Christopher Breunig

Christopher Breunig  |  Sep 08, 2020  |  0 comments
Were these meant to be heard as a single entity? Does the theory survive scrutiny? Christopher Breunig suggests library versions both 'historically aware' and traditional

When Nikolaus Harnoncourt's Teldec recording of Schubert's 'Unfinished' Symphony appeared in 1985, his sleeve essay suggested the score was in fact a musical translation of a cathartic event from his youth, (i) concerning his mother's death, and (ii) the subsequent reconciliation with his father, and as such complete.

Christopher Breunig  |  Aug 26, 2020  |  0 comments
This month we review: Shostakovich 1905, Beethoven, Prokofiev and Sibelius.
Christopher Breunig  |  Aug 07, 2020  |  0 comments
One of the few Japanese musicians to have made a long career in the West, with a Boston tenure of 29 years. Christopher Breunig looks at his life and wide discography

Atough game of rugby football put an end to the hopes that a young Japanese boy would become a concert pianist. Seiji Ozawa, then 15, was mad about the game but severely damaged his hand in a scrum. When his piano teacher suggested he might think of conducting instead, he had never even seen a symphony orchestra, live or on television.

Christopher Breunig  |  Jul 29, 2020  |  0 comments
This month we review: Schubert, Beethoven, Bartók and Schubert.
Christopher Breunig  |  Jul 14, 2020  |  0 comments
A staple musical diet option for many of us, distasteful to a few, these four works come in a variety of flavours. Christopher Breunig suggests complete and partial choices

Aimez-vous Brahms?' asked Françoise Sagan in 1959 (well, it was the title of her novel, actually). For some reason, Benjamin Britten did not like much of Brahms's music – he retained a soft spot for the D-minor Piano Concerto and the early Piano Quartet. But, writing in his prewar diaries, he considered Symphony No 1 to be 'pretentious' and No 2 'ugly and gauche'.

Christopher Breunig  |  Jun 29, 2020  |  0 comments
This month we review: Knecht/Beethoven, Beethoven, Schoenberg and Shostakovich.
Christopher Breunig  |  Jun 26, 2020  |  0 comments
Christopher Breunig recommends the best classical audiophile recordings

When I first heard a demonstration of stereo records, given at a local department store all those years ago, I came away thinking I'd heard mostly distracting surface noise. If this was 'high fidelity' I'd stick with my old Pye Black Box! But soon, of course, I was on the upgrade path avidly taking up recommendations in Hi-Fi News and Audio Record Review magazines, and reading Thomas Heinitz's regular columns in the now defunct Records & Recording.

Christopher Breunig  |  Jun 16, 2020  |  0 comments
Outpacing her father when they both were learning the violin, she has become one of the most intrepid of today's musicians. Christopher Breunig focuses on the highights

We record collectors first became aware of the violinist Isabelle Faust 23 years ago, when in its 'Nouveaux Interpretes' series Harmonia Mundi issued a coupling of Bartók Sonatas, where she was partnered by the Polish pianist Ewa Kupiec. I remember what was probably their London debut recital at that time. In 2003 they recorded a mixture of pieces by Janáček, Lutoslawski and Szymanowski.

Christopher Breunig  |  Jun 02, 2020  |  0 comments
This month we review: Vaughan Williams, JS Bach/Bartók, Bizet-Shchedrin/Respighi and Escales.
Christopher Breunig  |  May 27, 2020  |  0 comments
Warner Classics and Deutsche Grammophon are early to the party, with huge boxed CD editions. Christopher Breunig suggests more affordable library must-haves

In 1970, Deutsche Grammophon marked the bicentenary of the birth of Beethoven with LP box sets, part reissue partly new recordings, to provide the first comprehensive Edition. (Philips did much the same for Mozart but marking 200 years after he had died – this time all CDs.)

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