Loudspeakers

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Review: Jamie Biesemans, Lab: Paul Miller  |  Mar 18, 2024
hfnoutstandingB&W's premium 800 D4 range is bookended by Signature versions of the flagship 801 D4 floorstander and the 805 D4 standmount. But is the polish more than skin deep?

Only two years after launching the D4 generation of its flagship 800 series [HFN Nov '21], Bowers & Wilkins has announced Signature editions of both the range-topping 801 D4 floorstander [HFN Sep '23] and its partnering 805 D4 standmount. At £10,000 a pair the 805 D4 Signature increases the stakes for this compact model, as the 'standard' 805 D4 [HFN Feb '22] retails for a full £3000 less.

Ed Selley  |  Nov 24, 2010
As soon as B&W introduced diamond tweeters to some of its 800 series speakers in 2005, people began asking for a diamond tweeter to be fi tted to the smallest model in the range, the 805. Well, the wait is over – the offi cial 805 Diamond is here – though its price has more than doubled over the old 805S. The good news is that this isn’t a mere swap job: B&W has taken the opportunity to re-engineer the 805 thoroughly. For instance, the input terminals are more than chrome plated, with metal ‘nuts’ replacing the previous plastic items.
Hi-Fi News Staff  |  Oct 16, 2014
Here, B&W has launched a floorstander that extends the CM Series upwards and fits into the price slot vacated by the old 804S. Like the 804, the CM10 uses a separate [but new] tweeter module. A standard 50µm-thick dome with most of the centre removed forms a stiffening ring and on the front of this is stuck a full dome only 35µm thick. This gives a higher first breakup frequency, said to be 38kHz, yet with a similar moving mass, compared to the standard 50µm dome.
Review: Tim Jarman, Lab: Paul Miller  |  Jul 26, 2021
hfnvintageA covetable compact or a mere nearfield monitor for the acutely design-conscious? We hear how this miniature bookshelf loudspeaker from 1983 shapes up today

In the frantically fast-paced hi-fi market of the '70s and '80s, it is pleasing to find a product that remained in its manufacturer's catalogue virtually unaltered for years. If something looks good, sounds good and sells profitably why change it? Some products remain available simply because the company making them lacks the resources to do anything different. But that could not be said of Danish brand B&O, which was then at the height of its powers.

Keith Howard  |  Aug 24, 2009
I admit to double-checking the price of the CM9 because it appears to offer such a lot of hardware for the money. As well as being one of the largest speakers here, it has four drivers including B&W’s highly regarded FST midrange unit whose woven Kevlar cone, rather than having a conventional roll surround, is swaged at the edge and rests on a ring of foamed plastic which operates in compression. This novel arrangement improves the dissipation of cone vibrations but limits the available cone excursion, making the FST unit unsuitable for reproducing bass frequencies. So here the CM9 hands over to twin 165mm bass drivers (effective diameter about 132mm) which are reflex loaded via B&W’s familiar dimpled Flowport.
John Bamford and Keith Howard  |  Dec 25, 2009
Recently acquired by the Canon organisation, Cabasse of France has begun a concerted effort to have its speakers available for sale in the UK through a small network of specialist dealers. Coherent Audio Systems near Tewkesbury, Glos, a dealer that also imports and distributes high-end Oracle and Belles products, was recently appointed its marketing agent. Readers may recall we enjoyed Cabasse’s £3400 Iroise 3 model earlier this year, which features the company’s spherical-shaped BC13 coaxial driver married to a pair of 210mm woofers in a floorstanding cabinet. The Baltic Evolution comes from Cabasse’s substantially more expensive Artis range, and features the company’s more ambitious TC23 triaxial driver, which is designed to provide a point source with an operating bandwidth from 22kHz down to around 80Hz.
Keith Howard  |  Jul 25, 2009
Let’s play a game of audio word association. If I say ‘Cabasse’, what’s your response? If it’s ‘What?’ because you’ve never heard of the French speaker manufacturer then shame on you. Its name may not be on everyone’s lips but Cabasse has been around a long time and even in not-always-Francophile UK the marque has staunch admirers. If you replied ‘Bizarre’ instead then that is both linguistically and technically nearer the mark.
Ed Selley  |  Oct 29, 2011
This big French three way is strong value for money You’d scarcely credit that the MC40 Minorca is the cheapest speaker here. It’s larger than the ATC, Dynaudio and PSB, it has a piano black finish (a £140 cost option, standard finishes being cherry and purple cherry wood veneers) and, unlike all the others, it’s a three-way rather than a two-way design. Cabasse’s distinctive BC10 coaxial driver is responsible for that last feature, comprising a soft dome tweeter, with shallow horn loading, surrounded by a convex annular diaphragm that handles the frequency range between 900Hz and 3. 2kHz crossover points.
Review: Andrew Everard, Lab: Paul Miller  |  Aug 08, 2022
hfncommendedAvailing itself of the latest DSP and Class D amps, the Pearl Pelegrina is a sophisticated 'connected' speaker

There's no escaping it: sitting in front of Cabasse's Pearl Pelegrina, the £22,599 flagship of the French company's Pearl speaker range, the punning phrase 'the eyes have it' kept going through my mind, so great was the sense of these spherical enclosures fixing me with a beady stare. Of course, this look is nothing new for the designers in Brest, out on the tip of Brittany: at the top of its range is the huge La Sphère loudspeaker [HFN Feb '10], its 70cm globe perched atop a helical stand, and driven by a rackful of dedicated crossovers and amplifiers.

Review: Mark Craven, Lab: Paul Miller  |  May 20, 2021
hfncommendedDesigned by Cambridge Audio's in-house team in London, the refreshed SX-80 is a big speaker on a small budget

When it launched its Edge series in 2018 to mark its 50th Anniversary [HFN Nov '18], Cambridge Audio appeared to be making a concerted effort to reach a little higher. But proof this stalwart of the UK high street hasn't turned its back on wallet-conscious buyers arrived recently in the form of its reworked SX loudspeaker range. With head-turning prices, a modern finish and dimensions that won't upset your interior designer, these are likely to garner considerable interest.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 20, 2022
hfnoutstandingFor 50 years and two generations Germany's Canton has been building 'audiophile' loudspeakers. We catch up...

The Reference lineup from Canton marks the apex of its engineering thinking, combining years of experience with new computer modelling software and a freshly built testing laboratory. Given 'free rein', its designers came up with no fewer than nine separate models for the new Reference K series, including six floorstanders, one standmount, a centre channel speaker and a 750W-rated active subwoofer for home theatre applications.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 15, 2022
hfnoutstandingThis well-established German brand's Reference K loudspeaker series starts off with a compact, but deep, standmount design and it sounds as polished as it looks...

What do you envisage when you think of 'serious speakers'? All too often it can seem that bigger means better, judging by some of the behemoths we've recently had through the HFN listening room. For a while it seemed that every speaker stood taller than us, and had a mass well into three-figure kilo territory, often with a price that would buy a very decent car, even in the current shortage-inflated market. In the face of all that, Canton's Reference 9K could look desperately unfashionable, standing as it does just 41cm tall and with a price of £2850 in either black, white or cherry veneer finishes, all with a multilayer lacquer topcoat.

Review: Jamie Biesemans, Lab: Paul Miller  |  Dec 01, 2023
hfncommendedThis German institution offers a vast catalogue, including the Reference-inspired Vento range, topped by the 100

Canton is not only Germany's largest loudspeaker manufacturer, it might also be one of the most prolific speaker builders in the world. Yet within an extensive range that includes everything from on-wall and in-ceiling speakers to soundbars and subwoofers, its Vento series has long been a main 'pillar' of the brand, in production for nearly two decades. And now, as part of a recent refresh of the Canton catalogue overseen by technical director Frank Göbl, it's been comprehensively upgraded.

Review: Adam Smith, Lab: Paul Miller  |  Nov 06, 2023
hfnoutstandingNo citadel in the sky, these latest Castle speakers are firmly grounded in great sound courtesy of the FinkTeam

What do you get if you take a venerable British loudspeaker marque, mix with the (from 2007) owners' fabrication facility in China, stir in a highly respected German loudspeaker designer and top the whole creation with British assembly? In this case, it's the Castle Windsor Duke loudspeaker, an elegant £4500 standmount design that's the fruit of a truly worldwide network.

Martin Colloms  |  Nov 21, 2023  |  First Published: Oct 01, 1992
hfnvintageThis slim design offers the traditional benefits of transmission line bass loading yet manages to overcome the drawbacks, says Martin Colloms

New ideas are being introduced at Celestion to bring its upmarket SL series into the 1990s. The first example, designed by Bob Smith, was the 100 [HFN Nov '91] followed now by the 300 reviewed here. This is a £1000 floorstander that aims to bring improved bass extension, power handling and superior dynamics to the genre, while sensitivity remains below average at 84dB/1W. A remarkable aspect of the 300 is its transmission line loading, a first for Celestion, and developed with an unusually authoritative theoretical approach, by the designer Martin Roberts.

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