Loudspeakers

Several factors set the 2013 launch of the Sonus faber Olympica range apart: not only was this one of the first complete lineups from a company previously better known for individual models, but it also marked the brand's debut as a manufacturer of drive units, built in-house [HFN May '14 and Mar '15]. The new Olympica Nova range represents a next logical step, comprising no fewer than seven models. The series kicks off with the compact Nova I standmount but is headed by the £14,900 Nova V floorstander featured here, available in a choice or walnut or wenge finishes, standing some 117.5cm tall and weighing a not insubstantial 44kg each.

Oxfordshire-based Falcon Acoustics is perhaps best-known for two aspects of its business: first, it's a major supplier of drive units, both its own designs and those of partner companies; and second, it's the manufacturer of its own version of the classic LS3/5a speaker design [HFN Jan '19]. The Falcon Acoustics Classic 15ohm LS3/5a is fully BBC-licensed, hand-assembled in Oxford and 'the only LS3/5a in production that faithfully replicates the original BBC design published in Oct 1976'.

Chalk and cheese. Night and day. Or perhaps David and Goliath... Call it what you will, but the transition between Avantgarde's huge, horn-loaded Duo Primo XDs departing my listening room, and the diminutive A1s arriving, demanded a recalibration of reality. Just 20kg versus 185kg per enclosure and a drop of 20dB in sensitivity – so the volume control on our resident dCS Vivaldi One DAC/preamp also needed a reset from 500mV output to 6V.

The small speaker market is a fiercely fought arena, with every major speaker brand having at least one dog in the fight, and often several. It's not hard to see why: there's a tradition of speaker companies making over-achieving budget boxes, while the interior design appeal of small enclosures delivering a big sound has encouraged builders to develop the idea of the compact standmount/bookshelf speaker beyond the entry-level. The result is a choice of models with more expensive engineering – and hopefully even better performance – while still keeping the dimensions neat and tidy.

Hybrids are supposed to be the best of two or more technologies, and we've seen the approach used for all manner of products. The most feverish of hi-fi's Dr Frankensteins though, have always been devoted to loudspeakers.

There are active speakers and active speakers. Some models claim to be 'active' but are really just powered, with a single amplifier within the speaker cabinet driving the tweeter and mid/bass unit via a conventional passive crossover, sometimes even with a stereo power amp in one speaker driving both it and a slave partner.

With no shortage of standmount loudspeakers vying for our attention, any newcomer needs to stand out from the crowd. And few stand out as boldly as Klipsch's £625 'Reference Premiere' series RP-600M, arriving from a company with an auspicious portfolio of exciting-sounding horn-loaded loudspeakers [HFN Jun '19], all dating back to the first ever Klipschorn model launched in 1946.