Lab: Paul Miller

Review: James Parker, Lab: Paul Miller  |  Dec 01, 2018  |  0 comments
hfnoutstanding.pngNo shortage of machismo – it has to be an American power amp, right? Parasound's Halo JC5 conforms to some of these stereotypes, but there's more to it than just slam

There's nothing terribly unusual about a big, hefty US-made power amp: after all, it's almost an archetype of what we think the US high-end is all about. Long cable runs from preamp to power amp(s), short tails to the speakers – it's just the way they do things over there, and at first glance the Parasound Halo JC5 seems to conform to all those preconceptions.

Review: Andrew Everard, Lab: Paul Miller  |  Dec 01, 2018  |  0 comments
hfncommended.pngThe companion to Klipsch's retro HP-3 headphones has similarly 'classic' styling – yet within the casework is a strikingly capable DAC/amp with an appeal beyond the brand

For some reason, one can't help but be reminded of those great American festive TV specials, usually called 'Home for the Holidays' or something similar, hosted by the likes of Andy Williams or Perry Como, and performed in a huge log-cabin set far up in the mountains of a Burbank backlot. You see, Klipsch has gone decidedly retro with its Heritage range, as noted in our review of its HP-3 headphones [HFN Nov '18], with a brochure liberally scattered with downhome images almost clamouring for a fine bourbon and an even finer cigar.

Review: David Price, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
hfnvintage.pngBack in the '80s, several British 'cottage industry' companies made integrated amps for purist customers, but this is surely the most 'mysterious'. How will it sound today?

In hi-fi as in life, the 1980s was a transformative time. From speaker stands and audiophile speaker cable, to mini monitors and expensive, minimalist integrated amps – the 'go for it' decade of Filofaxes, red braces and VW Golf GTis showed us what was to come.

Reviews: Hi-Fi News Team, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
This month we review and test: Czech PO/Jiri Belohlavek, Trygve Seim, Alexis Ffrench, Huw Wiggin And John Lenehan, and Arianna Neikrug.
Review: Andrew Everard, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
hfnoutstanding.pngNamed after Cambridge Audio’s founding father, this new integrated amplifier includes a DSD-compatible DAC and Bluetooth aptX HD. But does it really have an Edge...?

There’s one very noticeable thing about the new Edge range from Cambridge Audio – well, apart from the fact that these hefty new high-end components are quite a long way from the company’s usual entry/midrange territory, that is. Look at any of the new products and you’ll notice the branding – it simply says ‘Cambridge’, as if to set this range apart, and fit in with the minimalist-but-purposeful vibe of the whole lineup.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
hfnoutstanding.pngNagra’s monumental HD amplifier series reaches completion as its monoblock power amps are joined by this sensational, two-chassis, fully-balanced HD PREAMP

Nagra has, with the exception of the now-best-forgotten Pyramid amplifiers [HFN Feb ’05], a near-faultless track record. When you consider that the company leapt from professional tape decks to audiophile-grade valve electronics 20 years ago, the transition has been remarkable. With the second of its HD models, the HD PREAMP (joined by the HD DAC), one witnesses the completion of ‘Phase One’ of Nagra 2.0.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
hfnoutstanding.pngSharing the same chassis design as its 3010 series, but boasting double the clout, Exposure’s latest pre/power also offers modular MM/MC phono and DAC options

Available with silver (‘titanium’) or black front panels, both with black main casework, Exposure’s 5010 models replace the rather more overtly styled – and huge – MCX series, with their large outrigger feet, as the company’s flagship models. They sit atop a range running from the entry-level 1010 series through the 2010S2s and 3010S2s [HFN Dec ’14], with the half-width XM lineup as an alternative [HFN Apr ’18]. This top-end range is kept much simpler than its junior counterparts, for where those lineups extend to disc players and integrated amps, here we have just two models: the £2000 5010 preamp, and the £4550-per-pair 5010 mono power amps.

Review: Andrew Everard, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
hfnoutstanding.pngDesigned to match its compact DACs, Benchmark’s all-analogue headphone amplifier employs the same THX ‘Achromatic’ tech debuted in its 100W AHB2 power amp

With the boom in headphone listening outpacing even the uptake of new turntables, the hi-fi landscape has changed to a significant extent. Not only are hi-fi shows shining a spotlight on the personal listening experience but dedicated headphone events have spun out in their own right. And the hardware is changing, too: the market is awash with DAC/headphone amp combos, all the way from the tiny (and highly portable) AudioQuest DragonFly models [HFN Oct ’16], to the ‘transportable’ Chord Hugo 2 [HFN Aug ’18] and mains-powered units such as the iFi Audio Pro iDSD [HFN Sep ’18].

Review: Ken Kessler, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
A dedicated stack that forms one of the most expensive digital playback systems on the market, Esoteric’s Grandioso P1/D1 is aimed squarely at fans of the SACD format

Let’s not beat about the bush: alongside the top-of-the-range, multi-chassis dCS Vivaldi pile [HFN Feb ’13] – I can think of no others in this category – the Esoteric P1/D1 combination SACD transport/mono DACs package will lighten your Amex by a worrying £49,500. That breaks down to £33,000 for the two-chassis player/power supply and £16,500 for the mono DACs. Oh, and if you really want to go the whole hog then the Grandioso G1 Master Clock, not supplied here, adds another £23,000.

Review: Ken Kessler, Lab: Paul Miller  |  Nov 01, 2018  |  0 comments
Streaming – schmeaming: for many audiophiles CD still rules the high-end digital roost and Métronome’s Kalista division has a champion in the new DreamPlay ONE

Despite being an SACD-phile, I am also a realist: in my library, CDs outnumber SACDs by greater than 100-to-1. In the real world, I suspect that CD players outnumber SACD players by a higher ratio still. So, when Métronome brings out a new integrated model – the Kalista DreamPlay ONE with a price of £32,000 – CD-only capability is par for the course.

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