Lab: Paul Miller

Review: Jonathan Gorse, Lab: Paul Miller  |  Jul 22, 2020  |  0 comments
hfnoutstandingWith nearly a half century of MC experience under its corporate belt, Sumiko knows how to optimise pick-up performance: enter the Pearwood, an MC that tracks like an MM

Since it was founded in 1972 by noted audio designer David Fletcher, the US-based Sumiko Corporation has been making some of the world's most desirable pick-ups at its production facility in Japan. What's more, not only has it become one of the leading agents for audio equipment in North America but its UK presence has recently been boosted by distributor Henley Audio.

Review: Christopher Breunig, Lab: Paul Miller  |  Jul 16, 2020  |  0 comments
hfnoutstandingWith trickle-down tech from the flagship M1, a custom DSD DAC plus network and headphone amp options, Bricasti's M3 looks like the new go-to star of the range

With its upgraded M1 Dual Mono DAC now in 'Classic' form and selling in the UK at £9499, Bricasti has also announced a more affordable alternative, but still offering 'an incredible array of performance'. The basic M3 USB DAC is offered at £5399, but this increases to £6999 when fitted with its DNLA/UPnP-compatible network streaming card and new headphone amplifier option. The latter includes both 4-pin balanced XLR and 6.35mm single-ended jack outputs, and is available as a return-to-factory retro-fit option as the front fascia requires some reworking.

Review: David Price, Lab: Paul Miller  |  Jul 13, 2020  |  0 comments
hfncommendedWith multiple inputs, streaming functionality and plenty of power, this elegant and compact system promises consummate convenience and super sound. Does it deliver?

Since 1993, Lindemann has been making distinctive products, all with an accent on design and technology. Although the company has also sold loudspeakers in its 27-year history, electronics have formed the staple of the product portfolio – and it has shown a particular interest in digital technology. The D680 of 2001, for example, was the first German SACD player, while the original Musicbook was an early example of a highly advanced streaming front-end [HFN Jun '14]. Lindemann's thinking has been eerily prescient, as other brands have since scrambled to get similarly elegant so-called 'style systems' into their ranges…

Review: Tim Jarman, Lab: Paul Miller  |  Jul 10, 2020  |  0 comments
hfnvintageA mid '80s deck designed to boost vinyl replay at a time when the convenience of CD was making all the news. Did it succeed, and how does it compare today?

The products we usually seek to feature in our Vintage Review pages are those that were among the first to introduce a new format, function, level of performance or design theme. However, this month our subject is the Technics SL-J33 turntable of 1986, one of the last in a series that had a footprint the size of an LP sleeve, which began with the SL-10 [HFN Apr '19].

Review and Lab: Paul Miller, Lab: Paul Miller  |  Jul 02, 2020  |  0 comments
hfnoutstandingThe Chord Ultima range has grown from a single pre and power amp, as the tech becomes more affordable. The Ultima 2 models might just give the flagships a scare

Never let it be said that the Chord Electronics range isn't distinctive in its styling: all the way up from the tiny Mojo DAC [HFN Jan '16] to the flagship Ultima reference preamplifier [HFN Feb '19], the company's products look like nothing else on the market, as if to emphasise that what's going on inside them involves no shortage of proprietary technology, too.

Review: Ken Kessler, Lab: Paul Miller  |  Jun 25, 2020  |  0 comments
hfncommendedIt's all there in the suffix 'Play', which transforms Quad's Vena II from a comprehensive all-in-one amp/DAC solution into something with wired and wireless future-proofing

Is Editor PM simply testing me, or coaxing me? I'm not merely uninterested in streaming, Wi-Fi, et al to the point of virulent loathing, I'm actually reverting to decades-old formats for daily listening: CDs, tapes and LPs. That said, I am not unaware of DTS Play-F, having used it for many months for the wireless speakers on my kitchen counter – though with no more concern than I show a spatula or potato peeler. Yet here I am faced with Quad's update to the Vena II, its entire raison d'être being the full-on wireless experience.

Review: Adam Smith, Lab: Paul Miller  |  Jun 17, 2020  |  0 comments
hfnoutstandingSupplied with or without a partnering MM cartridge, this new 'entry-level' deck to the Vertere range comes equipped with a re-imagining of the archetypal flat tonearm

In a world of plug 'n' play convenience, having to manually configure a piece of equipment before it can be used is felt by some to be far too great a barrier to enjoyment. And perhaps in no area of hi-fi is this truer than vinyl replay. I know of many people who have consciously shied away from exploring the ol' black stuff because they believe it to be 'just too much hard work'. So any manufacturer able to help eliminate any of the perceived faff and complexity that comes with putting together and setting up a turntable – not to mention its arm – is onto a winner.

Review: Andrew Everard, Lab: Paul Miller  |  Jun 12, 2020  |  0 comments
hfnoutstandingLaunched to the audiophile world at CES in 1995, Balanced Audio Technologies may have lifted off like a rocket but has only had patchy distribution in Europe. Until now...

Balanced Audio Technologies – BAT for short – has been much discussed over its 25-year life to date, but until now has remained an object of distant interest for UK audio fans. Now, thanks to distribution by Yorkshire-based Karma AV, all that might be set to change, so perhaps now is the time to take a closer look at the brand.

Review: Adam Smith, Lab: Paul Miller  |  Jun 09, 2020  |  0 comments
hfnoutstandingPrimare's 'Prisma push' may have focused resources into network-enabling its amplifiers and CD players, but its new flagship phono pre proves its love of vinyl has not waned

Even the most ardent vinyl enthusiasts will admit that they can get bamboozled by the whole process of cartridge loading and gain matching. Some MMs and MCs can be quite particular about the load resistance and capacitance that they 'see', just as most phono stages will have a 'sweet spot' gain setting that varies from pick-up to pick-up. So there's a great deal to be said for a flexible phono stage that offers numerous adjustments. On the other hand I can appreciate the popularity of designs where the complexity extends to nothing more than an MM/MC switch!

Review: Ken Kessler, Lab: Paul Miller  |  Jun 05, 2020  |  0 comments
hfncommendedAn artisan brand with its own take on Hypex's tried-and-tested Class D amp module offers both tube and transistor variants to taste. Here's the low-down on the latter

Hybrid amps have always amused me. I still dream of Radford's TT100. This hi-fi equivalent of grafting two plant species hopes – ideally – to combine the best of a brace of disparate technologies. Too often, they marry the worst. Extraudio's X250T represents a first for me in that it promises to take efficient, compact Class D amplification and endow it with the sonic virtues of Class A, hence Class AD. Which made me think of playing with Krells way back in 1985.

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