel display.

With the launch of the £1300 Model 60n, Marantz finally has an entry-level alternative to the £2200 Model 40n [HFN Apr ’22]. This is par for the course, as Marantz has similar ‘good’ and ‘better’ offerings in the shape of the Model 30 [HFN Jan ’21] and Model 50 amplifiers. But where those two are ‘old-school’ analogue-only separates requiring external sources, this new Marantz amplifier is an all-in-one with DAC and streaming capabilities – all of which explains the ‘n’ for ‘network’ at the end of the name.

At first glance, since they look like twins, you might wonder what Luxman has done to the L-509X integrated amplifier [HFN Jan ’18] to justify the Z suffix. The pesky price increase from £8500 to £10,999 reflects six years of inflation and recent world turbulence, but don’t be fooled by nearly identical looks. The devil is in the details.

Sitting in a neat stack on the desk in front of me as I write, the subjects of this review remind me of those pretty Toshiba Aurex units of yesteryear [HFN Apr '16]. There are three Micromega components in all: the Microdrive CD transport (an improbably small device, this); the Variodac, comprising a Bitstream digital-to-analogue converter with remote power volume control and an additional line input; and finally, the Microamp, a neat-looking stereo power amplifier block.

Now that Heinz Lichtenegger, president of parent brand Audio Tuning, is comfortably behind the wheel of Musical Fidelity and the marque is churning out a steady flow of new products, including the rather notable Nu-Vista amplifiers [HFN Mar & Aug '23], it's good to see the full history of this British brand being revisited. The £1499 reissue of the 'griddle plate' A1 integrated amplifier is a case in point. Without losing sight of the past – or the original A1's flaws – it has been reworked by Simon Quarry, the engineer in charge of most new Musical Fidelity designs. The result is a fully symmetrical, Class A-biased amplifier that looks, and sounds, true to the original – it is not simply a vintage lookalike with unconvincing innards.

Integrated amplifiers are a matter of lifestyle choice, and we've all heard the arguments about why they are either better or worse than separate pre/power combinations. Whatever the sales pitch, pro or anti, the bottom line is that you are choosing space-saving over possible audiophile preferences. With the Momentum MxV Integrated – the other one in the family being the less-costly Progression [HFN Nov '20] – founder and chief engineer Dan D'Agostino is giving you absolutely everything in a single box, for a heady £73,998 in silver or black.

Bang & Olufsen's first move into the world of serious hi-fi came in 1967 with the introduction of the Beolab 5000 amplifier and Beomaster 5000 tuner [HFN Dec '12]. These defined the European state of the art at the time and were as successful as their high prices allowed. The company then distilled these two units into the Beomaster 3000, which offered similar qualities at a more accessible price. It lacked the sheer power and versatility of the Beolab 5000 but sold strongly throughout a long production run.