Loudspeakers

No, they're not named after a Kardashian, a Rudyard Kipling novel or even Mel & pop partner. Instead, the new KIM standmount speakers from FinkTeam, selling for £8900 a pair complete with their dedicated open-frame stands, take their lead from the company's Borg speakers in having a Star Trek association. In this case it's somewhat less villainous, in the form of Voyager character Ensign Harry Kim, the ship's Operations Officer. It could all have been so different: story is, Kim was originally to be called by one of several names, including Jay Osaka.

The special editions have been coming thick and fast this year, and this is the second recent 'tuned' range from Worthing-based Bowers & Wilkins, following hot on the heels of the 700 Series Signature models. We've reviewed the 702 Signature floorstander [HFN Sep '20], and the formula for the 600 Series Anniversary lineup is a familiar one: new finishes, and some mild performance tuning.

The MB series is the high-end range from Scansonic, and the MB6 B the flagship of the latest iteration of this lineup. Yet in an arena where bulky, room-dominating speakers prevail, this design takes a different approach. Yes, it's tall, at just over 1.4m, but the company has kept it slender – at under 18cm, the front baffle is narrower than that of many a much smaller design. For example, even the little B&W 606 standmount speaker is a centimetre wider than this floorstanding tower.

The last time you bought a television you probably came across no more than five or six different brands. But what about the last time you bought loudspeakers? It's one of the joyful aspects of hi-fi: the industry is very broad here, supporting a diverse range of manufacturers with different design ideals, resulting in an equally diverse choice for enthusiasts.

American loudspeaker marque Klipsch has a longer history than many, something emphasised by its new 'p***ing off the neighbours since 1946' slogan. And its Heresy model itself dates back to 1957, when company founder Paul W Klipsch first developed a compact three-way floorstander to act as a centre speaker within a stereo installation. It has remained part of the Klipsch stable ever since, undergoing revisions first in 1985 and then 2006. Now it has been relaunched as the Heresy IV, priced £3500 per pair and forming the entry point to the Klipsch Heritage range.

In The Who's 'Won't Get Fooled Again', Roger Daltrey memorably sings 'Meet the new boss – same as the old boss'. It's a phrase that sprang to my mind when confronted by PMC's twenty5.26i, as this floorstanding speaker is, outwardly, identical to its twenty5.26 predecessor launched in 2016, with cabinet dimensions matching to the millimetre. Yet PMC describes its new twenty5i series as a 'substantial re-engineering', improving performance without moving away from the signature sound of its forbear.

Franco Serblin, who passed away in 2013, first unveiled his flagship Ktêma in 2010. He had left Sonus faber, which he founded in 1983, in 2006, so the Ktêma was in development for nearly five years before he felt it was ready to be sold by the new company bearing his name. I remember the tension during its gestation, and Franco's elation at being able to produce a no-compromise system – not that he was ever restrained at Sonus faber. Think of the phenomenal Extrema, Guarneri and Stradivarius. The wait for the Ktêma proved worth it – as did the anticipation lasting a decade to hear a pair in my own system.