Lab: Paul Miller

Review: Nick Tate, Lab: Paul Miller  |  Oct 01, 2018  |  0 comments
hfnoutstanding.pngWith a claimed 550W on tap, this US-made pre/power amplifier combo offers serious quantities of sound per pound. How does this muscle amp-on-a-budget perform?

It’s often said that less can actually be more. For example, many high-end hi-fi products are devoid of fripperies because the lion’s share of the build budget is spent on the bits you can’t see, such as high quality components. This in turn gives better sound per pound, or so the theory goes. Yet other designs come festooned with features and often lack ability in the sonic stakes.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngThe Naim ‘platform for the future’ has brought new facilities, and a new look, to its network music player range – but have the signature sonic fireworks been retained?

There was a certain inevitability about it. Back in October 2016, when Naim Audio launched its four ‘new Uniti’ models, based around what MD Trevor Wilson described as the company’s ‘platform for the future’, the elephant was in the room throughout the press event. Eventually it was unleashed, and the question asked: would this new technology also be applied to the ND-series of network music players?

Review: Adam Smith, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngThe Czech company beefs up its most popular turntable range with a deck boasting a sophisticated motor system and new S-shaped tonearm. Then there’s the new logo...

Recently I found myself chatting with a fellow hi-fi nut about the sheer number of turntables currently available. We discussed a few of our favourites and his final comment was: ‘Yes, a great selection; although about half of them are made by Pro-Ject!’ While we chuckled, I couldn’t help thinking he had a point...

Reviews: Hi-Fi News Team, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
This month we review and test: RCO/Daniele Gatti, Sullivan Fortner, Quatuor Cambini-Paris, Brenda Navarrete, and Leo Sidran.
Review: Ken Kessler, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngLuxman’s update of its fully-loaded, flagship headphone amplifier has resulted in the heavyweight P-750u – is this incarnation a contender for the best of the breed?

Decades on from the likes of the EarMax, AudioValve RKV and other pioneering headphone amps, born before cans became a ‘thing’, we are now spoiled for choice. Luxman, which has been on dazzling form of late, has upgraded its no-compromise champ to produce the P-750u, and it just may be the go-to unit if you’re 1) crazy for cans, 2) use various models and 3) love added fine-tuning control.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfnoutstanding.pngThe most ambitious iFi digital product to date is a hugely flexible DAC/headphone amp with an eye on both studio and consumer markets. But is it just a bit too complex?

The idea of the DAC/headphone amplifier is firmly established, whether for ‘on the go’ use, desktop audio or as a main system component. Less than £100 will get you started, with the likes of the AudioQuest DragonFly Black [HFN Oct ’16], Cambridge Audio DacMagic XS V2 or Cyrus SoundKey, while the ambitious might consider models such as the long-running Chord Electronics Hugo [v2, HFN Aug ’18] and costing the thick part of £2000. However, even by the standards of this highly diversified market sector, the range-topping model from iFi Audio, the Pro iDSD, looks pretty punchy with its £2500 price-tag.

Review: Andrew Everard, Lab: Paul Miller  |  Sep 01, 2018  |  0 comments
hfncommended.pngBilled as McIntosh’s most powerful integrated amp to date, the mighty MA9000 combines transistors with transformers and a ‘blue’ aesthetic that’s truly timeless

Right, let’s get the ‘and fries to go’ thing out of the way first. If ever a product deserved the title, this is the ‘Big Mac’. Or at least ‘Big Mc’, for the McIntosh MA9000 is huge in every respect, from the sheer bulk of the thing – at least by the standards of most integrated amplifiers – to the 45.8kg fighting weight, increasing to 60.8kg packed, and the £12,995 price tag.

Review: Tim Jarman, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
hfnvintage.pngLaunched in 1980, these slimline separates proved just the tonic for those seeking sophisticated sonics wrapped in eye-catching casework. How do they sound today?

Who buys top quality hi-fi equipment? First there is the audiophile, who is willing to devote considerable resources in the pursuit of components that deliver what he or she regards as the best sound quality for a given budget. There was once also a largely non-technical group who had equally high musical expectations. Wealthy and design conscious, they wanted complete systems that not only sounded good but looked good too, and included all the latest technological refinements.

Reviews: Hi-Fi News Team, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
This month we review and test: Bobo Stenson Trio, Bahamas, Bettye Lavette, Chris Thile, and Imelda May.
Review: Andrew Everard, Lab: Paul Miller  |  Aug 01, 2018  |  0 comments
hfnoutstanding.pngIt can sometimes seem tricky to keep pace with the changes in the Chord Electronics range, but its Hugo 2 claims technical and spec advances over the original DAC/amp

For a relatively small specialist audio brand – well, by the standards of some of the huge companies the industry seems determined to keep constructing these days – Chord Electronics has its bases covered in fairly spectacular fashion, from tiny pocket devices to hugely powerful amplification. What’s more, there’s little evidence of resting on laurels going on here. The company just keeps on adding new models to its range, from the Mojo/Poly portable DAC/amp/player/streamer combo to the newly announced Etude amplifier, said to use its ‘first fundamentally new topology’ since the company was founded some 30 years ago.

Pages

X