Lab: Paul Miller

Sort By: Post Date | Title | Publish Date
Review: David Price, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfncommended.pngWith a radically different design to other MCs, Lyra's second-to-top cartridge has a sound unlike anything else around. Costly yes, but what price the pursuit of perfection?

Analogue addicts find themselves with a bewildering array of choices that extends way past which turntable and/or tonearm to buy. The world of cartridges is complex and potentially baffling, especially with moving-coil types. Many eventually progress from buying the big brands to trying out specialist makers – and it's here that we find Lyra. Its products inhabit a niche within a niche: they are all hand-built, low-volume devices that for nearly a generation now have sold largely to devotees of the brand.

Review: Andrew Everard, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfncommended.pngCombining simplicity with flexibility, this pre/power combination from one of the best-known names in French hi-fi has much to offer – including the odd quirky feature...

Like some other French audio companies, Yves-Bernard André's eponymous brand has hovered on the periphery of UK hi-fi enthusiasts' perception. But the company has been on a mission to change all that, taking a more global view with a lineup extending to no fewer than five product ranges. The Passion models, represented here by the £6750 PRE550A preamp and £5750 AMP650 power amp, sit near the top of the pile.

Review: Lee Dunkley, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfnoutstanding.pngThe svelte D 3020 contrasted with the iconic 3020 amp of '78, but this V2 trades-in USB for phono and Bluetooth in a bid to regain its crown as the ultimate 'starter amp'

The original NAD 3020 integrated amplifier of the late '70s was a genre-defining product – a compact integrated full of useful features that cost relatively little and became recognised for bringing high-quality home audio to a much wider audience. I wouldn't mind betting that many readers will have owned one at some point or at the very least be familiar with its reputation as an 'all go, no show' audiophile amp for its remarkably likeable sound but rather retiring 'grey slab' looks.

Review: Andrew Everard, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfnoutstanding.pngClaiming to be 'the last digital front-end you will ever need', can this combination of wide-ranging compatibility and ongoing upgrades match up to that ambition?

The ever-evolving digital audio landscape has made buyers wary and manufacturers jumpy. It seems that each time a company launches a 'definitive', future-proofed product, some new format or twist pops up for its moment in the sun as the 'must-have' way to store and play music. However, some manufacturers handle this problem better than others, thanks to designs able to deal with every known format of the moment, and having either modular construction or firmware upgradability to keep up with changes.

Review: Andrew Everard, Lab: Paul Miller  |  May 01, 2018  |  0 comments
hfnoutstanding.pngMaking the step from software supplier to hardware brand, Roon has developed a pair of boxes designed to sit at the heart of a system. But what do they actually do?

Having been something of a ‘sleeper’ for a while, favoured by an admittedly growing group of computer-based audio enthusiasts, there’s every sign that Roon – the music server/database software – is finally going rather more mainstream. A number of manufacturers have launched products with, or updated existing models to, Roon-ready status, and now the company behind the software has entered the hardware market with a pair of hub components co-developed with Intel: the £1500 Nucleus, and the £2500 Nucleus+ we have for review here.

Review: David Price, Lab: Paul Miller  |  Apr 01, 2018  |  0 comments
hfnvintage.pngIt was an amp that gave fresh meaning to the term 'cooking on gas', but how does one of Sony's last classic super-integrateds shape up today? Time to find out...

The '70s was a time of great social change. At the beginning of the decade, black and white TVs, bicycles and outside toilets were the reality of life for many British people. But by the end of the '70s, most folks had colour TVs, family cars and swanky modern bathrooms – along with fitted kitchens, wall-to-wall carpeting and stereo systems in their homes. Although the music centre was the height of fashion, separates hi-fi was growing fast and many were willing to pay for serious equipment.

Review: Nick Tate, Lab: Paul Miller  |  Apr 01, 2018  |  0 comments
hfnoutstanding.pngSporting a unique modular design that accommodates multiple tonearms, a tube-based PSU for the motor and novel heated bearing, this super deck is far from run of the mill

Does the world really need another high-end turntable? That’s the question Brinkmann’s Spyder has to answer, because there’s already a surfeit of fancy vinyl disc spinners sitting pretty in this high value market. This deck needs to be special in some way then, and so it proved. Costing £9795 in basic form, it’s one of two belt-driven decks in the German company’s range of hi-fi separates, sitting alongside the Balance 2 [HFN Jul ’14]. Brinkmann also makes the Bardo and Oasis direct-drive turntables, which themselves are interesting and innovative things.

Review: Ken Kessler, Lab: Paul Miller  |  Apr 01, 2018  |  0 comments
hfncommended.pngStill billed as 'The World's Most Powerful Integrated Amplifier', Perreaux's MOSFET flagship has been tickled-up with a new digital input module. And more power too...?

Side-by-side, you'd be forgiven for seeing no changes between the Perreaux Eloquence 255i integrated amplifier and the earlier 250i [HFN Aug '12]. Same rotary, same display, same number of buttons – even the price would leave you clueless, the six years between them inflating the £5695 of the earlier unit to £6895 in standard, line-level-only trim. Given the recent drop in the value of Sterling, that alone could account for the increase, so full marks to Perreaux.

Review: José Victor Henriques, Lab: Paul Miller  |  Apr 01, 2018  |  0 comments
hfnoutstanding.pngInspired by the ‘Momentum’ circuit and industrial design that put D’Agostino Master Audio Systems on the map, its Progression series could make the biggest impact yet

The Progression Stereo amplifier is built around a dual-wound 1400VA toroidal transformer coupled to 400,000µF of power supply storage capacitance that feeds no fewer than 48 power transistors – 24 per channel. On paper this is said to generate 300W/8ohm, doubling into 4ohm [see PM’s Lab Report]. And it’s yours for roughly half the price of a pair of the company’s Progression Monoblocks [HFN Jun ’17].

Review: Andrew Everard, Lab: Paul Miller  |  Apr 01, 2018  |  0 comments
hfncommended.pngWith an upgraded specification including an asynchronous USB input with DSD capability, ATC’s CD player/DAC/preamp aims to be a complete system front-end

Is this a new twist on the CD player? Or yet another new variation on the DAC? Well, neither actually, for as that ‘Mk2’ suffix suggests, this is a revised version of ATC’s innovative CDA CD player/DAC/preamp combination, selling for £2950 and designed as the perfect partner for the company’s £3375 P2 power amplifier [HFN Mar ’17], or its range of active speakers.

Pages

X