If you thought that MoFi Electronics’ SourcePoint 10 [HFN Apr ’23] was a sizeable speaker, then you haven’t seen anything yet.
Sporting a trio of 200mm drivers, the new SourcePoint 888 is the company’s third outing in the loudspeaker space and something of a beast – reasonably tall at 107cm, positively stocky at 32cm wide and 41cm deep, and hefty too at 43kg.
A new addition to MBL’s Cadenza Line, the C41 is a digital-only DAC/preamp that
boasts custom reclocking, digital filtering and a trick that side-steps ‘digital clipping’
Based in Berlin, German company MBL is perhaps still best known for its omni-directional Radialstrahler loudspeakers [HFN Jun ’21], spreading their output over 360o in the cause of creating sound that fills a room. The idea isn’t new – the design was first launched at IFA in Berlin in 1979, in the times when audio was a major focus of that show – but it has been developed and refined over almost five decades, and is still a mainstay of the company’s lineup.
Leveraging key know-how from its flagship Apex amplifiers, and replacing the original Diablo integrated, the Diablo 333 is more powerful, more flexible and yet more devilish!
Integrated amplifiers are ten a penny, but not when you get into five figures. Often, at this point, consumers and manufacturers pivot toward pre/power systems, pursuing gains in performance and functionality in favour of the simplicity that comes from a one-box design. Yet high-end integrateds do exist, as illustrated by the Diablo 333, starting at £24,500, from Denmark-based Gryphon Audio.
Replacing the PM7000N and styled to partner the CD 60 disc player, Marantz’s new Model 60n streaming integrated turns out to be a very lightly-trimmed Model 40n...
With the launch of the £1300 Model 60n, Marantz finally has an entry-level alternative to the £2200 Model 40n [HFN Apr ’22]. This is par for the course, as Marantz has similar ‘good’ and ‘better’ offerings in the shape of the Model 30 [HFN Jan ’21] and Model 50 amplifiers. But where those two are ‘old-school’ analogue-only separates requiring external sources, this new Marantz amplifier is an all-in-one with DAC and streaming capabilities – all of which explains the ‘n’ for ‘network’ at the end of the name.
With two tried-and-tested belt-driven turntables already in its repertoire, vinyl maven MoFi dallies with a novel drive strategy for its heavyweight MasterDeck flagship
Since the company’s inception in 2014, MoFi Electronics has developed a reputation for high-quality products. And in a range now encompassing turntables, cartridges, phono stages, loudspeakers, a DAC and a growing number of accessories, there is also a convenient pathway of progression along an upgrade ladder. For MoFi’s vinyl-related items, this takes you from ‘Studio’, through ‘Ultra’, and onto ‘Master’ models.
The baby of Vivid’s five-strong Kaya range weighs just 6kg but employs the same custom tweeter and core technologies that define the flagship, floorstanding Giya G1
Were it not for the enclosure design, it might be tempting to think of the Kaya S12, the smallest speaker from South Africa’s Vivid Audio, as just another standmount. But as those eye-catching looks suggest, there’s something special going on here, and the price – £6000 a pair in a choice of striking finishes, with more available to order – certainly sets expectations high.
Focal’s inaugural DSP-guided active loudspeaker is a true flagship, both in style, sound and under-the-skin engineering. But is this a one-off or just the start of a new range?
The latest member of Focal’s Utopia loudspeaker family is clearly cut from a different cloth – and that’s before you lay eyes on its felt cabinet wrap. Sure, at £29,995 the Diva Utopia boasts a similarly ‘high-end’ asking price to the likes of the £34,999 Scala Utopia Evo [HFN Aug ’17] and its overall styling isn’t far off its siblings either. But this is Focal’s first active loudspeaker, the result of a collaboration with Naim Audio, its stablemate brand since 2012. In fact, to call it a speaker doesn’t really do the Diva Utopia justice. It’s more like a full system inside a loudspeaker enclosure.
The only standmount in Canton’s eight-strong Reference series includes the same driver and crossover tech found in its flagship Reference 1 floorstander. A chip off the block?
Although it’s relatively easy to build a large ‘cost no object’ loudspeaker worthy of a brand’s flagship, things get a little trickier when the requirement is for a compact model. Quite apart from the budget constraints – customers believe there should be a direct relationship between size and price – there’s the small matter of ‘you can’t argue with physics’ when it comes to delivering a big, room-filling sound from a smallscale enclosure.
The final piece in PS Audio's quartet of innovative planar magnetic loudspeakers has arrived and it's quite the cutest of the range, but is it a wolf in sheep's clothing?
Even if the title isn't familiar, you'll know The March Of Progress by Rudolph Zallinger. Published in a 1965 volume of Life Nature Library and depicting 25 million years of human evolution as a series of side-on illustrations, from the ape-like Pliopithecus to modern man, it popped into my mind when I unboxed PS Audio's Aspen FR5.