Vintage

Illustrative of a ‘new wave’ in both the mechanical design and ergonomics of early-1970s turntables, Braun’s fully automatic PS 450 was an idler-drive of some distinction

Braun’s hi-fi activities are little known in the UK, although the company’s Regie 510 and Regie 350 receivers have been featured in previous Vintage Reviews [HFN Jun ’16 & Apr ’17]. At its peak, the Braun hi-fi range was as broad and as sophisticated as that of any rival manufacturer, in addition to the kitchen, personal care and photographic equipment that the company also produced. Unlike some, Braun designed and manufactured its own turntables and these were engineered to the very highest of standards.

Birmingham Sound Reproducers, or BSR, is a name that's scarcely mentioned in hi-fi circles today. Once the world's largest producer of turntables, the story of this company serves as a reminder of what a tough place the audio market can be.

Launched at the Harrogate Hi-Fi Show in 1981, the Celestion SL6 looked different, and it was more different than it looked. In essence, its all-new drive units had been designed with the help of Celestion’s then-unique and revolutionary laser-based vibration analysis measurement system. It was the first British speaker to use a metal-dome tweeter, but the bass unit was equally innovative.

In the early days of hi-fi, the budget amplifier was usually considered an object of disdain, to be quickly upgraded as soon as funds allowed. More capable designs such as the NAD 3020 changed this view and by the late '70s improvements in component technology had made it possible to produce really good amplifiers that still could be sold for reasonable prices.

When enthusiasts see a product from Crown it's perhaps natural to assume it has come from the American amplifier manufacturer of that same name. Yet this compact CD player from 1987, launched to bring the cost of portable players down to a more affordable level, bears the branding of another company called Crown – the Crown Radio Corporation of Japan.

The story of DPA is not uncommon among small and specialised hi-fi manufacturers. Arriving in 1992, it actually represented the second iteration of a company co-founded by Robert Watts (who has since gone on to be digital design consultant at Chord Electronics). And while Deltec Precision Audio, which debuted in 1984 with its CTA80 preamplifier, had ultimately shut up shop in the early '90s, the ideas behind its original models clearly had some merit – it was soon back with Watts onboard, albeit under a slightly different name.

The fact that Dual couldn't achieve serious success in the middle sector of the British turntable market back in the late '70s was testament to how fast the hi-fi world had changed. That part of the market was becoming the province of Japanese companies such as Pioneer, Sony and Technics, which were making complex, technologically advanced turntables packed with modern, user-friendly features that people wanted to buy.