The iconic Sony Discman evolved into a full family of niche versions, including specific in-car and ‘Sports’ models, the latter designed for the beach. We slap on the factor 50!
Has hi-fi become a little crazy these days? Huge equipment, bizarre accessories, cables that look ready to moor an oil tanker? How about this though – a CD player that works under water. Not for audiophile reasons of course, but for practical ones and as a step along the road to making the Compact Disc system the perfect consumer bauble.
Industry ‘disrupter’ WiiM continues its campaign to shake up the audio scene with another comprehensively-equipped streamer, this time with a Class D amp on board
If I had a pound for every time I’d heard someone talking about WiiM in the last year I would easily be able to afford the £329 streaming amplifier auditioned here. Since its arrival in the UK in 2023, WiiM – the consumer-facing brand of California-based smart technology company Linkplay – has earned a reputation for compact, networked hi-fi products that combine wide feature sets and a forward-thinking control app, but at prices that would have seemed like science-fiction just a few years ago.
Inspired by its long-running Studio series, born in the 1980s, this modern-day D’Appolito standmount also illustrates Monitor Audio’s long-term use of metal-coned drivers
As anyone who tried to buy tickets for Oasis’s 2025 reunion tour will have discovered, nostalgia is big business. The hi-fi industry knows it too, and in recent years has been scouring the 1970s for speaker and amplifier designs to either leverage into new models or directly resurrect. Monitor Audio, however, has now jumped a decade ahead, launching a new speaker ‘inspired by the 1980s’. Seeing as Hollywood has been tapping into that decade with revisits to the Beverly Hills Cop, Top Gun and Ghostbusters franchises, the British manufacturer might be onto something.
The latest iteration of Auralic’s streamer/DAC boasts a new generation of the Tesla platform at its core, and an updated version of its ‘Lightning’ operating system
Almost as tricky as keeping up to speed with Taylor Swift releases is staying abreast of the range offered by network audio specialists, Auralic. Wrestling with the products’ naming and respective functionality can also be less than straightforward... The Altair G2.2 is the latest version of the company’s streamer/DAC, designed to be used into a conventional preamp, or direct into power amplification or active speakers via its analogue volume control.
This month we review and test releases from: Eline Hensels & Daniël Kramer; Guy Yehuda; Arve Henriksen/Harmen Fraanje; Arve Henriksen/Harmen Fraanje; and Vince Guaraldi
Once again there’s nothing fishy about this innovative Dutch brand’s latest catch – a reference-quality stereo Class D amplifier netted into the Kaluga’s mono chassis
Time, it seems, to forget all the stereotypes of high-output power amplifiers as massive devices that dim the lights when fired up and convert even the chilliest of spaces into a listening-room sauna. Instead, the £7299 Perca stereo power amp from Dutch manufacturer Mola Mola is just 215mm wide and 110mm tall, and weighs a mere 5.25kg, yet claims a stereo output of 150W/8ohm, doubling to 300W/4ohm.
A fusion of Yamaha’s hi-fi audio technologies with the proprietary Sound Field modes debuted on its AV hardware decades ago, the HA-L7A is a headphone amp with a twist
For a brand name that appears on very diverse products, from grand pianos to outboard motors, it’s amazing that Yamaha has little in the way of high-end head-fi – the company was a very early adopter of planar-magnetic headphone technology, after all. The HA-L7A DAC/headphone amp is the second product launched to address that deficiency, following on from the YH-5000SE headphone, which garnered an EISA Award last year and is a spiritual successor to the legendary HP-1 from ’76.
Situated squarely in the middle of Canton’s five-strong set of floorstanders, is the Reference 3 the sweet spot?
First seen at High End Munich in 2023, Canton’s Reference range brought a major renewal to the flagship offering of Germany’s largest loudspeaker brand. Introducing a new design aesthetic, with a rounded lute-shape cabinet profile made popular by Sonus faber many years ago, and integrating new drivers, it heralded a major course change from the previous Reference K generation [HFN May & Aug ’22]. Yet Canton’s penchant for sprawling ranges has not changed, so the Reference series contains no fewer than eight models – and that’s not counting the exclusive GS edition, nor the two Alpha models revealed at Munich in 2024.
Promising ‘a new era of analogue sound’, DS Audio launches its first all-tube energiser/equaliser to partner its growing range of optical pick-up cartridges. Has it succeeded?
This just may be the most self-fulfilling review I’ve ever written. DS Audio has unleashed a valve energiser and equaliser, the TB-100, for its optical cartridges. Up to this point, every one of its cartridges has been launched with a matching solid-state energiser of relative or comparable price, but the TB-100 has been released on its own. Because every DS Audio cartridge will work with any of the energisers regardless of price, this time it’s all about the tubes.
Innovative as ever, the go-to-speaker designer Karl-Heinz Fink solves the solution of where to best site a small speaker. For the diminutive ES-7N the answer is... anywhere!
The rebirth of classic UK brand Epos got off to a flying start when eminent loudspeaker designer Karl-Heinz Fink bought the brand from Creek Audio in 2020. As his first move he created a new iteration of the ES-14, one of Epos’s most beloved products, but this wasn’t a nostalgia project despite some Back To The Future-themed marketing. Instead, Fink took the basic principles of the original model and designed a new speaker utilising modern technologies. That was a clever move, for while the resulting ES-14N [HFN Jul ’23] might not be as true to the original as some would like – it’s undoubtedly better.