Loudspeakers

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Review: David Price, Review and Lab: Keith Howard  |  Sep 01, 2018
hfnoutstanding.pngIf you've admired Vivid Audio's design philosophy but baulked at its styling, the new Kaya range is for you

Audiophiles can be a conservative bunch. Me, I sometimes feel that if I ever see another wood veneered box loudspeaker I'll attack it with a chainsaw but others of you, I know, prefer the old aesthetic, or at least a modern take on it, to curved, organic cabinet forms – especially if painted in primary colours. For a company like Vivid Audio, which appreciates and exploits the benefits of curved cabinets in respect of structural stiffness and clean diffraction behaviour, this is a problem.

Review: Andrew Everard, Lab: Paul Miller  |  Jan 11, 2025  |  First Published: Dec 01, 2024
hfnoutstandingThe baby of Vivid’s five-strong Kaya range weighs just 6kg but employs the same custom tweeter and core technologies that define the flagship, floorstanding Giya G1

Were it not for the enclosure design, it might be tempting to think of the Kaya S12, the smallest speaker from South Africa’s Vivid Audio, as just another standmount. But as those eye-catching looks suggest, there’s something special going on here, and the price – £6000 a pair in a choice of striking finishes, with more available to order – certainly sets expectations high.

Steve Harris and Keith Howard  |  May 08, 2011
Forming an enclosure from glass is a costly process. So Waterfall’s floorstander represents fine value with style Peceived wisdom generally has it that a loudspeaker’s enclosure should be inert, so that we hear the acoustic output of the speaker’s transducers unsullied by the additional singing along of a cabinet. As ever in our wonderful world of sound reproduction there are designers who refute this given ideal. The late American speaker maestro Peter Snell, for example, whose Snell Type J and Type E models from the 1970s live on in the guise of today’s UK-made Audio Note speakers.
Hi-Fi News Staff  |  Oct 09, 2024
Re-Imagined Watt/Puppy Speaker Returns For Brand'S Half Century

To mark its 50th anniversary, Wilson Audio has resurrected its iconic WATT/Puppy for a ninth iteration - and the first since the dual-enclosure loudspeaker was discontinued in 2011. Called, simply, The WATT/Puppy, it sells for £41,998 in standard WilsonGloss colourways, with custom and premium finish options, plus choice of grille colour, available.

Hi-Fi News Staff  |  Jan 30, 2015
Wharfedale describes the Jade range as its ‘new audiophile class speaker designs’, using computer-aided modelling and new material technologies. In the visually striking Jade 5, the tweeter and midrange are embraced in a combination housing that’s common to all the Jade models, raising the axis of the tweeter’s 25mm aluminium dome to peep above the front edge of the curved, sloping cabinet top. While the midrange has a 75mm concave aluminium/pulp diaphragm, the twin 165mm bass units use a new cone material called Acufibre, said to ‘marry the responsiveness of glass and carbon fibre’ in aself-damping woven matrix. They are impressed with a moulded pattern to break up standing waves.
Review: Andrew Everard, Lab: Keith Howard  |  Mar 19, 2019
hfnoutstandingWith its D series, Wharfedale yet again aims to redefine the art of the possible in budget loudspeaker design

There's something very special about a bargain hi-fi product able to defy expectations with a surprising level of performance. It stood the original Wharfedale Diamond speakers in good stead in the early 1980s, and continues to be a hallmark of the range to this day, in the Diamond 11 series [HFN Dec '17]. So it's intriguing to see the company launch another budget speaker series to run alongside the Diamond 11s, in the form of the D300 lineup.

Review: Andrew Everard, Lab: Keith Howard  |  Dec 01, 2017
hfnoutstanding.pngNot the diddiest of the new Diamonds, but can the smart-looking 11.1 live up to its heritage?

The highly competitive British budget speaker market has long been a thing of wonder – or should that be bafflement? – for overseas observers. For many years, all the major players in the industry vied to squeeze maximum sales appeal out of boxes designed to sell for around £100 a pair, with each successful debut instantly setting itself up as the brightly-lit target for its near rivals.

Review: David Price, Lab: Keith Howard  |  May 01, 2018
hfnvintage.pngWelcomed with open arms by those seeking a quality speaker for use in a tight space, the Diamond created the market for affordable mini monitors. How will it sound today?

Loudspeakers are surely the most fashion-conscious segment of the hi-fi market. There are Japanese amplifiers on sale today that look little different to their predecessors being sold in the late '70s. Yet the same 'period look' can hardly be said to be popular when it comes to speakers.

Hi-Fi News Staff  |  Oct 16, 2014
Customer and retailer reactions have suggested the need for a new Wilson speaker closer in performance to the universally-acclaimed Alexandria XLF [HFN Nov ’12], but one that swallowed no more real estate than a Sasha. With a footprint close to the Sasha’s, the Alexia hosts only a slight increase in height, due mainly to the necessarily larger woofer enclosure. To provide a goodly portion of the XLF’s adaptability, precision and coherence, the smaller Alexia had to offer adjustability of the midrange and tweeter positioning with to-the-millimetre accuracy, according to room specifics and the location of the owner’s ‘hot seat’. That meant a head section with movable segments, but with a volume akin to that of the original WATT.
Review: José Victor Henriques, Lab: Keith Howard  |  Mar 01, 2018
hfnoutstanding.pngImproved sensitivity and a deeper bass are just two features of the Master Chronosonic-inspired Alexia S2

During their time, Wilson's famous 'Watt Puppies' were upgraded on as many as seven occasions, until the Sasha W/P was born (now also in its Series 2 iteration). The Sasha was no longer a standalone monitor with a carrying handle and a matching subwoofer but a fully-fledged modular integrated loudspeaker system.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 02, 2023
hfnoutstandingIt's V for Victory as Wilson's Alexia loudspeaker is more than simply 'tickled-up' with a host of detailed revisions

Ah, the sweet spot! Positioned in the exact middle of a seven-model range of Wilson Audio floorstanders, between the Sasha DAW [HFN Mar '19] and Alexx V [HFN Jan '22], the new Alexia V – by accident or design – now occupies that most coveted of spaces. One of hi-fi's inexplicable phenomena, a 'sweet spot' seems to exist in pretty much every hi-fi model range, from turntables to amps to speakers, when a stand-out in performance relative to size and cost just happens. Yes, the new Alexia V is that special.

Review: Ken Kessler, Lab: Paul Miller  |  Feb 01, 2022
hfnoutstandingNot 'version 5' – the 'V' here refers to Wilson's cabinet material. In fact, the Alexx V is a 'v2' and it's a masterpiece

True to form, Wilson Audio allowed five years to pass before revising its Alexx floorstander [HFN Nov '16], avoiding that old high-end crisis of perceived obsolescence. As I always say, what was fine last Tuesday is still fine today, but Wilson tends to upgrade its models with major leaps, not tiny steps, and so it is with the Alexx V (£139,000).

Hi-Fi News Staff  |  Jan 30, 2015
The Duette 2 is a thorough revamp of the 2006 original, with its aesthetics enhanced by design cues that first appeared in the larger Wilson models – the optional stand, too, is a visual treat. Like the original, the Duette 2 uses the separate Novel crossover, its outboard status increasing the internal volume of the speaker so it still has ample space for an 8in woofer. Mounted inside the newly-designed stand, the crossover is mechanically isolated in its own dedicated enclosure. Upgrading the tweeter has involved the inclusion of a rear wave chamber, which is said to attenuate spurious energy ‘generated at the rear of the driver that would otherwise leak out of the acoustically translucent dome’.
Review: Ken Kessler, Lab: Paul Miller  |  Oct 13, 2022
hfnoutstandingNot all Wilson Audio's loudspeakers are man-sized floorstanders and its most compact models have been crying out for a partnering, flexible active subwoofer. Meet LōKē...

Wilson Audio's product naming strategy has always raised eyebrows, but the new LōKē reinforces its love for puns. This £9500 powered subwoofer's moniker either shows that it's the baby sister to Wilson's gigantic Thor's Hammer, or it's a play on 'Low Key'. Or maybe not. Whatever the rationale, its pronunciation is helped by diacritical marks to ensure we do not rhyme its name with 'woke'…

Review: Ken Kessler, Lab: Paul Miller  |  Dec 31, 2020
hfnoutstandingFive years on and Wilson Audio's Sabrina earns its 'X' – an overhaul that raises the bar for compact floorstanders

Five years – that's how long ago the Sabrina was launched and five years seems about right before making a new version of any model as good as the original was – and remains [HFN Aug '15]. Rightly, the upgrade is comprehensive, not a mere facelift, which is reassuring if you're wondering why a £15k per pair model is now priced at £21,500-£23,000. As for the price span, it covers three standard or three deluxe 'WilsonGloss' paint finishes, which can be co-ordinated with five grille colours. Our review sample is pictured here in the 'upgraded' gloss Ivory.

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