Loudspeakers

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Review: Mark Craven, Lab: Paul Miller  |  Jun 02, 2025  |  First Published: May 01, 2025
hfnoutstandingLeveraging its 30 years of innovative speaker design, the Orion features Rockport’s ‘next generation’ cabinet

Named after the Maine town where it started in 1984, although now based down the coast in South Thomaston, Rockport Technologies has been known by audiophiles since the 1990s as a manufacturer of high-end – and heavyweight – loudspeakers. The Orion floorstander tested here is no exception, weighing 163kg per piece and selling for £165,000. Suffice to say, it’s a far cry from the early sub/sat systems of chief designer Andy Payor...

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 03, 2025  |  First Published: May 01, 2025
hfnoutstandingForty years young, Dynaudio’s Contour series is raised to a new level in this ‘Black Edition’ standmount, featuring improvements to every component. Welcome to the dark side!

True to form, Dynaudio showed a slew of products at last year’s High End Show in Munich [HFN Jul ’24] – including a new loudspeaker styled by Tokyo’s Keiji Ashizawa Design studio, plus a turntable built by Thorens. Also shown was this Contour 20 Black Edition standmount, now finally in production. This is a range of one – an elegant two-way with no floorstanding partner – but it serves a useful purpose, offering Dynaudio fans an option to bridge the £4500 Contour 20i and the premium £9600 Confidence 20. Okay, at nearly £6000 a pair, it’s not exactly midway in price, but does represent a tempting step up.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jun 04, 2025  |  First Published: May 01, 2025
hfnoutstandingPerlisten’s flagship gets the ‘LE’ treatment with lashings of carbon-fibre, plus updated crossover and bass drivers

Talk about bursting onto the scene. Five years ago, few had heard of Perlisten even though the Wisconsin company had existed from 2016, ostensibly operating in stealth mode. Today it is an established name in hi-fi circles, abetted by two complete loudspeaker series featuring some ambitious technology. The four-way £19,000 S7t floorstander [HFN Apr ’22] had served as Perlisten’s flagship speaker until this £30,000 Limited Edition arrived two years later, boasting numerous detail enhancements. It’s at least 25kg heavier too, at 84kg per tower.

Review: Mark Craven, Lab: Paul Miller  |  Apr 23, 2025  |  First Published: Apr 01, 2025
hfnoutstandingOffered in sealed (SB) and ported (PB) variants, SVS’s new Ultra subs claim refinements to driver, amplifier, power supply and DSP, and include a new auto EQ room correction

Although SVS sells a variety of loudspeakers, from its desktop-friendly Prime Wireless Pro powered monitors to the recently launched Ultra Evolution series [HFN Jul '24], it's best known as a subwoofer manufacturer. This is, after all, how the Youngstown, Ohio-based company first got started in 1998, and in the intervening years it's evolved a catalogue of subwoofers that's now crowned by the new 17-Ultra R|Evolution models.

Review: Mark Craven, Lab: Paul Miller  |  Apr 25, 2025  |  First Published: Apr 01, 2025
hfnoutstandingWith uprated tweeter, internal wiring, crossover and terminals, the Diamond edition Parker Trio is a jewel in Marten’s crown

Marten Parker Trio is not, of course, the name of a new jazz act. Marten is the Swedish loudspeaker manufacturer, established as a family business by Leif Mårten Olofsson in 1998, and Parker Trio one of its floorstanding options. Yet the jazz angle still applies, as the company's other speaker ranges are Coltrane, Mingus, and Oscar. Perhaps Olofsson, who heads up the company as its chief designer, has Monk or Davis in mind for the future...

Review: Jamie Biesemans, Lab: Paul Miller  |  May 05, 2025  |  First Published: Apr 01, 2025
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Situated squarely in the middle of Canton’s five-strong set of floorstanders, is the Reference 3 the sweet spot?

First seen at High End Munich in 2023, Canton’s Reference range brought a major renewal to the flagship offering of Germany’s largest loudspeaker brand. Introducing a new design aesthetic, with a rounded lute-shape cabinet profile made popular by Sonus faber many years ago, and integrating new drivers, it heralded a major course change from the previous Reference K generation [HFN May & Aug ’22]. Yet Canton’s penchant for sprawling ranges has not changed, so the Reference series contains no fewer than eight models – and that’s not counting the exclusive GS edition, nor the two Alpha models revealed at Munich in 2024.

Review: Mark Craven, Lab: Paul Miller  |  Jan 30, 2025  |  First Published: Mar 01, 2025
hfnoutstandingNow in its ninth iteration over nearly 35 years in production, the Q series gets a ‘MAT makeover’ headed by the Q11 tower

KEF launched its Q series Meta loudspeakers toward the end of 2024 with plenty of fanfare, but to any hi-fi enthusiast with half an eye on this brand, the announcement came as no surprise. We’d already seen how the introduction of the ‘revolutionary’ Meta Absorption Material Technology (MAT) on KEF’s LS50 Meta [HFN Jun ’21] was followed by Meta updates of its Blade [HFN May ’22], Reference [HFN Jun ’23] and then R series [HFN Jan ’24]. At the same time, KEF’s bottom-of-the-rung Q range was last updated in 2017. So, with hindsight, the Q series Meta, topped by the £1999 Q11 Meta floorstander seen here, is about as expected as anything gets in hi-fi.

Review: Mark Craven, Lab: Paul Miller  |  Feb 04, 2025  |  First Published: Mar 01, 2025
hfnoutstandingGermany’s T+A has long been a champion of ‘line source’ floorstanders and its S 530 is the entry model to the concept

‘Theory and Application’ (T+A) is well-known for hi-fi separates ranging from its CALA and Caruso ‘lifestyle’ models to the DACs, amps and ‘multisource’ receivers of its premium R and HV series, all featured regularly in Hi-Fi News. Less well-known are its loudspeakers, despite T+A starting out in 1978 as a speaker manufacturer. Hoping to refresh our memory and provide scope for a full high-end T+A system, is a new three-strong Solitaire S range, of which the S 530 is the middle model.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jan 29, 2025  |  First Published: Feb 01, 2025
hfnoutstandingCrafted on the shores of Lake Zurich for nearly 40 years, Piega speakers are famous for their innovative ‘ribbon’ driver designs. Its Coax series is now launched in ‘Gen2’ guise...

Instantly recognisable, Switzerland’s Piega has produced its ‘ribbon’ loudspeakers for nearly four decades. Building on the company founded by Leo Greiner (the other founder, Kurt Scheuch, brought technical chops to the table), it’s a manufacturer that takes pride in its family ownership. Greiner’s sons Alex and Manuel still manage the business from Horgen on the shores of Lake Zurich, where production is situated.

Review: Mark Craven, Lab: Paul Miller  |  Jan 31, 2025  |  First Published: Feb 01, 2025
hfncommended‘Big sounds’ are promised from this Nordic brand’s slender Signature speaker range that includes floorstanding, standmount and AV-ready on-wall models. Is the Sig 5 a star?

If you have a preconceived notion of System Audio, chances are it’s been formed by its Silverback range of active, wireless loudspeakers. Occupying the top tier in the Danish manufacturer’s catalogue, models including the Silverback 60.2 and Silverback 40.2 [HFN May ’21 and Aug ’21] combine DSP-based crossovers, DACs and integrated amplification, with cable-free transmission via the WiSA standard. Add in the app control and room EQ and there is, to put it bluntly, a lot going on in the Silverbacks – something which can’t be said of System Audio’s new Signature series.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 01, 2025
hfnoutstandingFlagship of the new KORE-derived Epikore range, DALI’s big floorstander boasts impressive tech and in-room presence

With not just so many ranges in its catalogue, but also many models in those ranges, it’s hardly surprising that Danish speaker company DALI is no stranger to the concept of trickle-down technology. After all, once the development cost of a new component, or an entire loudspeaker, has been spent, why not spread the love by finding ways of carrying over that thinking to other products?

Review: Andrew Everard, Lab: Paul Miller  |  Dec 10, 2024  |  First Published: Jan 01, 2025
hfnoutstandingThe only standmount in Canton’s eight-strong Reference series includes the same driver and crossover tech found in its flagship Reference 1 floorstander. A chip off the block?

Although it’s relatively easy to build a large ‘cost no object’ loudspeaker worthy of a brand’s flagship, things get a little trickier when the requirement is for a compact model. Quite apart from the budget constraints – customers believe there should be a direct relationship between size and price – there’s the small matter of ‘you can’t argue with physics’ when it comes to delivering a big, room-filling sound from a smallscale enclosure.

Review: Jamie Biesemans, Lab: Paul Miller  |  Jan 17, 2025  |  First Published: Jan 01, 2025
hfnoutstandingIf you thought that MoFi Electronics’ SourcePoint 10 [HFN Apr ’23] was a sizeable speaker, then you haven’t seen anything yet.

Sporting a trio of 200mm drivers, the new SourcePoint 888 is the company’s third outing in the loudspeaker space and something of a beast – reasonably tall at 107cm, positively stocky at 32cm wide and 41cm deep, and hefty too at 43kg.

Review: Andrew Everard, Lab: Paul Miller  |  Jan 18, 2025  |  First Published: Jan 01, 2025
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The Danish brand’s flagship floorstander mixes upgraded in-house drivers with a sculpted ‘Directivity Control’ baffle

With more than 45 years of speaker-making under its belt, Dynaudio has a remarkably diverse range of product lines. There are no fewer than ten series, in fact, each featuring a stack of the company’s in-house technologies. And so it is with the Confidence 60, the £36,500 flagship of a range comprising one standmount and three floorstanders, and where ‘Everything is new, from the cabinet to the drive units’.

Review: Adam Smith, Lab: Paul Miller  |  Jan 19, 2025  |  First Published: Jan 01, 2025
hfnvintageThe Magnum appeared in numerous guises throughout Goodmans’ long history but this early ’90s version is arguably less well known. How does this ‘two-way’ fare today?

One frustrating aspect of being a vintage audio enthusiast is encountering those companies who love to re-use model names and numbers. If you’re a B&O fan talking about a ‘Beogram 3000’, for example, are you referring to one of the two 1960s variants, the 1970s model or the 1980s version? It’s even becoming an issue all over again with updated recreations of famous designs, like the Mission 770 loudspeaker [HFN Jun ’22] and Quad’s 33/303 pre/power system [HFN Jan ’25].

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