Loudspeakers

Sort By: Post DateTitle Publish Date
Review: Mark Craven, Lab: Paul Miller  |  Jun 02, 2025  |  First Published: May 01, 2025
hfnoutstandingLeveraging its 30 years of innovative speaker design, the Orion features Rockport’s ‘next generation’ cabinet

Named after the Maine town where it started in 1984, although now based down the coast in South Thomaston, Rockport Technologies has been known by audiophiles since the 1990s as a manufacturer of high-end – and heavyweight – loudspeakers. The Orion floorstander tested here is no exception, weighing 163kg per piece and selling for £165,000. Suffice to say, it’s a far cry from the early sub/sat systems of chief designer Andy Payor...

Review: Ken Kessler, Lab: Paul Miller  |  Nov 24, 2021
hfncommendedSince its birth, devotees of the LS3/5A have craved more bass – does the answer lie in Rogers' active AB3a sub?

Delayed because of the pandemic, Rogers' AB3a subwoofer is one year off being able to claim it's the 25th anniversary celebration of its passive predecessor, 1995's AB1. Yes, the gap between them has been that long. The postponement doesn't, however, diminish the delight LS3/5A users will show for the arrival of a dedicated active subwoofer for one of the most celebrated small monitors in the history of hi-fi. It's here, and it's a honey.

Ken Kessler and Keith Howard  |  May 25, 2009
Who could have anticipated this even a year ago? One of the most beloved of all loudspeakers, the legendary BBC LS3/5A, was finished. Period. Stalwart fans of the product – Doug Stirling, for example – issued limited runs, but who could imagine that the speaker might suddenly reappear as a commercial venture? Well, it has. .
Review: Ken Kessler, Lab: Keith Howard  |  Sep 12, 2019
hfnoutstandingLike buses, you wait and wait for genuine LS3/5as and then two come along – now Rogers is back with a re-engineered version of the milestone, to our reviewer's delight

Throughout my hi-fi career, I have manifested three fixations: valves, Decca cartridges and BBC LS3/5as, all of which faced sell-by dates 40 years ago. My pessimism was unfounded. Valves have never been stronger, and London maintained the Deccas. But LS3/5as? Aside from occasional facsimiles using non-KEF drivers, the LS3/5a was history. Yet now we have two new proper LS3/5as, a rebirth I never anticipated.

Trevor Attewell  |  Jul 19, 2025  |  First Published: Jul 01, 2025
hfnvintageFollowing revisions to the LS3/5 specification, the BBC monitor makes its ‘domestic’ debut. Trevor Attewell salutes a small speaker with big appeal

The BBC’s outside broadcast engineers often have to work in cramped conditions, for example in OB vans, where the steady proliferation of equipment puts cunning stowage, tidy habits, and a strict diet for the occupants at a distinct premium. Studio monitor loudspeakers are particularly difficult to locate sensibly in these circumstances, and the design aim behind the LS3/5a was the provision of a small but high quality monitor.

Review: Ken Kessler, Lab: Paul Miller  |  Jun 08, 2021
hfnoutstandingOne time staple of BBC monitoring, and with feet in both professional and consumer camps, this large standmount has been resurrected and refreshed by a master of the art

One cannot but think of the notion that 'Once is chance, twice is coincidence, third time is a pattern'. Following the revived 1970s JBLs and Rogers' return to LS3/5A manufacture [HFN Jul '19], the arrival of a dead-accurate, reborn BBC LS5/9 as part of Rogers' 'Classic' range is further proof that a trend is under way. All those Instagram images of systems made up of 50-year-old components tell us the past is back with a vengeance.

Review: Andrew Everard, Lab: Paul Miller  |  Oct 11, 2021
hfncommendedThe middle model in Scansonic's trio of M-series loudspeakers is one of the growing breed of 'compact floorstanders'

Take a look at these Scansonic floorstanders, and you'll notice they look big and impressive, especially for speakers selling for a sensible £1499 in very on-trend black or white silk finishes. But don't let our photographs of the M20 fool you for those mid/bass drivers are just 10cm in diameter – or four inches in old money – and the baffle a few cm wider still. Recalibrate your view based on those figures, and you'll realise these speakers are well short of a metre tall – 93.5cm, in fact – and that, if not quite knee-high to a grasshopper, means these aren't what you'd call 'room-dominating'.

Review: Andrew Everard, Review: Paul Miller, Lab: Keith Howard  |  Jul 09, 2020
hfnoutstandingFrom a new and extended Raidho family these Scansonic floorstanders now benefit from the 'GamuT touch'

We've been here before, reviewing the Scansonic MB5 speakers three years ago [HFN Aug '17]. However, collective amnesia has not set in, for despite the £6249 MB5 B looking near enough identical in its choice of black or white silk finishes, it is in fact a new version of the design, reworked by chief designer Benno Baun Meldgård. Hence the 'B' suffix on the new model.

Review: Andrew Everard, Lab: Paul Miller  |  Feb 15, 2021
hfnoutstandingBucking the trend – Scansonic goes for the slender, multi-driver approach for its flagship design, to impressive effect

The MB series is the high-end range from Scansonic, and the MB6 B the flagship of the latest iteration of this lineup. Yet in an arena where bulky, room-dominating speakers prevail, this design takes a different approach. Yes, it's tall, at just over 1.4m, but the company has kept it slender – at under 18cm, the front baffle is narrower than that of many a much smaller design. For example, even the little B&W 606 standmount speaker is a centimetre wider than this floorstanding tower.

Keith Howard  |  Feb 25, 2009
Siltech may be best known as a cable manufacturer but it already has a track record of branching out, in spectacular style, into other product areas. High-end watchers will recall that early in the new millennium Siltech introduced its limited edition 80W Single Ended Mono Triode valve power amplifier and matching preamp, which included novelties such as a specially manufactured output valve. Now from the Dutch company comes a statement loudspeaker design, the Pantheon, with a price tag of £65,000. Once again the engineering is novel and the production run limited – only 39 will ever be made.
Review: Mark Craven, Lab: Paul Miller  |  Aug 22, 2022
hfncommendedCanadian brand long-known for its high-end digital and analogue separates has now added a compact standmount to its range. So a full system is no longer a 'Blue Moon'...

Back in 2016, Simaudio added the MOON ACE to its range of pre, power and integrated amplifiers. A slimline machine with analogue, digital and network connectivity (the latter including Roon Ready status and streaming service support through its proprietary MiND module), the ACE clearly warranted 'just-add-speakers' status. The only problem? Simaudio didn't have any...

Review: Mark Craven, Lab: Paul Miller  |  Oct 25, 2024
hfnoutstandingLeveraging tech developed for Sonus faber’s flagship Suprema, its second-gen Sonetto V is all the more fragrant

Sonus faber has shown signs of branching out since its acquisition by North American company Fine Sounds - also the owner of McIntosh Group - in 2016. First, in 2019, came its Palladio architectural speakers destined to partner McIntosh custom install hardware, followed in 2022 by the Omnia all-in-one desktop speaker and the Duetto active stereo wireless models in 2023. It then kicked off 2024 with the £695,000 Suprema 2.2-channel system.

Ken Kessler and Keith Howard  |  Mar 25, 2009
Some years ago, Magnepan produced a tiny panel for in-store display as a point-of-sale item. It was a miniature Maggie, maybe 18in tall, with sections cut away to show the technology. I asked Jim Winey, ‘Why not make them functioning speakers?’ But, alas, my first visit to Magnepan took place well before home theatre and Dolby Surround would deem small speakers desirable. But I loved the idea of a pair of ‘mini Maggies’ for the desk, or the bedroom, knowing they would never be realised.
Keith Howard  |  Feb 25, 2009
Approaching a reviewer to assess a product is simple: the manufacturer or distributor contacts the magazine and they arrange delivery. That’s it. One assumes that the product is suitable for the magazine, and it’s up to the editor to assign the reviewer. But never in my 25 years as a reviewer have I been so nagged, badgered, pestered, henpecked and begged to write a review.
Review: Ken Kessler, Lab: Keith Howard  |  Sep 25, 2019
hfnoutstanding35 years on from Sonus faber's birth, a blessed return to the values on which it was founded: the Electa Amator III

Two blasts from the past in one month, both small two-way monitors, both with a massive presence in my hi-fi history, but so dissimilar that loving both seems like a case of schizophrenia. As with the LS3/5a, I have been a devotee of Sonus faber for over 30 years, though of late the passion has cooled. But something tells me that the company has again found its mojo, and the Electa Amator III is its herald.

Pages

X