Loudspeakers

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Review: David Price, Lab: Keith Howard  |  May 15, 2020
As Focal replaces its Chorus range of high-value speakers with a new Chora lineup, we test the flagship floorstander

Time waits for no one – especially if you're a speaker manufacturer. Focal knows this, and will regularly refresh its ranges to maintain its competitiveness. That said, the popular entry-level Chorus lineup [HFN Jun '08] has held sway for longer and only now is it superseded by the high-value Chora range.

Review: Andrew Everard, Lab: Keith Howard  |  Dec 01, 2018
hfnedchoice.pngThe latest Utopia flagship has improved drivers and cabinets – does the sound match its impressive presence?

When it comes to the description of products – and not just in hi-fi – one word has become so ubiquitous that it no longer has much meaning: that word is 'iconic'. Yet Focal has dodged that particular bullet by describing its new Grande Utopia EM Evo – all 265kg, two metres and £160k-a-pair of it – and its smaller stablemate, the Stella Utopia EM Evo, as 'the most emblematic high-fidelity loudspeakers of all its collections'.

Review: Cliff Joseph, Lab: Keith Howard  |  Jan 01, 2018
hfncommended.pngA new range combines Focal’s traditional performance values with a more relaxed – and colourful – design

Based in Saint-Étienne, the company’s resolutely ‘made in France’ philosophy has led Focal to develop a number of its own acoustic technologies and designs, and even to use locally grown materials in the manufacture of its speakers. And now the company is continuing that no-compromise approach with its Kanta No2, the first in a new range of compact loudspeakers.

Review: Nick Tate, Lab: Keith Howard  |  Aug 29, 2019
hfncommendedCelebrating its 40th anniversary, Focal continues to diversify and expand – its Kanta range now three-strong

Sitting smack-bang in the middle of the company's vast loudspeaker range, the Focal Kanta series is described as 'a new vision for a premium speaker', no less. Personally I'm not entirely convinced that this is so revolutionary, but the £4499 Kanta No1 still makes a fine case for itself. It's attractive, very well finished and sports some novel technologies.

Review: Andrew Everard, Lab: Keith Howard  |  Nov 12, 2019
hfnoutstandingThe latest – and largest – model in Focal's Kanta range combines its signature style with innovative materials

You might be tempted to see the Focal Kanta range as Utopia-lite: while the loudspeakers in what is now a three-strong lineup are one-piece designs, lacking the adjustable articulation of the flagship offering, they do echo the company's Utopia style [HFN Dec '18]. This is done by shaping the front baffle so that, in the £9000 Kanta No3 we have here, the two bass drivers are in a section of baffle sloping gently back from bottom to the midpoint where the tweeter is mounted, while the midrange driver at the top is slanted slightly downwards.

John Bamford and Keith Howard  |  Oct 25, 2009
When Scott Walker famously sang ‘My Ship Is Coming In’ he could have been describing taking delivery of a pair of Focal’s £110,000 Grande Utopia EMs, surely one of the finest dynamic loudspeakers known to humankind. Standing over 2m tall and weighing 260kg (each!), the four-way ‘Grande EM’ with its electromagnetic 16in woofer and user-adjustable ‘Focus Time’ cabinet construction is a statement product that challenges the envelope of speaker performance. Privileged indeed are the audiophiles with adequately large listening rooms in which to accommodate them and deep enough pockets to afford them. Focal is France’s largest and most successful speaker manufacturer, producing several series of hi-fi models ranging from affordable to, well, the price of a Bentley in the case of the aforementioned flagship.
Review: Ken Kessler, Lab: Paul Miller  |  Feb 04, 2021
hfnoutstandingAccordo standmount gains a dedicated woofer and larger, floorstanding cabinet. Hey presto: the Essence

No kidding: when I first fired up the Franco Serblin Accordo Essence, I figured it sold for around £20,000, somehow forgetting that the loudspeaker above it – the flagship Ktêma [HFN Sep '20] – cost £25k. Surely they wouldn't price two models so closely? Equally, I failed to recall that the standmount Accordo [HFN Jan '18] from which it is derived sells for only £7500. The pricing, however, illustrates how Massimiliano Favella is sticking to a plan where each model fills a sonic and fiscal gap: the Accordo Essence will set you back £12,998 per pair.

Review: Ken Kessler, Lab: Paul Miller  |  Apr 18, 2024
hfnoutstandingInspired by the diminutive and still current Accordo, the Goldberg variation features a larger cabinet and bass/mid driver, and integral crossover. Is bigger always better?

Odd though this might sound, it bothers me when PM gives me a sequence of exceptional loudspeakers to review. Can there really be that many miraculous designs, one after the other – or am I growing soft? Following models from DeVore Fidelity [HFN Aug '23] and Wilson Audio [HFN Sep '23], and reborn LS3/5As, I find myself with a new Franco Serblin speaker that has rocked my world. The Accordo Goldberg could be, overall, the best yet to come out of the fertile brain of the inspirational if, sadly, late designer.

Review: Ken Kessler, Lab: Keith Howard  |  Jan 01, 2018
hfnoutstanding.pngAt long last, we get our hands on the iconic Franco Serblin Accordo. Does it redefine the small loudspeaker?

We may have waited over five years to review the Franco Serblin Accordo but, as I found within five seconds of switching them on, it was worth the hold-up. The Accordo is one of the late Franco Serblin’s last designs, chronologically falling in between the Ktema and the Lignea, and its appeal to the archetypal British audiophile is blatantly overwhelming. With its predecessor and follow-up both floorstanders, the Accordo differs as a petite two-way standmount, complete with a 740mm angled pedestal. The Accordo is sold in mirror-imaged pairs, in walnut for £7500 with the integral stands, or in high-gloss grey for an additional £300.

Review: Ken Kessler, Lab: Paul Miller  |  Oct 01, 2020
hfnoutstandingAs boutique Italian brand Franco Serblin prepares to boost its range we look at the iconic flagship

Franco Serblin, who passed away in 2013, first unveiled his flagship Ktêma in 2010. He had left Sonus faber, which he founded in 1983, in 2006, so the Ktêma was in development for nearly five years before he felt it was ready to be sold by the new company bearing his name. I remember the tension during its gestation, and Franco's elation at being able to produce a no-compromise system – not that he was ever restrained at Sonus faber. Think of the phenomenal Extrema, Guarneri and Stradivarius. The wait for the Ktêma proved worth it – as did the anticipation lasting a decade to hear a pair in my own system.

Review: James Parker, Lab: Keith Howard  |  Jun 06, 2019
hfncommendedA group of ex-Tannoy engineers bring their experience to bear on a new speaker brand

As past reviews have noted, the market's not exactly short of budget speaker offerings. Though prices down at the entry-level have shown an upward trend – after all, the £100-a-pair 'superboxes' of a decade or two back really wouldn't be sustainable these days – there's also an argument for saying there's not exactly a crying demand for new speaker brands.

Hi-Fi News Staff  |  Oct 16, 2014
The M’inenT range [one standmount and two floorstanders] is new from GamuT. The M5s have a tall and commanding presence yet somehow seem less bulky than their paper dimensions would suggest. The cabinet is exceptionally well finished in a flawless real wood veneer and a wide range of finishes is available at extra cost. The three drive units are configured as a two-and-a-half way design, with crossover points at 500Hz and 2.
Keith Howard  |  Sep 25, 2009
Gamut by name, gamut by nature. Danish audio company Gamut (it writes it GamuT), not content with offering eight models of loudspeaker, of which the Phi7 is top of the four-model Phi range, also manufactures a CD player, preamplifier, two integrated amps and four power amps plus interconnect and speaker cables. So it can supply you with an entire hi-fi system, wires included. Phi in the context of this Gamut speaker and its siblings is the golden ratio, 1:1.
Review: Andrew Everard, Lab: Paul Miller  |  Mar 01, 2024
Unusual, if not unique – does this Canadian company's idea of stacking two speakers for each channel pay sonic dividends?

The idea of stacked speakers is nothing new: SME founder Alastair Robertson-Aikman was famed for using double-decker Quad ELS57 electrostatics [HFN Sep '77 & Dec '01] and the idea was even endorsed by the speaker company which provided instructions to achieve the same thing, with the upper speaker mounted in a frame upside down above the lower. Even the late brand ambassador, Ken Ishiwata, was for a while demonstrating his Marantz electronics with stacked pairs of Mordaunt-Short Performance 6 speakers mounted in frames he'd spec'd and had custom-made.

Review: Mark Craven, Lab: Paul Miller  |  Oct 24, 2022
hfnoutstandingNow owned by AudioQuest cable's parent company, GoldenEar has added the compact Bookshelf Reference X to its range – the final design from longstanding CEO Sandy Gross

Looking at the BRX (Bookshelf Reference X) loudspeaker, it's easy to feel slightly unnerved by the amount of, well, 'technology' that's been squeezed into its compact dimensions. But then we should remember it hails from American brand GoldenEar, a company that – under the auspices of founder Sandy Gross – has always seemed to approach loudspeaker (and subwoofer) design a little differently to many rivals.

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