Strip out the digital inputs, BluOS streaming module and preamp stage from NAD's M33 and we get a 'purist' implementation of Purifi's groundbreaking Eigentakt Class D tech
Unlike the traffic on the motorway for which this stereo amplifier is definitely not named, Canadian manufacturer NAD is rolling along at pace. The M23 auditioned here, available in just a silver finish, is its latest amp to feature high-performance Purifi Eigentakt Class D technology, following in the footsteps of the £3999 M33 BluOS-capable integrated [HFN Aug '20], the seven-channel £4499 M28 power amp, and the more affordable £1749 C 298 stereo amp [HFN Oct '21]. That NAD should have chosen to adopt Eigentakt modules for a trio of models before upgrading its flagship two-channel Masters series power amp is perhaps something of a surprise. But it proves to have been worth waiting for.
Matrix Audio's Element X2 introduces design, control and input upgrades to the X's network DAC/headphone amp and preamp. All this and a colour touchscreen to boot
At first glance, one might wonder why Matrix Audio felt any need to update its Element X network DAC [HFN Jan '21], the latter receiving our 'Outstanding Product' tag at £2795. However, look at this new X2 model and – while it's still conceptually the same, with a broad retention of technology from the ESS ES9038PRO DAC to the Crystek clock – it's clear much has also changed.
Fuss-free and highly affordable, this compact valve integrated was an early foray by the Dutch company into the '60s separates market. But how will it sound today?
How much power does your present amplifier produce? Expectations have risen over the years to the point that wattages in the three-figure range are no longer exceptional. But is this necessary? The Philips AG9016 seen here is rated at 2W per channel – not even sufficient to satisfy the fairly lax requirements of the DIN 45 500 'hi-fi' standard, which requires six watts.
A Serbian brand based in Chicago packs a streamer, DAC and headphone amplifier into three bijou cases, topped off with a bespoke outboard PSU. We lend an ear, man
Although UK readers might not recognise the EarMen moniker, it's certainly not a newcomer to the world of hi-fi. Its back story is quite convoluted, for although EarMen is based in Chicago, it's funded by the owner of Serbia's Auris Audio, Milomir Trosic, and most products are produced in the same Serbian factory. Auris is aimed at the premium market, with products including the Euterpe and the Nirvana – both headphone amplifiers lavishly adorned in wood and even leather – plus a neat line of luxurious-looking tube amps and even some turntables on offer.
Featuring a concentric mid/treble driver with a difference, ELAC's Concentro range goes 'compact' with the S 503
For those who felt that ELAC wasn't one for adventurous industrial design, the Concentro series has proved them wrong. You'll find some very curvy and organic-looking models in this range, which rises even above the finely crafted and attractive Vela series [HFN Apr '19]. However, the Concentro range still feels more like a disparate collection rather than a real product family. Virtually every model has its own design, from the menhir-like Concentro and Concentro M to the high-heeled S 507 and S 509 floorstanders.
Auralic's latest streamer/DAC combines with its upsampling processor, and at first glance there seems to be some duplication of effort. So how do they work together?
The trouble with many modern hi-fi ranges is trying to work out what each of the boxes does. I've recounted before the tale of the tower of identical-looking Linn components stacked up in the premium lounge of a well-known airline, and the amusement there was in watching 'elite' passengers trying to work out where to insert their Dire Straits CD. Similarly, Auralic also has a wide range of digital devices, and given that they all look alike, it's sometimes hard to work out what does what.
Still featuring the iconic V-shaped plinth, this Jubilee update on Clearaudio's inaugural Reference deck features a Panzerholz plinth and magnetically-assisted ceramic bearing
Bunting must surely be in short supply. Along with the Royal Jubilee, we had SME officially celebrating its 60th birthday while Nagra rolled out the cake for its 70th – and now Clearaudio has released a product to celebrate its '40 years of excellence' (an anniversary that actually fell in 2018, but product delays are nothing new). The good news is that the result is the £17,500 Clearaudio Reference Jubilee turntable; the bad news is that production is limited to 250 units worldwide.
A new dawn? Audio Research's first fresh integrated amp in seven years shows a change of direction while still maintaining a grip on the brand's sonic virtues. Enter the I/50...
Few companies have been as resistant to styling changes as Audio Research. Even after a decade-plus under the ownership of fashion-conscious Italians, ARC products still suggest they belong in studios or government laboratories. Can you imagine the shock, then, when news releases arrived showing a swoopy integrated amplifier available in six colourways?
Moving-coil pick-ups are inherently 'balanced' and Pro-Ject is determined to reveal them at their best with this balanced-wired version of the X2 deck and phono preamp
One burning question is begged by the arrival of Pro-Ject's X2 B turntable and Phono Box S3 B phono stage: why did it take so long for the industry to simplify a balanced vinyl-playing front-end? It's not like balanced operation wasn't adopted by high-end listeners decades ago as superior to single-ended for both line-level sources – DACs and top-flight CD players – and pre-to-power amp connections. MC cartridges are inherently balanced. So why the wait?
Now owned by AudioQuest cable's parent company, GoldenEar has added the compact Bookshelf Reference X to its range – the final design from longstanding CEO Sandy Gross
Looking at the BRX (Bookshelf Reference X) loudspeaker, it's easy to feel slightly unnerved by the amount of, well, 'technology' that's been squeezed into its compact dimensions. But then we should remember it hails from American brand GoldenEar, a company that – under the auspices of founder Sandy Gross – has always seemed to approach loudspeaker (and subwoofer) design a little differently to many rivals.