Loudspeakers

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Keith Howard & Paul Miller  |  Apr 16, 2010
The famous Bauhaus diktat ‘form follows function’ was an aesthetic imperative rather than an engineering philosophy, and a good job too, because for structural engineers in particular the concept was already old hat. All those Martello towers littering England’s south coast, for instance, are not round in plan view on a whim: it’s because castle builders, centuries earlier, had discovered that round towers better resisted artillery bombardment than those with corners. It’s natural to suppose that modern engineers would never do anything so crass as to make something fundamentally the wrong shape, but don’t be so sure. Most loudspeaker manufacturers have done it, continue to do it, and give every sign of proposing to do it in perpetuity.
Keith Howard  |  Mar 10, 2011
This innovative Dutch company provides an active audiophile speaker which is unusually styled and also features sophisticated onboard Digital Signal Processing So, Grimm Audio is not the most propitious name, in English, for a hi-fi manufacturer. But once the schoolboy giggles have subsided, there are two very good reasons to take this Dutch company, and its new LS1 loudspeaker, seriously. Firstly, there are the people involved. The second reason is the LS1 itself, because run-of-the-mill it is not.
Steve Harris and Keith Howard  |  Dec 24, 2009
When John Durbridge and Ian Hanson met in 1993, both were studying electronics, and both chose to develop a hi-fi prototype as their degree project. John’s design was a two-way speaker, while Ian came up with a 100W power amplifier. Each then made a career in electronics but, with audio interests pushed into the background, John worked in industrial electronics while Ian then specialised in ultrasonics. Of course, their interest in hi-fi had never died, and in 2005 they decided it was time to do something about it.
Martin Colloms, Ken Kessler  |  May 13, 2020  |  First Published: May 01, 1987
hfnvintageWith the latest Apogee, ribbon technology comes in a more affordable package. Ken Kessler's assessment follows Martin Colloms' review

The US company Apogee has expanded its range of open-panel loudspeakers, which began with the Apogee model itself. This was a large-scale design using three separate diaphragms, with pure aluminium ribbons for frequencies above a few hundred Hertz. Three other models are now in production, comprising, in descending order of size and price, the Scintilla [HFN Sep '85], Duetta, and now the so-called 'baby' of the group, the £2500 Caliper.

Review and Lab: Paul Miller  |  May 06, 2021
hfnoutstandingFirst from a hand-selected portfolio of 'artisan' hi-fi separates, this pairing of low output tubes with high sensitivity speakers boasts a very special synergy... and sound

System matching remains as much an art as it does a science. There's always the easy route – opting for a collection of one-brand separates with the promise of full technical compatibility and the expectation of similar 'voicing' throughout. aSlightly trickier is the pairing of components from brands that have an overlap in their core design philosophies – a route that often leads to the most satisfying musical experience but which requires a depth of knowledge on the part of both enthusiast and friendly hi-fi dealer. The third route – random component selection and a reliance on blind luck is not one we'll be pursuing here!

Review: James Parker, Lab: Keith Howard  |  Feb 14, 2020
hfncommendedThe latest compact speaker from Jamo blends designer appeal with solid audio engineering

The small speaker market is a fiercely fought arena, with every major speaker brand having at least one dog in the fight, and often several. It's not hard to see why: there's a tradition of speaker companies making over-achieving budget boxes, while the interior design appeal of small enclosures delivering a big sound has encouraged builders to develop the idea of the compact standmount/bookshelf speaker beyond the entry-level. The result is a choice of models with more expensive engineering – and hopefully even better performance – while still keeping the dimensions neat and tidy.

Richard Stevenson and Keith Howard  |  Oct 25, 2009
Oh to live in a trendy warehouse conversion overlooking the Thames. Imagine the acres of glass, the polished floors and the designer furniture with the Habitat labels peeled off. One’s loudspeakers would need to offer equally stunning visual splendour, exude an air of bespoke affluence and leave your friends (probably called Tarquin and Jemima) green with envy. Clearly you would need Jamo’s sumptuous R 909s or if your City bonus has been a little credit crunched this year, perhaps the smaller but equally lush R 907s reviewed here.
Review: Andrew Everard, Lab: Paul Miller  |  Feb 18, 2022
hfncommendedJBL is promising us 'great things from a small package' as it continues its theme of mixing pro heritage aesthetics with modern acoustic technology. Is the 4309 a blast?

The verdict was in almost before I started listening to the prosaically-named JBL 4309 speakers, yours for £1799 a pair in a choice of natural or black walnut satin wood veneers and with blue or black grilles over their mid/bass drivers. A visitor took one look at the speakers' horn-loaded tweeter and twin front-venting bass ports, and – before even a note had been played – opined that, 'They look like proper little rock-boxes'.

Review: Mark Craven, Lab: Paul Miller  |  Apr 09, 2021
hfncommendedStyled after its classic 1970s studio monitors, but equipped with patented 21st century horn and compression driver technology, the 4349 is a not-so-compact fun factory

American loudspeaker company JBL has a 75-year history – and the work of founder James Bullough Lansing dates back even further. For HFN readers, who are in the know, it might seem odd that the brand is now more popular on the UK high street for its extensive range of affordable Bluetooth speakers and wireless headphones. Luckily for us the company still maintains a 'serious' side, and it's from there that its two-way 4349 monitor hails. A wide-baffle speaker with a compression mid/treble driver and 300mm woofer, it can trace its heritage all the way back to the company's first creations – and couldn't be more different from a pair of budget earbuds.

Review: James Parker, Lab: Paul Miller  |  Oct 01, 2021
hfncommendedPromising the 'iconic JBL sound' from modern cabinets, we hear the flagship HDI floorstander

Some speakers are large, but manage to conceal their bulk through clever styling, but the £4000 HDI-3800 flagship of JBL's 'High-Definition Imaging' series manages to do exactly the opposite. It may only stand 1.1m tall, yet the combination of width and depth – 30cm and almost 42cm respectively – and a particularly upfront driver array makes this a rather imposing speaker to have in the room, with echoes of the company's PA range.

Review: Nick Tate, Lab: Keith Howard  |  Jul 12, 2019
hfnedchoiceFirst launched in 1970, the L100 has been reimagined by JBL as the 'Classic' – a modern take on a speaker that's visually faithful to the original. Strap on your seat belts...

Behold this 'modern take on the all-time best-selling JBL L100 loudspeaker' with its classic retro styling. It's certainly something you'll not forget too soon. Yet why would JBL want to recreate such a whimsical thing, considering how far loudspeaker design has come in the past 50 years? The answer is surely more cultural than it is technological as, to a greater or lesser extent, our collective dissatisfaction with the modern world has encouraged us to revisit a generation or two back with rose-tinted spectacles firmly in place.

David Berriman and Keith Howard  |  Sep 25, 2009
The LS80 speakers by JBL are no shrinking violets, standing tall in the room at just over a metre high and weighing over 35kg each. The veneered sides are gently curved, as is the front. The wood finish for the side panels looks a bit dark for my taste and, as Henry Ford offered, there are lots of colours – provided you choose Dark Ebony, which is polished to a high gloss finish. The front, top and back are all in dark grey to black, so these speakers are quite sober in appearance.
Richard Holliss  |  Jan 22, 2015
At the pinnacle of JBL’s loudspeaker range, the Everest is a monster of a speaker weighing 142kg and priced at a whopping £35k each, its 250-litre enclosure 1110mm wide to accommodate two 15in drivers side by side. While it doesn’t require an enormous listening space, a room does need to be adequately wide in order to space a pair apart satisfactorily. The Everest has been JBL’s flagship ‘Project’ speaker for nearly three decades. Carried over from the out-going model are the speaker’s two horn-loaded beryllium compression drivers: the 100mm diameter 476Be high frequency unit and the 25mm 045Be-1 ‘UHF’ supertweeter, working up to a claimed 60kHz.
John Bamford & Keith Howard  |  Aug 14, 2010
When informed I had a pair of horn-loaded JBL floorstanders coming my way for auditioning I confess I wasn’t particularly enthralled. And I was quietly cursing as several of us groaned under the 73kg weight of each enclosure, man-handling them down the stairs into my basement listening den. Then I heard them. It was mid-afternoon when they were first fired up, powered by my resident Mark Levinson No.
Ed Selley  |  Nov 20, 2011
The inexpensive Studio series represents fine value for money Not for the first time with inexpensive JBLs, we wonder how – if – they can possibly turn a profit. The Studio 190 offers outstanding value. In most respects this speaker represents familiar fare for a modern floorstander: the cabinet is a conventional tall, narrow box with rather resonant side panels; and the bass is reflex-loaded via a single rear-firing port. The Weave design of the front baffle JBL calls ‘bold and dynamic’, and that appears to be the sum of its purpose – to catch the eye rather than influence the sound.

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