Lab: Paul Miller

Bang & Olufsen's first move into the world of serious hi-fi came in 1967 with the introduction of the Beolab 5000 amplifier and Beomaster 5000 tuner [HFN Dec '12]. These defined the European state of the art at the time and were as successful as their high prices allowed. The company then distilled these two units into the Beomaster 3000, which offered similar qualities at a more accessible price. It lacked the sheer power and versatility of the Beolab 5000 but sold strongly throughout a long production run.

In the quest for a universal phono stage, designers have to accommodate all manner of cartridges, but for most of us they fall into just two categories: moving-coil (MC) and moving-magnet (MM). Even within those types, however, there are plenty of variants such as moving-iron, moving-flux, whatever you call Deccas, both high- and low-output MCs and even low-output MMs. The list is endless, but Soulnote's E-2 phono amplifier handles all of the above configurations plus DS Audio optical cartridges via a built-in energiser and equaliser.

The Auralic Vega G2.2, selling for £6899 in best basic black, comes in at just £100 more than the previous G2.1 [HFN Oct '22], and appears to offer evolutionary changes rather than anything truly radical. One thing's for sure, however – the brand has come a long way since it launched its original Vega model, which was basically a USB-input DAC, getting on for a decade ago [HFN Jan '14].

In recent Vintage Reviews we have looked at some of the more affordable CD players that arrived during 1986 and 1987. Taking advantage of new technology in order to popularise the format among the wider public, machines such as the Toshiba XR-J9 [HFN Jun '23] and Sony CDP-7F showed that the rigorous rationalisation of every aspect of a CD player's design could yield an attractively priced package that still gave consumers all the perceived benefits of digital audio.