Turntables, Arms & Cartridges

In every field, not just 'hypercars' and luxury wristwatches, there's an extreme, cost-no-object pinnacle. From chefs' knives to sunglasses to fishing reels, there are items which push engineering and price limits, a phenomenon we are used to in high-end audio. Thus, with shaking hands (not a desirable state with this item), I installed the DS Audio Grand Master cartridge, at £11,995 surely the most expensive pick-up I have ever reviewed, if not the most expensive on the planet.

Deck/arm/cartridge/dustcover: check. Price £449: check. A choice of nine finishes including wood veneer, or gloss or satin colours: check. Everything included in the package readying it for connection to a phono stage: check. That list tells you Pro-Ject's best-seller remains, after two decades, the go-to 'turnkey' record deck for newcomers (or seasoned audiophiles on a budget). The basic recipe is unchanged but refined, which is why it has sold over 1,000,000 units. Rest assured, however, that this latest incarnation, the Debut Carbon EVO, is far more than a merely cosmetic upgrade.

Irrespective of having installed what must be thousands of cartridges in my life, AVID's Reference Ruby moving-coil brought me out in a cold sweat. The top model in a trio that also includes the £4000 Boron and the £2000 Ionic, its £6000 sticker price, allied to a completely exposed cantilever, reminded me of the first cartridge I ever destroyed. The irony was not lost on me: that honour goes to the Dynavector 23R, the first-ever cartridge with a ruby cantilever. But unlike AVID's ruby rod, it was also one of the shortest at just 2.3mm.

As I sat back and listened I thought, maybe it's the particular recording, perhaps it's my frame of mind but no – it can only be the cartridge. All I know is that my smooth and steady progress in coming to terms with CD has been set back to its 1985 level. Why? Because I was in peril of missing an important fact of hi-fi life, which is that just as CD hardware and software has been getting better and better, so has analogue.

Given that pretty much every component AVID has ever offered is still in production, it's clear company owner Conrad Mas does not chop and change designs on a whim. So it's no surprise that when it comes to turntables AVID has largely stuck with the thinking behind its very first deck, the Acutus, which was launched in 1999.

Every product type has its following, however focused. I am sure, for example, that there are devotees of hybrid amps with tube front-ends and solid-state output stages just as, among the niches in LP playback, audiophiles are tempted by air-bearing turntables and parallel-tracking tonearms. Made in Slovenia by Bostjan Holc, the Holbo Airbearing combines those two, and does so for an almost-inexplicable £6500.

Since it was founded in 1972 by noted audio designer David Fletcher, the US-based Sumiko Corporation has been making some of the world's most desirable pick-ups at its production facility in Japan. What's more, not only has it become one of the leading agents for audio equipment in North America but its UK presence has recently been boosted by distributor Henley Audio.