Loudspeakers

If there was ever a speaker that seemed, on specification alone, to warrant the phrase 'bang for your buck', it's SVS's Prime Pinnacle. For less than £2000 a pair, this US audio brand is offering a three-way floorstander with bespoke midrange unit, an unusual-at-this-price trio of woofers, and the promise of a 'world-class performance'. Even accepting the latter as marketing hyperbole, it's impossible not to view the Prime Pinnacle as potentially superb value for money.

As the moving-coil loudspeaker approaches its centenary you could say plus ça change – much about it has changed, but some things remain stubbornly the same. For instance, for a large slice of the loudspeaker's lifetime, designers and enthusiasts have argued over how sound should be radiated into the room. Should a speaker 'beam' its sound towards the listener, thereby quelling the room's contribution as much as possible? Or should it fire sound in all directions, engaging the room as much as possible?

Several factors set the 2013 launch of the Sonus faber Olympica range apart: not only was this one of the first complete lineups from a company previously better known for individual models, but it also marked the brand's debut as a manufacturer of drive units, built in-house [HFN May '14 and Mar '15]. The new Olympica Nova range represents a next logical step, comprising no fewer than seven models. The series kicks off with the compact Nova I standmount but is headed by the £14,900 Nova V floorstander featured here, available in a choice or walnut or wenge finishes, standing some 117.5cm tall and weighing a not insubstantial 44kg each.

Oxfordshire-based Falcon Acoustics is perhaps best-known for two aspects of its business: first, it's a major supplier of drive units, both its own designs and those of partner companies; and second, it's the manufacturer of its own version of the classic LS3/5a speaker design [HFN Jan '19]. The Falcon Acoustics Classic 15ohm LS3/5a is fully BBC-licensed, hand-assembled in Oxford and 'the only LS3/5a in production that faithfully replicates the original BBC design published in Oct 1976'.

Chalk and cheese. Night and day. Or perhaps David and Goliath... Call it what you will, but the transition between Avantgarde's huge, horn-loaded Duo Primo XDs departing my listening room, and the diminutive A1s arriving, demanded a recalibration of reality. Just 20kg versus 185kg per enclosure and a drop of 20dB in sensitivity – so the volume control on our resident dCS Vivaldi One DAC/preamp also needed a reset from 500mV output to 6V.

The small speaker market is a fiercely fought arena, with every major speaker brand having at least one dog in the fight, and often several. It's not hard to see why: there's a tradition of speaker companies making over-achieving budget boxes, while the interior design appeal of small enclosures delivering a big sound has encouraged builders to develop the idea of the compact standmount/bookshelf speaker beyond the entry-level. The result is a choice of models with more expensive engineering – and hopefully even better performance – while still keeping the dimensions neat and tidy.

From the sheer performance and value of the flagship Triton Reference [HFN Jun '19], down to the bargain that is the Triton Five [HFN Mar '19], we've been very much taken with the sound of the GoldenEar range. And this despite the 'but it shouldn't work' cost-effective engineering employed by the company, including its liberal use of plastics in the cabinets' construction.