Vintage

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Review: Tim Jarman, Lab: Paul Miller  |  Mar 29, 2019
hfnvintageNow a forgotten hero, this CD player's claim to fame was that it was the first to be sold by a British household name. But does its sound make it more than just a curio?

Ferguson isn't a name often seen in the pages of HFN, but from the early 1950s to the late 1980s it was a dominant player in the UK consumer electronics marketplace. Part of the Thorn group, the brand was never positioned as a specialist hi-fi manufacturer but its audio division was prolific.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 21, 2019
hfnvintageThis slimline design was fashioned with Yuppies in mind yet packed tried-and-tested tech from premium Sony products. How does it shape up today? It's time to find out

When it comes to CD players, Ferguson has a claim to fame, for its CD 01 [HFN Jan '19] of 1984 was the first machine to appear from a British household name. The player's Sony origins also meant it stood out from the crowd. At the time, manufacturers wishing to gain a foothold in the rapidly growing market for CD players, but who lacked the R&D resources to build machines of their own, usually went to Philips for the hardware. Sony's players were considered to be top of the market, the Japanese company's carefully cultivated image only helping to justify their premium prices.

Hi-Fi News Staff  |  Jan 30, 2015
British company Ferrograph, as its name suggests, has its origins in the production of tape recorders. After the Second World War it successfully marketed a series of professional machines based around the sturdy Wearite deck. Having mastered this most difficult of components, it would have been relatively straightforward for Ferrograph to diversify into other lines. But its first integrated stereo amplifier is one of the most interesting.
Hi-Fi News Staff  |  Dec 22, 2014
In the early 1970s Sanyo was a UK market leader in the field of music centres that were extremely popular here, but its separate hi-fi units were not as successful. It was intended that the acquisition of the Fisher brand (in 1975) would solve this problem and less than a year after the CD format had first been made commercially available by Philips and Sony, it launched its first machine, offered in the UK as the Fisher AD 800. A vertical front loader, the AD 800 was a confident entry into the digital field. One reason Sanyo was able to bring this model to market so rapidly was its use of integrated circuits made by Sony.
Review: Tim Jarman, Lab: Paul Miller  |  Feb 05, 2025  |  First Published: Mar 01, 2025
hfnvintageFollowing its inaugural AD 800 CD player, based on a first-generation Sanyo chassis, the AD-812 slips into the mainstream with a stripped-out 16-bit/x2 player. How does it fare?

The AD-812 is the perfect CD player for those who dislike banks of buttons and legions of flashing lights. It has only nine controls and the simplest possible display, with no remote control or hidden menus with extra functions concealed within. While it might be marketed today as a stripped-out audiophile product, in 1986 it was simply a no-frills, straightforward player.

Ed Selley  |  Nov 24, 2010
The history of Garrard as a manufacturer can be traced back to World War One, when the famous jewellers to royalty wished to do ‘their bit’ for the wartime effort, ultimately setting up an ammunitions company. After hostilities ceased, the family was left with a small manufacturing plant in Swindon, which switched to the manufacture of wind-up motors for gramophones. From Tommy gun to turntables, one might say. .
Review: Adam Smith, Lab: Paul Miller  |  Jan 19, 2025  |  First Published: Jan 01, 2025
hfnvintageThe Magnum appeared in numerous guises throughout Goodmans’ long history but this early ’90s version is arguably less well known. How does this ‘two-way’ fare today?

One frustrating aspect of being a vintage audio enthusiast is encountering those companies who love to re-use model names and numbers. If you’re a B&O fan talking about a ‘Beogram 3000’, for example, are you referring to one of the two 1960s variants, the 1970s model or the 1980s version? It’s even becoming an issue all over again with updated recreations of famous designs, like the Mission 770 loudspeaker [HFN Jun ’22] and Quad’s 33/303 pre/power system [HFN Jan ’25].

Ed Selley  |  Nov 17, 2011
Revisiting the first British solid state amplifier Goodmans was one of the most prolific loudspeaker makers of the 1960s, also supplying the radio and television trade. The company ran from 1932, ending when the TGI group was broken up in 2004. But the brand name as such survives marketing a range of DVB set-top boxes and LCD TV sets. Introduced in 1966 with a price tag of £49 10s, this compact little amplifier, the Maxamp 30, measured just 10in tall, 5in wide and 7in deep.
Review: Tim Jarman, Lab: Paul Miller  |  Jan 10, 2023
hfnvintageHandsome, affordable and boasting a top-notch tuner to boot, should this early '70s receiver top your list when it comes to securing a pre-cherished radio star? We find out

Almost all audio enthusiasts will know Goodmans for its range of loudspeakers. However, the company's other hi-fi products are less well remembered, despite the fact that more than one or two achieved considerable popularity among buyers.

Review: Tim Jarman, Lab: Paul Miller  |  Nov 24, 2020
hfnvintageThe sweet spot in a three-strong series of late '80s amps, this high current integrated promised to handle low impedance speakers without breaking a sweat. We listen...

Most hi-fi enthusiasts know how many watts their amplifier can produce, but does that figure tell the whole story? In the early '80s, Harman Kardon's HCC (High Current Capability) range of integrated amplifiers gave listeners another number to think about, which was how much current an amplifier was able to source.

Review: Tim Jarman, Lab: Paul Miller  |  Feb 01, 2018
hfnvintage.pngIt wasn't a budget buy, but this late '70s integrated from the masters of the MOSFET spearheaded fresh thinking on amplifier design. But how does it sound today?

The advantages of using separate pre and power amplifiers over an integrated is a discussion that can still occupy audiophiles for hours. What was almost a necessity in the valve era became less technically significant once transistors were established, a quality solid-state preamp circuit being undemanding in terms of space and power.

Review: Tim Jarman, Lab: Paul Miller  |  Jan 21, 2022
hfnvintageThis compact '80s turntable took the fight to market leader Technics by driving down the price of automatic track selection and programmable repeat. Is it a big hitter?

The LP sleeve-sized turntable, first seen in 1979 in the form of the Technics SL-10 [HFN Apr '19], proved such a success that within a year or so most of the major Japanese manufacturers had added one to their range. In a fast-changing world where digital tuners, remote-controlled amps and full-logic cassette decks were beginning to make traditional turntables look out of date, this new look helped maintain sales.

Review: David Price, Lab: Paul Miller  |  Aug 02, 2019
hfnvintageStep back to the 1980s and this specialist British 'cottage industry' integrated amplifier was a force to be reckoned with. But how will it shape up today? Time to find out...

Everyone old enough to remember, talks about the 1970s as the golden age of British hi-fi. That's certainly true in one respect, because what was a niche – often do-it-yourself hobby – went completely mainstream, to the point where the third most expensive consumer item, after a house and a car, was a stereo.

Ed Selley  |  Nov 16, 2011
As well as looking impressive, the Series 3 included some interesting features When JBE unveiled its Slatedeck in the late 1970s, it wasn’t just a turntable different for its time. It was a design that remains radical to this very day. Not only did its looks set it aside from its contemporaries (slightly Kubrick 2001 to our eyes) but it featured such niceties as a Japanese-sourced direct-drive motor system with a variable-pitch outboard electronic power supply – years before anyone else in the UK offered one at this price point. Construction was also unique, the solid non-sprung plinth was either manufactured from clear plastic acrylic, or (in sonic preference and name) slate quarried from North Wales.
Ed Selley  |  Nov 17, 2011
This clever little speaker still sounds more than respectable An audio pioneer, Jim Rogers possessed real acoustic engineering talent as well as in electronics. The original Rogers folded corner horn may not offer true stereophonic reproduction, but it’s a fine room-filling beast. And as for the later flat-to-the-wall Wafer speakers, based on Philips drive units and measuring just 2in thick, these are surprisingly magicalsounding. Then there’s the JR149.

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