Turntables, Arms & Cartridges

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Review: Ken Kessler, Lab: Paul Miller  |  Oct 25, 2021
Dubbed the 'most audiophile' Debut turntable yet, this deck/arm/cartridge solution takes over from last year's Debut Carbon model with a host of detail refinements

Like the Land Rover and Ray-Ban sunglasses, the Pro-Ject Debut comes in many flavours. What started as a pure entry-level product has been joined by enough siblings over the last 20 years that the new Debut PRO reviewed here can be regarded as the range's flagship and crowning glory. The numerous improvements elevate the price to £699, but even that hasn't undermined this record deck's bargain status.

Review: Jamie Biesemans, Lab: Paul Miller  |  Apr 10, 2026  |  First Published: May 01, 2026
hfnoutstandingThe Debut line of turntables is arguably the foundation of Pro-Ject’s vinyl-spinning dynasty, and the lineage has just been extended with the addition of a new ‘flagship’

It’s hard to say how many turntables Pro-Ject has launched since its birth in 1991, but you could always rely on a Debut deck being part of the lineup. The inaugural model did not mark the brand’s beginning but it was the turntable that allowed the Austrian company to fan the flames of analogue replay before the ‘vinyl revival’.

Review: Jamie Biesemans, Lab: Paul Miller  |  Oct 02, 2024
hfnoutstandingDesigned to take advantage of Pro-Ject's 'balanced' phono preamps, this flag-waving moving-coil marks a departure from the brand's Ortofon-derived moving-magnets

As a major turntable manufacturer, Pro-Ject has a longstanding relationship with cartridge builders. This makes sense, as the brand likes to deliver decks ready to play, which requires an MM or MC. Previously, the Austrian company has bundled cartridges from Ortofon with its turntables in Europe, while Sumiko models are favoured in the US, but has lately been launching its own designs, including tweaked Ortofon models such as the Pick it 2M Silver and Pick it S2 C. The Pick it MC9 on test here is something else, though.

Review: Adam Smith, Lab: Paul Miller  |  Jan 05, 2026  |  First Published: Jan 01, 2026
hfnoutstandingThe Vienna-based hub for all things vinyl, and more besides, now has a new champion deck complete with a two-motor drive system and 12in ‘three-point’ bearing tonearm

It can be difficult for a manufacturer to successfully span a wide price range. History reveals a handful that have come unstuck by either trying to move upmarket from affordable roots, or attempting to develop trickle-down versions of expensive designs. However, those companies that get it right across the board tend to find themselves very popular, and Pro-Ject’s new £10,599 Signature 12.2 is the latest offering from a brand that is a master of the art.

Review: Ken Kessler, Lab: Paul Miller  |  Oct 27, 2022
hfnoutstandingMoving-coil pick-ups are inherently 'balanced' and Pro-Ject is determined to reveal them at their best with this balanced-wired version of the X2 deck and phono preamp

One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?

Review: Adam Smith, Lab: Paul Miller  |  Jan 17, 2025  |  First Published: Jan 01, 2025
hfnoutstandingThe latest addition to Pro-Ject’s X line of turntables features a crystal-clear acrylic plinth and comes equipped with a new 10in alloy tonearm and ‘balanced’ MM cartridge

While some companies look to completely re-brand in the face of changing attitudes, it’s reassuring to see others persuade us of technological advancements in more familiar fashion. So, at the opposite end of the spectrum from the reborn Jaguar automotive brand, you get Pro-Ject Audio Systems being as evangelical as ever in its quest to steer all vinylistas towards balanced operation.

Review: Tim Jarman, Lab: Paul Miller  |  Apr 27, 2026  |  First Published: Jun 01, 2026
hfnvintageWith its gorgeous ‘music box’ styling and ease of use, the Pye Black Box – through its ten years of evolution – is considered by some to mark a cornerstone of consumer hi-fi

The Pye Black Box hi-fi record player was a milestone design which seems to have touched the lives of everyone involved in audio from the mid-1950s to the mid-’60s. It arrived at a time when quality listening was becoming a pursuit in itself but much of the equipment on the market was too complicated for the non-technically minded user. The Black Box, on the other hand, made everything simple – all you had to do was to put it somewhere, plug it in and off it went. At a time when even FM radio was a thing of the future its performance was a revelation. If you were a music lover who wanted something small and neat you simply had to have one.

Review: Ken Kessler, Lab: Paul Miller  |  May 09, 2024
hfnoutstandingArtisanship and innovation meet in this precision-engineered turntable/arm combo that brings 21st century know-how to bear on a pre-Millennium turntable technology

Maybe you can teach an old dog new tricks. After decades of being dismissive of idler- or rim-drive turntables, if not downright hostile towards them, I have had my ears opened by Reed's Muse 1C. A previous owner of a Thorens TD 124 [HFN Jun '59] and a Garrard 401 [HFN Dec '65], I never considered them to be as rumble-free nor as quiet as direct-drive or belt-drive turntables. The Lithuanian-designed and built Muse 1C, at £9998 without arm, the least expensive model in a range of three, has changed all that.

Steve Harris & Paul Miller  |  Aug 01, 2009
Actually, there is nothing new about the turntable, or indeed the arm reviewed here. What is new, and rather exciting, is the completion of the P9 package with Rega’s long-awaited Apheta MC cartridge and the just-released Ios moving-coil phono stage. On paper, this is the best the company has to offer. A key feature of the P9 is the ceramic platter, as hard as ruby or sapphire, which first appeared on the preceding Planar 9 in 1997.
Review: David Price, Lab: Paul Miller  |  Feb 01, 2018
hfnoutstanding.pngThe latest in a long line of 'affordable audiophile' turntables from a highly popular UK brand, the Planar 2 offers easy set-up, good looks and a taste of serious hi-fi sound

The 1970s were something of a high watermark for the vinyl format. Bolstered by Mike Oldfield's smash hit Tubular Bells, 1975 saw the highest ever LP sales in the UK, and this drove demand for turntables. At the time, the budget king was Garrard's rudimentary SP25, but soon the Japanese gifted us the fine Pioneer PL-12D, a deck that really raised the performance bar.

Paul Miller  |  Nov 16, 2011
The latest version of the budget classic features additional bracing and a revised tonearm Rega’s philosophy is that while the plinth has to be as rigid as possible, it also should be as light as possible. And seeking to maximise the plinth’s rigidity between tonearm and main bearing, a phenolic stiffening brace is added. On the RP3, the brace visible on top of the plinth is complemented by a second one below, forming a stressed beam assembly. The actual plinth is a piece of special light furniture board, finished to a very high standard by something akin to a printing process.
Hi-Fi News Staff  |  Jan 09, 2015
Rega’s RP8 turntable uses what it calls ‘Double Brace Technology’. Here stiffening braces above and below the plinth provide rigidity between the turntable main bearing and the arm mounting. Thanks to this, Rega’s Roy Gandy was able to envisage a plinth construction that would be much lighter than in previous designs, so in the RP8 the plinth has given way to a very light skeletal chassis. From a functional point of view, the RP8 on its skeletal chassis is complete in itself but Rega has added a separate outer frame, using the same foam-sandwich construction, to support a dust cover.
Review: David Price, Lab: Paul Miller  |  Jan 14, 2020
hfnvintageOne of many distinctive mid-priced turntables to surface in the 1980s, this dinky deck enjoyed its 15 minutes of fame, but then refused to go away. How will it sound today?

If we could warp back to 1984 we would find a hi-fi scene dramatically different to how it is now. Vinyl may have been in the autumn of its life as a mass music format, but it still dominated. With CD very much in its infancy, the LP was the only practical way serious music lovers could hear their prized albums.

Review: Adam Smith, Lab: Paul Miller  |  Dec 23, 2021
hfncommendedLaunched as part of a series including a CD transport and two amplifiers – one with onboard streaming – the Attessa turntable completes Roksan's most stylish offering

There are a few announcements guaranteed to make an audio fan sit up and take notice, one being the unveiling of a new turntable from Roksan. After all, the company burst onto the scene in 1985 with the Xerxes – a deck that is still going strong 36 years later in '20 Plus' guise [HFN Dec '11]. However, the new deck in question is the £995 Attessa turntable, and it forms part of a completely new Roksan range.

Andrew Simpson and Paul Miller  |  Dec 16, 2011
Roksan's iconic vinyl spinner remains one of the most forward-thinking decks on the market and the latest version now comes with a raft of considered upgrades Back in the early 1980s if you were serious about vinyl replay and had the money, the obvious contenders to splash your cash on were Linn’s LP12, followed by rivals such as Michell’s space-age GyroDec or the left-field Pink Triangle. Despite drastically different looks, all three decks were essentially attempts to take the late Edgar Villchur’s ground-breaking three-point sprung suspension design to the next level. Then, in 1985, Roksan came onto the scene with the Xerxes, which promptly turned this perceived wisdom on its head. As Tufan Hashemi, Roksan Audio’s Managing Director, explained: ‘We argued that using a suspended or floating surface to support a record could not allow it to be accurately read, as the record itself would be floating.

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