Vintage

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Review: Tim Jarman, Lab: Paul Miller  |  Jun 06, 2025  |  First Published: May 01, 2025
hfnvintageIn an age of bulky carousel and multi-disc cartridge-loading solutions, this Pioneer player combined a single laser mech with dual trays for many hours of uninterrupted listening

Once CD players had become established it did not take long for hi-fi manufacturers to come up with new features and facilities to offer. Of these, the ability to play more than one disc at a time was perhaps the most intriguing and visually obvious. Toshiba was the first to produce a practical machine with the XR-V22 [HFN Jun ’24]. This could take two discs, but it was fellow Japanese brand Pioneer which led the field, coming up shortly afterwards with a six-disc cartridge player. This ‘universal’ cartridge system was common to all Pioneer’s multi-play models, allowing collections of discs to be rapidly swapped between systems at home and in-car.

Tim Jarman, Lab: Paul Miller  |  Jun 01, 2025  |  First Published: Nov 01, 2024
hfnvintageThe iconic Sony Discman evolved into a full family of niche versions, including specific in-car and ‘Sports’ models, the latter designed for the beach. We slap on the factor 50!

Has hi-fi become a little crazy these days? Huge equipment, bizarre accessories, cables that look ready to moor an oil tanker? How about this though – a CD player that works under water. Not for audiophile reasons of course, but for practical ones and as a step along the road to making the Compact Disc system the perfect consumer bauble.

Tim Jarman, Lab: Paul Miller  |  May 02, 2025  |  First Published: Oct 01, 2024
hfnvintage A child of the Rank Organisation, the Linton can trace its roots back to the Leak Delta 30 and Stereo 30 Plus before it. We travel back to Wharfedale’s (early ’70s) halcyon days

The Wharfedale Linton loudspeaker is one of those hi-fi products that seems to have been around forever. It has been produced in many forms and is still with us today in ‘Heritage’ guise. The original Linton, Super Linton and Linton 2 were all strong sellers in the 1960s and ’70s and many listeners will have heard, owned or borrowed a pair at some stage. Lesser known was Wharfedale’s complete Linton system, which was offered in hi-fi’s boom years of the early 1970s. It is the amplifier from the first version of this which we are looking at this month.

Review: Tim Jarman, Lab: Paul Miller  |  May 01, 2025  |  First Published: Apr 01, 2025
hfnvintage

Illustrative of a ‘new wave’ in both the mechanical design and ergonomics of early-1970s turntables, Braun’s fully automatic PS 450 was an idler-drive of some distinction

Braun’s hi-fi activities are little known in the UK, although the company’s Regie 510 and Regie 350 receivers have been featured in previous Vintage Reviews [HFN Jun ’16 & Apr ’17]. At its peak, the Braun hi-fi range was as broad and as sophisticated as that of any rival manufacturer, in addition to the kitchen, personal care and photographic equipment that the company also produced. Unlike some, Braun designed and manufactured its own turntables and these were engineered to the very highest of standards.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 05, 2025  |  First Published: Mar 01, 2025
hfnvintageFollowing its inaugural AD 800 CD player, based on a first-generation Sanyo chassis, the AD-812 slips into the mainstream with a stripped-out 16-bit/x2 player. How does it fare?

The AD-812 is the perfect CD player for those who dislike banks of buttons and legions of flashing lights. It has only nine controls and the simplest possible display, with no remote control or hidden menus with extra functions concealed within. While it might be marketed today as a stripped-out audiophile product, in 1986 it was simply a no-frills, straightforward player.

Review: Adam Smith, Lab: Paul Miller  |  Feb 01, 2025
hfnvintageHeavyweight direct-drive turntables were packed with technology in the 1980s, as
illustrated by JVC’s QL-Y66F with its second-generation Electro-Dynamic Servo tonearm

In the vinyl heyday of the 1970s and 1980s, differences between UK-designed turntables, and those arriving from Japan, were stark. The suspended subchassis belt-drive decks, popular among British audiophiles, showcased increasing refinement of a ‘traditional’ technology. Japanese corporations, on the other hand, were making use of large research departments and development budgets to produce decks that could correct for off-centre records, direct-drive motors with almost unmeasurable wow and flutter, and control systems with huge torque that would revolutionise DJ-ing.

Review: Adam Smith, Lab: Paul Miller  |  Jan 19, 2025  |  First Published: Jan 01, 2025
hfnvintageThe Magnum appeared in numerous guises throughout Goodmans’ long history but this early ’90s version is arguably less well known. How does this ‘two-way’ fare today?

One frustrating aspect of being a vintage audio enthusiast is encountering those companies who love to re-use model names and numbers. If you’re a B&O fan talking about a ‘Beogram 3000’, for example, are you referring to one of the two 1960s variants, the 1970s model or the 1980s version? It’s even becoming an issue all over again with updated recreations of famous designs, like the Mission 770 loudspeaker [HFN Jun ’22] and Quad’s 33/303 pre/power system [HFN Jan ’25].

Review: Tim Jarman, Lab: Paul Miller  |  Jan 18, 2025  |  First Published: Dec 01, 2024
hfnvintageAvailable in two guises – with an integrated or pre/power amp – Aiwa’s system 30 is emblematic of an era when miniaturisation was in vogue. How does it stack up today?

The mini/micro system craze was one of the Japanese electronics industry’s last great flourishes of the 1970s. Aiwa joined with Technics, Toshiba (Aurex) and Mitsubishi in producing tiny equipment with the same (or better) performance than many full-sized units, the contention being that improved component miniaturisation meant large boxes were no longer needed.

Review: Adam Smith, Lab: Paul Miller  |  Nov 25, 2024
hfnvintageSitting bang in the middle of a six-strong range of loudspeakers, the Cantor III was in production from 1983-85. How does this 'compact two-way system' fare today?

If you were to attend a classic car show and make a beeline for the enthusiasts exhibiting vehicles made by mass-market manufacturers, it would be easy to predict the kinds of designs you'd see on display. Most space would be given over to the noteworthy models: the big-engined ones, the sporty or luxury variants, the rare limited editions. And yet the bread-and-butter models that carried sales reps up and down the land and took many of us to school as children are largely forgotten. They were workhorses, used until the end of their lives and then replaced.

Review: Tim Jarman, Lab: Paul Miller  |  Oct 28, 2024
hfnvintageLargest of a trio of bookshelf speakers featuring diecast alloy cabinets and horn-loaded tweeters, Technics’ SB-F3 was a true high-tech compact. How does it fare today?

The smallest speaker in Technics' three-strong F series has already featured in our Vintage Review section . It was a popular product and sold in decent numbers for something that could have easily been mistaken for a mere novelty. Less well remembered were the larger members of the same family, the SB-F2 and SB-F3. Neither of these was exactly 'large', but the SB-F3 was certainly too big to be considered a miniature model like the SB-F1. It was, instead, in the class of conventional compact loudspeakers intended for shelf or stand placement, a sector where the number of competing models was far greater.

Review: Tim Jarman, Lab: Paul Miller  |  Oct 08, 2024
hfnvintageA very early use of laser interferometry saw B&O sculpt an injection-moulded speaker cabinet that controlled resonances and could be placed on the wall or floor...

Imagine the difficulty of designing a high-quality loudspeaker with a radically new appearance. While buyers were happy to accept amplifiers, tuners and cassette decks with fascias that looked like the dashboard of a Concorde, speakers were furniture and so had to blend in - square box, plain grille and nothing more. If anyone could solve this problem it would be Bang & Olufsen, masters of creating designs that are at the same time futuristic-looking, appealing and enduring.

Tim Jarman, Lab: Paul Miller  |  Sep 09, 2024
hfnvintageGimmick or grand plan as Toshiba looks to spice up the mid-’80s CD scene with a dual-disc player offering over two hours of continuous music. How does it fare today?

Anumber of our recent Vintage Reviews have featured CD players designed to broaden the appeal of the format by making the hardware available at progressively lower price points. This was one way to maintain sales, but another approach was to add additional features at little or no extra cost.

Tim Jarman, Lab: Paul Miller  |  Jul 29, 2024
hfnvintageSmallest of a four-strong range of innovative MFB (Motional Feedback) loudspeakers, Philips’ AH585 was in production from 1972-82. How does it fare today?

The Philips Motional Feedback (MFB) loudspeaker has been mentioned a number of times in these pages over recent years. The company achieved considerable success with both its first- and second-generation models, including the 22RH544, but in the UK at least, the third generation is less commonly encountered. The AH585 seen here is the smallest of three consumer speakers, the others being the similar but larger AH586 and the three-way AH587.

Review: Tim Jarman, Lab: Paul Miller  |  May 30, 2024
hfnvintageArriving in 1967, the Ravensbourne Stereo was the first transistorised amplifier to be introduced by Rogers Developments, and slotted into the manufacturer’s range between the existing HG88 integrated and Master pre/power models. At a time when the HG88 sold for around £46 and produced 15W in total from ECL86 tubes, the Ravensbourne was £64 and offered 25W per channel from modern silicon transistors.
Review: Tim Jarman, Lab: Paul Miller  |  Apr 23, 2024
hfnvintageRising phoenix-like from the ashes of Deltec Precision Audio in 1992, the 'continuity brand' DPA retained designer Robert Watts' flair for innovation. How does it fare today?

The story of DPA is not uncommon among small and specialised hi-fi manufacturers. Arriving in 1992, it actually represented the second iteration of a company co-founded by Robert Watts (who has since gone on to be digital design consultant at Chord Electronics). And while Deltec Precision Audio, which debuted in 1984 with its CTA80 preamplifier, had ultimately shut up shop in the early '90s, the ideas behind its original models clearly had some merit – it was soon back with Watts onboard, albeit under a slightly different name.

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