What follows 'The Sonus faber'? A second revision of the Guarneri, the company's best-selling high-end loudspeaker
Homage and Memento owners may argue that it didn’t need it, but Sonus faber’s Guarneri is enjoying its second makeover. The world’s prettiest high-end compact speaker has been ‘pimped’ with shiny metal hardware for the back edges and the top plate, the fi nishes have changed, the innards are new. So what remains of the earlier versions’ grace and panache? The Evolution is slightly larger than the Memento at 410x235x412mm versus 380x210x390mm (hwd). Its dedicated pillar, however, has been reduced in height from the earlier 895mm to 795mm.
With an impressive back-story, impeccable engineering and glorious finishes, these imposing '5th generation' Italian speakers promise much – so do they deliver? Certo!
The Amati G5 sits at the top of a four-strong new 'fifth generation' range of the company's Homage speakers, so-called because they pay tribute to the tradition of musical instrument manufacturing in Cremona, Italy. And they do so not just in name, but in the way they're made, with extensive use of selected woods, handcrafting based on the work of traditional luthiers of the past, and even a lute-shaped profile, which first saw the light of day in the previous Homage series [HFN Oct '17].
There's more to this slender, stylish Italian floorstander than striking wood veneers as trickledown hits the target
Think Sonus faber, and the chances are you'll imagine speakers with luxurious finishes and price tags to match. After all, the company used the 2024 CES event to roll out its Suprema speaker system, comprising two main 'towers' and two subwoofers, with a £695,000 price tag. But such lofty ambition also brings the option of 'trickling down' new technologies to less expensive models, including the £2999 Lumina V Amator floorstander we have here.
First floorstander in Sonus faber's Heritage range takes its Electa Amator III standmount and raises it up high
What have you been doing throughout the various lockdowns? Looks like the R&D team at the Sonus faber factory in Arcugnano, Italy, took the opportunity to spend some time revisiting a project it had been keeping on the back burner for a while – a two-way floorstander with a solid wood enclosure to slot into its Heritage collection above the Minima Amator II and Electa Amator III [HFN Jul '19] standmount models.
Standing over a metre in height, the Olympica III is imposing without being a room-dominator. Our review example was in natural walnut, with joints in clear maple, while accenting this are leather inlays with highlighted stitching. As standard, the front baffle and back are also covered in natural hide.
The construction comprises ‘progressive thickness’ triple curvature cabinet walls, with solid walnut clamps reinforcing the structure.
Six years after the birth of the first lute-shaped Olympica speakers, Sonus faber announces the second generation
Several factors set the 2013 launch of the Sonus faber Olympica range apart: not only was this one of the first complete lineups from a company previously better known for individual models, but it also marked the brand's debut as a manufacturer of drive units, built in-house [HFN May '14 and Mar '15]. The new Olympica Nova range represents a next logical step, comprising no fewer than seven models. The series kicks off with the compact Nova I standmount but is headed by the £14,900 Nova V floorstander featured here, available in a choice or walnut or wenge finishes, standing some 117.5cm tall and weighing a not insubstantial 44kg each.
The 'entry-level' floorstander of Sonus faber's Homage Tradition series is much more than a shrunk-down Amati
Anyone familiar with Sonus faber will love the superlative craftsmanship of the Vicenza-based company's loudspeakers. Although pretty much all high-end designs are extremely well turned out these days, this Italian company remains on another level – producing speakers that resemble art pieces, rather than just big boxes trying to look expensive.
Whether it’s bravery, a weak grasp of colloquial English or a misguided belief that some wag won’t abuse the name, Sonus faber has anointed its smallest-ever two-way with the moniker ‘Toy Speaker’. Undoubtedly, as its literature proclaims, it chose that tag because it suggests joy: ‘Toys have always been synonymous with happiness and surprise. ’ And – cynical rotters aside – the first reaction you’ll have when you see the new baby is not that the name contains an intrinsic insult, but that the product is, well, adorable.
Although deeper than an LS3/5a, it is narrower and shorter at 265x185x270mm (hwd).
As well as being the smallest speaker in this test, the Spendor A6 is also the simplest. Like the Dynaudio it is a two-way design but with only one bass-mid driver, not two. Spendor manufactures its own
bass-mid units, this nominally 180mm version (effective cone diameter about 135mm) claiming low coloration and high power handling, its most eye-catching feature being that it has a transparent cone. Crossover to the soft dome tweeter is at 4kHz, and unusually is linear-phase.
When the BC III was launched in 1973, Spendor’s ads described it as ‘An extension and refinement of theBC I and BC II’, while Thomas Heinitz, doyen of hi-fi consultants in those days, could not resist using the headline‘Hey, big Spendor’.
The BC III was rooted in Spencer Hughes’ work at the BBC: he was part of the legendary BBC research team, working under both D E L Shorter and H D Harwood.
It had an 8in driver with 40mm voice-coil, working in its own sealed chamber as a midrange unit while the 12in bass unit was reflex-loaded by a carefully designed port. The crossover point was 700Hz.
We report on a classic with a modern twist as Spendor launches a flagship inspired by its iconic 1970s models
As any hi-fi enthusiast will know, Spendor has an illustrious history, its co-founder Spencer Hughes creating the company's first speaker, the BC1, using knowledge he'd gained while working at the BBC in the '60s. Yet for the past decade the brand has been working hard to reinvent itself, its affordable A and higher-end D series selling into the mainstream speaker market.
There are three two-way standmounts in Spendor's 1970s-inspired Classic range, and the 3/1 is the centre model. Is this entirely UK-built model the sweetspot of the series?
Rather than follow tradition in everything it does, Spendor has wisely divided its loudspeakers into different categories. The company's A-Line and D-Line models aim to reflect changes in consumer tastes by combining fresh in-house design thinking with engineering philosophies it has spent years refining. Alongside these sits the Classic Series which, as the name suggests, sees the brand build upon proven technologies from its earliest days with an eye to keeping the flame of its renowned '70s designs alive.
Better known for its high-value, high-performance subs, SVS is now turning its attention to audiophile speakers
If there was ever a speaker that seemed, on specification alone, to warrant the phrase 'bang for your buck', it's SVS's Prime Pinnacle. For less than £2000 a pair, this US audio brand is offering a three-way floorstander with bespoke midrange unit, an unusual-at-this-price trio of woofers, and the promise of a 'world-class performance'. Even accepting the latter as marketing hyperbole, it's impossible not to view the Prime Pinnacle as potentially superb value for money.
Offered in sealed (SB) and ported (PB) variants, SVS’s new Ultra subs claim refinements to driver, amplifier, power supply and DSP, and include a new auto EQ room correction
Although SVS sells a variety of loudspeakers, from its desktop-friendly Prime Wireless Pro powered monitors to the recently launched Ultra Evolution series [HFN Jul '24], it's best known as a subwoofer manufacturer. This is, after all, how the Youngstown, Ohio-based company first got started in 1998, and in the intervening years it's evolved a catalogue of subwoofers that's now crowned by the new 17-Ultra R|Evolution models.
Ohio-based SVS throws all its speaker know-how into a high-value concave cabinet bristling with custom drivers
Between 2017 and 2022, SVS comprehensively overhauled its range of subwoofers, introducing models from the 80kg PB16-Ultra to the compact 3000 Micro. A quiet spell followed as SVS tackled a new project – an all-new flagship loudspeaker series, topped by the model on test here.