With the 'proof of concept' SourcePoint 10 already under his belt, MoFi's Andrew Jones has engineered a more compact coincident driver array for the SourcePoint 8 cabinet
Speaking to designer Andrew Jones at High End Munich in May '23, he kidded that his latest loudspeaker could be considered the 'European' version of his larger SourcePoint 10 [HFN Apr '23]. 'People were often surprised by its size – it does host a 10in driver after all – so something smaller was needed', he explained. Cue the 'modest' SourcePoint 8, with its 8in version of the launch speaker's inaugural 10in coaxial driver.
DeVore's 'Orangutan' loudspeaker range now has a funky sibling – the aptly-named O/baby that extends the brand's high sensitivity DNA into a very compact cabinet
Even the name sounds like a clarion call: 'O/baby!', straight out of Austin Powers. It resides 'one from the bottom' in DeVore Fidelity's Orangutan range, with only the minuscule, 25x25x25cm micr/O sealed cube below it. But the O/baby is the one that screams 'Buy me!' at this jaded hack. How so? This trickle-down gem from DeVore, smaller than the O/93 [HFN Mar '23], just may be the answer to my bucket list dreams. Or would be, had I the £6298 for a pair. And £1398 more for the stands.
A mid-'80s audiophile favourite from UK brand Epos is reimagined by the go-to-speaker designer, Karl-Heinz Fink
Revivalist products are in the ascendant, but they range from the dubious, cashing in on nostalgia, to more respectful attempts aiming to recreate something remarkable from yesteryear. Rest assured – the ES14N is firmly positioned in the second category. In fact, it goes one step further by claiming to be both truthful to the design ethos of the original '80s speaker icon, while also improving on it.
Martin Colloms | Aug 21, 2023 | First Published: Aug 01, 2003
After years of development, the US company has come of age with a design that's a landmark in speaker engineering, says Martin Colloms
It was a thought-provoking discussion with Avalon president Neil Patel on the virtues of absolute tonal accuracy in a speaker, and how to achieve it, that led to an opportunity to evaluate the Eidolon. It was to prove illuminating to discover just how closely his objectives had been realised in this design.
American marque's flagship Motion tower is a three-way that showcases driver upgrades and a bold new aesthetic
Although MartinLogan is known for its electrostatic loudspeakers, culminating in the flagship Neolith [HFN Jul '16], and 'static/moving-coil hybrids [HFN Jan '17, Feb '18 & Nov '21], the Kansas-based brand has, since 2003, ploughed another furrow with conventional cabinet models targeted at a wider audience. And since 2010, MartinLogan's Motion range, now headed by the Motion XT F200 reviewed here, has employed a tweeter technology the company says offers 'electrostatic-like high frequency detail'. There's a strong suggestion that the move from specialist brand to mass-market competitor hasn't extinguished ML's raison d'etre.
The 'Blade' models fly the flag for KEF's speaker tech, but its Reference 5 offers a more accessible route to 'high-end Uni-Q'
Fortunately, the Reference 5 Meta is the £17,500 flagship of KEF's 'conventional' speaker range, bettered only by the striking-looking Blade designs [HFN May '22]. Fortunately? Well, yes, because this is an imposingly huge design, standing just over 1.4m tall, even if some of that impression of scale is minimised by the slenderness of the cabinets. Indeed, if the enclosures were any narrower than their 205mm, there wouldn't be room on the front baffle for the quartet of 165mm aluminium-coned bass drivers, arranged in pairs above and below the company's 12th-generation Uni-Q treble/midrange unit.
They started out as a Concept, and have become a reality combining a skeletal form and novel engineering solutions – but do they sound as other-worldly as they look?
As safe bets go, that you've never seen anything quite like the £70k Monitor Audio Hyphn speaker is pretty much a dead cert. Yet look closer and there's actually a lot of 'form following function' going on here in those two columns with a gap between them, linked by a central belt. And while to unsympathetic eyes they may look like two huge clothes pegs, it won't take long for audiophiles to understand the thinking behind the configuration, however unusual the speakers look by comparison with traditional 'box, domes and cones' designs.
While not exactly an apex bovine of the wide-open prairies, the diminutive 'monitor' of Totem's new Bison series can still stampede with the best of the musical herd
Canada's Totem Acoustic is fond of a pun or two, promising a 'prairie-like', wide-open soundstage from its newest Bison loudspeaker range. You can't help feel, however, that while the name might fit the lineup's Bison Tower and Bison Twin Tower floorstanders, it's a bit of a mismatch for the Bison Monitor. Priced £2495, and available in White Oak, Satin White and Black Ash colourways, this two-way standmount/bookshelf model hardly possesses a muscular, bovine build. On the contrary, it's practically petite.
From crude prototype in 1938 to its initial production run in 1947, the Klipschorn was founder Paul W Klipsch's 'cornerstone' horn loudspeaker. How does it fare today?
Viewed from a modern perspective, there's more than an element of 'forget everything you know' about the latest incarnation of the Klipsch Klipschorn AK6, a classic now heading for its 80th birthday. It was designed in 1946 from earlier prototypes by company founder Paul W Klipsch – officially described by the US brand as 'genius, madman and maverick' – in an Arkansas tin shed, and it's been continuously made and refined ever since.
This downsized, but perfectly-proportioned, facsimile of B&W's 801 D4 flagship is smaller in all but sound...
It's all good and well lusting after a flagship like the B&W 801 D4 [HFN Nov '21], but not everyone has the means or opportunity. Cue the 803 D4, which is a modestly downsized version costing (nearly) half the price. Intriguingly, it also utilises the same technology and similarly designed drivers as the 801 D4, including the trademark turbine head.
Hi-fi's 'go-to' speaker innovator, Andrew Jones, is behind MoFi's first loudspeaker – a robust standmount featuring a dual-concentric driver with nothing less than a 10in cone
Launched in the 1970s as an audiophile-grade record label, Chicago's Mobile Fidelity has acquired a celebrated reputation among vinylistas, particularly for its One-Step pressings [HFN May '17]. Its move into the world of vinyl replay in 2016, under a new MoFi Electronics division, was arguably a long time coming. The range now extends to cartridges [HFN Jan '22], phono preamps [HFN Mar '20], and three turntables – the StudioDeck [HFN Jan '20], UltraDeck [HFN Jul '19] and the luxurious, Fender-branded PrecisionDeck. And the next obvious step? Loudspeakers.
Less than a year after PS Audio launched its inaugural loudspeaker, this flagship floorstander has already inspired a trickledown sibling. Will the FR20 unseat the FR30?
The advice given by Apple's Steve Jobs to 'Start small, think big' is pretty sensible, going hand in hand with that old saw about not trying to run before you can walk. That recommendation seems to have eluded Colorado-based company PS Audio, which launched its speaker line last year with the big aspen FR30 [HFN Jun '22], arriving in the UK with a price tag now running at £30,000, and clearly aiming high straight out of the box.
The smaller of DeVore's 'Orangutan' loudspeakers still achieves that elusive goal of offering high sensitivity and an amp-friendly load, but without full-fledged horn-loading
Here's a platitude which should adorn a t-shirt made mandatory attire for all audiophiles: 'It's OK To Like More Than One Thing'. In my view, hi-fi is no more cut-and-dried than wine, cars or shoes. Components are not mutually exclusive. With speakers in particular, there are more competing, different-sounding technologies than just about any other part of the chain. And what DeVore Fidelity has in its £9998-per-pair Orangutan O/93 is a design which ticks numerous boxes, all the better to alleviate any guilt about loyalty to a single topology.
The third iteration of B&W's 703 floorstander is the first to feature the brand's iconic 'tweeter-on-top' module
Although a major player in the domestic hi-fi market, B&W's loudspeaker catalogue appears relatively streamlined – beginning with the entry-level 600 series and crowned by the flagship 800 series, and with these latest 700s sandwiched in-between. This lineup, which we're told is aimed both at 'performance-orientated' audiophiles and 'non-specialist' buyers, surely marks B&W's sweet spot. And that's certainly an apt description for the 703 S3s auditioned here.
These 'artisanal' speakers hail from Spain and combine Purifi and Mundorf driver tech with Krion cabinets
These days we could probably name no more than 11 or 12 manufacturers of TVs, but ask us about loudspeakers and you'd fall asleep before we'd got as far as companies beginning with the letter 'D'. The industry appears to be in rude health, with models to suit all tastes and budgets, and there are plenty of options that you might not have come across before. Kroma Atelier's Stella Xtreme perhaps being one of them.