Turntables, Arms & Cartridges

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Review: Tim Jarman, Lab: Paul Miller  |  May 12, 2020
hfnvintageIt was a deck designed to keep vinyl replay relevant in a market attracted to the convenience of CD. Did it succeed and, more importantly, how does it sound today?

One challenge faced by those designing hi-fi in the high-tech 1980s was how to re-package the LP in a way that would ensure it remained of interest to consumers in a future that was clearly going digital. Released in late 1979, the Technics SL-10 turntable [HFN Apr '19], with its parallel tracking, optical position sensing and slick packaging was one of the first components to address this issue seriously.

Review: David Price, Lab: Paul Miller  |  Jul 01, 2018
hfnvintage.pngLaunched in the late '70s as part of a new wave of shoebox-sized systems from Japan, this elegant deck packed plenty of groundbreaking tech. How does it perform today?

It wasn't until the 1970s that the LP reached its heyday. By then, most albums were stereo and the equipment needed to play them was widely available. In 1975, Mike Oldfield's Tubular Bells hit the high watermark for vinyl sales, confirming the format's dominance. At the time, most people still only had 'record players' – all-in-one turntables, amplifiers and speakers – but this was the peak of the decade's hi-fi boom, and people were scrambling to get their hands on proper, grown-up, stereo systems.

Review: Tim Jarman, Lab: Paul Miller  |  May 07, 2021
hfnvintageMore miniature magic from a brand proud to beat its own path came in 1982 in the form of probably the smallest hi-fi turntable ever made. How does it sound today?

When Technics released its SL-10 turntable in1979 [HFN Apr '19], it was evident that a record player did not have to be large, overly expensive or complicated in use to give top quality results. So compelling was this concept that soon all of the big players in the Japanese hi-fi industry were racing to produce something similar. Well, almost all. Sony, the great master of miniaturisation, was not a company to imitate others.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 16, 2022
hfnvintageWhen it came to Lilliputian LP players Sony was late to the party, but is this early '80s deck with two motors and a tangential arm now an overlooked gem? We find out...

The 'small and square' turntables that appeared in the early 1980s were arguably the last important development in vinyl playback before CD arrived. Begun by Technics in 1979 with its SL-10 [HFN Apr '19], Japan's hi-fi industry rushed to produce something similar, with varying degrees of success.

Hi-Fi News Staff  |  Jan 30, 2015
Direct drive was viewed with suspicion here by many in the 1970s. Elsewhere, high-end direct-drive units from the Land of the Rising Sun were snapped up. The TTS-8000 is now widely regarded as the second best turntable Sony ever made (first place goes to the company’s PS-X9, aimed at studios). But the runner-up reviewed here did a sterling job in straddling both the domestic and professional markets.
Review: Adam Smith, Lab: Paul Miller  |  Jul 01, 2018
hfncommended.pngA new name in turntables from Serbia and an equally new arm from Timestep in the UK make for a very stylish combination. But do they sound as good as they look?

It's not every day one comes across a turntable named after a film director but the Soulines Kubrick DCX really has been christened in honour of Stanley Kubrick. Soulines is no stranger to this naming practice, its other models being the Elgar and Satie (composers), Dostoyevsky (novelist) and Hermes (Greek god). Designer Igor Gligorov says he drew inspiration for the look of the £2995 Kubrick from the spinning, double-wheeled Space Station V depicted in the film director's movie 2001: A Space Odyssey and that the name naturally followed.

John Bamford & Paul Miller  |  May 16, 2010
I can’t deny it. There is something highly evocative about a cartridge that glows in the dark. That’s right: two blue LEDs at the front of the Soundsmith cartridge light up to confirm its operational status. Just a gimmick? No, not really.
Review: Ken Kessler, Lab: Paul Miller  |  Jun 21, 2021
hfnoutstandingSingular driving force behind the revival of the strain gauge generator system first seen in phono pick-ups from the '60-70s, Soundsmith's latest offering is nothing if not flexible

Hardly scientific, I know, but I am predisposed toward components that cause binge-listening. Not knowing what to expect of the Soundsmith Strain Gauge cartridge and the accompanying SG-230 preamp/energiser at a pound shy of £16,000, I will declare my surprise upon discovering that it was so engaging, I listened to 14 LPs in a row in their entirety. I repeat: fourteen.

Review: David Price, Lab: Paul Miller  |  Dec 27, 2021
Arguably best known for its high-end strain-gauge pick-ups, Soundsmith also offers a series of high- and low-output moving-iron/fixed-coil cartridges. Is the Zephyr a 'star'?

The so-called 'vinyl revival' has not only fermented an uptick in sales of both turntables and LP records but it's also created a renewed demand for cartridges of all shapes, sizes and types. Designer/audio artisan Peter Ledermann was far from alone in seizing the opportunity, sensing, very specifically in this instance, that many Bang & Olufsen turntable owners wanted to get their ageing record players going again. He successfully obtained a licence to restart production of these plug-in MMC pick-ups, and Soundsmith was born.

Paul Miller  |  Nov 16, 2011
The American brand arrives in the UK with a design determined to make an impact Only recently have Spiral Groove products become available this side of the Atlantic. The SG2 turntable is determinedly luxurious, with an exemplary quality of finish. The SG2 eschews suspension in favour of constrained layer damping in its plinth and platter. The plinth has two thin layers of unspecified material separating three aluminium plates, while the platter comprises a thick phenolic layer followed by two thinner layers, one of vinyl, the top surface of graphite.
Ken Kessler  |  Mar 24, 2022  |  First Published: Apr 01, 1997
hfnvintageThere's a glowing new object in the hi-fi galaxy – the Quasar turntable. Ken Kessler makes space for a deck with a sound as sweet as sugar

Gorgeous. That's the word I kept hearing, every time someone noticed the Quasar LE turntable while it was in for review. And one of the first to utter it was the owner of a Michell Orbe, itself no canine. What these individuals cooed over is one of the prettiest LP spinners to come along since the first Oracle. And that's one hell of an antecedent.

John Atkinson  |  May 21, 2019  |  First Published: Oct 01, 1983
hfnvintageThe Acoustic Research turntable is back! John Atkinson looks and listens

It is June 1982 and Compact Disc is still more science fiction than fact (although both sides have carried out their groundwork and preliminary skirmishing). The scene is the restaurant of Boston's classy Copley Plaza Hotel and a handful of British hi-fi journalists, fresh from the Chicago CES, are dining with Ron Fone, the (English) President of Teledyne Acoustic Research. Over dessert arises the subject of turntables and the question, 'Why doesn't anyone – apart from Rega, or Thorens – produce a good mid-price mass-market deck?'.

Hi-Fi News Staff  |  Jan 09, 2015
It’s that very rare bird: a suspended-subchassis turntable with a direct-drive motor. A development of STST’s original Motus solid-chassis model, the Motus II inverts the usual concept of a subchassis turntable. Although the ‘plinth’ is a substantial component made of 20mm MDF, in reality it is just a cover. Once the platter and arm have been removed, it can be lifted off to reveal the whole mechanism.
Review: Ken Kessler, Lab: Paul Miller  |  May 12, 2022
hfnoutstandingLaunched to mark Sumiko's 40th, this latest version of the 'Celebration' moving-coil takes its cues from the mkII Pearwood, albeit with Plumwood to invoke a unique hue...

This celebratory model, marking 40 years, recalls a bygone time, its perfectly apt wooden box and body inadvertently honouring a specific Japanese MC cartridge with the greatest claim to establishing the genre in the West: the original Koetsu [HFN Nov '80]. What doesn't evoke the 1980s is the £3199 price tag, although this is perhaps not so forbidding when we can list a dozen £10,000-plus cartridges, aimed at those who quaff Petrus at every meal…

Ken Kessler & Paul Miller  |  Jul 16, 2010
Moving-coil cartridges have been around for more than a half-century, but they didn’t displace the moving magnet as ‘the audiophile’s choice’ until the 1970s. Before that, MMs ruled for two simple reasons: higher output and better tracking ability. For decades, Shure, Goldring, ADC and other moving magnetics were default purchases. They put few demands on phono stages, allowing the industry to standardise 47kohm inputs, and MMs (allegedly) took better care of LPs.

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