Turntables, Arms & Cartridges

With enthusiasm for vinyl showing no sign of diminishing, many companies are now launching record players in a bid to reel in buyers. For the most part this process sees them approach an existing turntable manufacturer and select anything between core components on which to base their own design, to a complete 'turnkey' unit, requiring only the application of branding and a name.

Like the Land Rover and Ray-Ban sunglasses, the Pro-Ject Debut comes in many flavours. What started as a pure entry-level product has been joined by enough siblings over the last 20 years that the new Debut PRO reviewed here can be regarded as the range's flagship and crowning glory. The numerous improvements elevate the price to £699, but even that hasn't undermined this record deck's bargain status.

As occasionally backward-looking as hi-fi is – if no worse than cars, fashion or watches – one needs to raise the dead with care. McIntosh, for example, has dazzled enthusiasts with its continuing evolution of the revered MC275 power amp [HFN Nov '93 & Feb '13], updating it through six generations without losing the spirit of the original. JBL, Klipsch, Tannoy – all revisited past successes with panache. Thorens, then, had a raised bar to address because, among historic turntables, Technics recently revived the SP10 as the SL-1000R [HFN Jun '18] to universal acclaim. This begged a question: how should Thorens update the adored TD 124?

Hardly scientific, I know, but I am predisposed toward components that cause binge-listening. Not knowing what to expect of the Soundsmith Strain Gauge cartridge and the accompanying SG-230 preamp/energiser at a pound shy of £16,000, I will declare my surprise upon discovering that it was so engaging, I listened to 14 LPs in a row in their entirety. I repeat: fourteen.

When Technics released its SL-10 turntable in1979 [HFN Apr '19], it was evident that a record player did not have to be large, overly expensive or complicated in use to give top quality results. So compelling was this concept that soon all of the big players in the Japanese hi-fi industry were racing to produce something similar. Well, almost all. Sony, the great master of miniaturisation, was not a company to imitate others.

Don't let the model name confuse you if our pictures assault your memory bank: this £499 Denon DL-A110 phono cartridge is the best-selling, much-loved sexagenarian DL-103, only with a slick headshell and packaging plush enough for a wristwatch. This anniversary offering joins Denon's AVC-A110 AV amp, PMA-A110 integrated amplifier and DCD-A110 SACD player [HFN Dec '20], the quartet marking the company's first-century-plus-10. (Oddly, there's no record deck…)

By no means a newcomer to the audiophile LP-spinning scene – the brand is some 40 years young – VPI's recent range expansion has doubtless been further fuelled by the worldwide 'vinyl revival'. In addition to its diverse collection of tonearms, and innovative turntables including the direct-drive HW-40 Anniversary [HFN Apr '19], there are now two additions to VPI's 'Prime' series in the form of the Prime 21 and Prime 21+, priced at £4500 and £6500.