Loudspeakers

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Review: Jamie Biesemans, Lab: Paul Miller  |  Feb 01, 2024
hfnoutstandingA refinement of GoldenEar's established Triton series, the new T range still combines an AMT tweeter, active bass and ABRs

When the Quest Group, known for the ubiquitous AudioQuest brand, acquired GoldenEar in 2020 it raised some eyebrows. Why would a company excelling at manufacturing and selling cables, often co-operating with speaker brands, wish to tackle the challenging loudspeaker market itself? And what would happen to the GoldenEar product range, which next to custom install and subwoofer models mostly consists of curious semi-active loudspeakers? The answer to that second question, at least, is the £6249 T66, the first arrival under GoldenEar's new ownership.

Review: Andrew Everard, Lab: Keith Howard  |  May 21, 2019
hfnoutstandingThis slim column hides its light under a bushel – or at least a sock – but is an addictively attractive performer

You might seem to be setting yourself up for a fall if you call your company GoldenEar Technology. It's a cue for all those jokes about effects heard only by those claiming such aural ability, grist to the mill of the 'design them properly and they all sound the same' brigade. Fortunately for the team behind the GoldenEar Triton range – including the £2300 Triton Five we have here – the product lives up to its billing, for the Five is perhaps the most striking speaker I have heard at this price level for a very long time.

Review: Andrew Everard, Lab: Keith Howard  |  Jan 06, 2020
hfnoutstandingBreathed on with the spirit of the company's flagship model, these speakers are nothing less than spectacular

From the sheer performance and value of the flagship Triton Reference [HFN Jun '19], down to the bargain that is the Triton Five [HFN Mar '19], we've been very much taken with the sound of the GoldenEar range. And this despite the 'but it shouldn't work' cost-effective engineering employed by the company, including its liberal use of plastics in the cabinets' construction.

Review: Andrew Everard, Lab: Keith Howard  |  Aug 23, 2019
hfnoutstandingThe top model in this slimline range takes on the big boys – do built-in subwoofers give it sufficient clout?

Our admiration of what GoldenEar's Triton Five model achieves for the money [HFN Mar '19] also prompted a desire to hear what the Maryland company could do when going for broke. Its ambitiously named 'Reference' flagship is definitely playing with the big boys at £9495, and with brands better known, at least in the UK. So it has its work cut out…

Review and Lab: Paul Miller, Review: Andrew Everard  |  Sep 02, 2020
hfnedchoiceThere certainly aren't many speakers that look like them, but these baby models – yes, really – in the Swiss brand's wireless active range combine style with all-alloy substance

When the entry-level model in a speaker range costs £70,000 a pair, and weighs no less than 80kg – that's each speaker – you'd rightly assume you're in very serious high-end territory. And yes, imposing though the Prana speaker looks, its two aluminium enclosures mounted on a hefty 'Z-frame' and the whole enterprise standing some 99cm tall, this is the baby of this particular range. Above it sit the Satya speakers, 1.23m tall, 140kg apiece and £110,000 a pair, while the flagship is the 1.47m tall, 180kg-a-pop Samadhi, yours for a nice neat £200k a pair...

Keith Howard & Paul Miller  |  Apr 16, 2010
The famous Bauhaus diktat ‘form follows function’ was an aesthetic imperative rather than an engineering philosophy, and a good job too, because for structural engineers in particular the concept was already old hat. All those Martello towers littering England’s south coast, for instance, are not round in plan view on a whim: it’s because castle builders, centuries earlier, had discovered that round towers better resisted artillery bombardment than those with corners. It’s natural to suppose that modern engineers would never do anything so crass as to make something fundamentally the wrong shape, but don’t be so sure. Most loudspeaker manufacturers have done it, continue to do it, and give every sign of proposing to do it in perpetuity.
Keith Howard  |  Mar 10, 2011
This innovative Dutch company provides an active audiophile speaker which is unusually styled and also features sophisticated onboard Digital Signal Processing So, Grimm Audio is not the most propitious name, in English, for a hi-fi manufacturer. But once the schoolboy giggles have subsided, there are two very good reasons to take this Dutch company, and its new LS1 loudspeaker, seriously. Firstly, there are the people involved. The second reason is the LS1 itself, because run-of-the-mill it is not.
Steve Harris and Keith Howard  |  Dec 24, 2009
When John Durbridge and Ian Hanson met in 1993, both were studying electronics, and both chose to develop a hi-fi prototype as their degree project. John’s design was a two-way speaker, while Ian came up with a 100W power amplifier. Each then made a career in electronics but, with audio interests pushed into the background, John worked in industrial electronics while Ian then specialised in ultrasonics. Of course, their interest in hi-fi had never died, and in 2005 they decided it was time to do something about it.
Martin Colloms, Ken Kessler  |  May 13, 2020  |  First Published: May 01, 1987
hfnvintageWith the latest Apogee, ribbon technology comes in a more affordable package. Ken Kessler's assessment follows Martin Colloms' review

The US company Apogee has expanded its range of open-panel loudspeakers, which began with the Apogee model itself. This was a large-scale design using three separate diaphragms, with pure aluminium ribbons for frequencies above a few hundred Hertz. Three other models are now in production, comprising, in descending order of size and price, the Scintilla [HFN Sep '85], Duetta, and now the so-called 'baby' of the group, the £2500 Caliper.

Review and Lab: Paul Miller  |  May 06, 2021
hfnoutstandingFirst from a hand-selected portfolio of 'artisan' hi-fi separates, this pairing of low output tubes with high sensitivity speakers boasts a very special synergy... and sound

System matching remains as much an art as it does a science. There's always the easy route – opting for a collection of one-brand separates with the promise of full technical compatibility and the expectation of similar 'voicing' throughout. aSlightly trickier is the pairing of components from brands that have an overlap in their core design philosophies – a route that often leads to the most satisfying musical experience but which requires a depth of knowledge on the part of both enthusiast and friendly hi-fi dealer. The third route – random component selection and a reliance on blind luck is not one we'll be pursuing here!

Review: James Parker, Lab: Keith Howard  |  Feb 14, 2020
hfncommendedThe latest compact speaker from Jamo blends designer appeal with solid audio engineering

The small speaker market is a fiercely fought arena, with every major speaker brand having at least one dog in the fight, and often several. It's not hard to see why: there's a tradition of speaker companies making over-achieving budget boxes, while the interior design appeal of small enclosures delivering a big sound has encouraged builders to develop the idea of the compact standmount/bookshelf speaker beyond the entry-level. The result is a choice of models with more expensive engineering – and hopefully even better performance – while still keeping the dimensions neat and tidy.

Richard Stevenson and Keith Howard  |  Oct 25, 2009
Oh to live in a trendy warehouse conversion overlooking the Thames. Imagine the acres of glass, the polished floors and the designer furniture with the Habitat labels peeled off. One’s loudspeakers would need to offer equally stunning visual splendour, exude an air of bespoke affluence and leave your friends (probably called Tarquin and Jemima) green with envy. Clearly you would need Jamo’s sumptuous R 909s or if your City bonus has been a little credit crunched this year, perhaps the smaller but equally lush R 907s reviewed here.
Review: Andrew Everard, Lab: Paul Miller  |  Feb 18, 2022
hfncommendedJBL is promising us 'great things from a small package' as it continues its theme of mixing pro heritage aesthetics with modern acoustic technology. Is the 4309 a blast?

The verdict was in almost before I started listening to the prosaically-named JBL 4309 speakers, yours for £1799 a pair in a choice of natural or black walnut satin wood veneers and with blue or black grilles over their mid/bass drivers. A visitor took one look at the speakers' horn-loaded tweeter and twin front-venting bass ports, and – before even a note had been played – opined that, 'They look like proper little rock-boxes'.

Review: Mark Craven, Lab: Paul Miller  |  Apr 09, 2021
hfncommendedStyled after its classic 1970s studio monitors, but equipped with patented 21st century horn and compression driver technology, the 4349 is a not-so-compact fun factory

American loudspeaker company JBL has a 75-year history – and the work of founder James Bullough Lansing dates back even further. For HFN readers, who are in the know, it might seem odd that the brand is now more popular on the UK high street for its extensive range of affordable Bluetooth speakers and wireless headphones. Luckily for us the company still maintains a 'serious' side, and it's from there that its two-way 4349 monitor hails. A wide-baffle speaker with a compression mid/treble driver and 300mm woofer, it can trace its heritage all the way back to the company's first creations – and couldn't be more different from a pair of budget earbuds.

Review: James Parker, Lab: Paul Miller  |  Oct 01, 2021
hfncommendedPromising the 'iconic JBL sound' from modern cabinets, we hear the flagship HDI floorstander

Some speakers are large, but manage to conceal their bulk through clever styling, but the £4000 HDI-3800 flagship of JBL's 'High-Definition Imaging' series manages to do exactly the opposite. It may only stand 1.1m tall, yet the combination of width and depth – 30cm and almost 42cm respectively – and a particularly upfront driver array makes this a rather imposing speaker to have in the room, with echoes of the company's PA range.

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