Handbuilt in Berlin, this preamp and monoblock power amp defies the industrial look, favouring instead an exquisite finish. And the sound more than lives up to the style
By any standards, the Noble series from Berlin-based MBL is a looker. The components aren't massive – in place of slabby high-end units wearing their audio prowess on their sleeve, as it were, both the £11,500 N11 preamplifier and the N15 mono power amplifiers, at £13,900 apiece, are relatively slender units. They are also immaculately finished in a choice of gloss black or white, with accents for the control elements available in either polished gold or palinux (silver), with black detailing also offered if you go for the white main colour.
Revised and refined, and now clad in metal, AudioQuest's USB noise filter is still a compelling upgrade for portable DAC users.
As we described in our review of AudioQuest's original JitterBug [HFN Oct '15], this little serial plug-in is not a re-clocker for digital datastreams, but rather a purely passive device (drawing no power from the USB hub) that provides transformer-isolation and RF filtering of both the 5V USB 'VBUS' and its differential data lines. The promise, according to AQ, goes something like this: 'the dual-discrete noise-dissipation circuits reduce internally generated RF noise for improved streaming audio, [reducing] jitter and packet errors'.
Budget-conscious vinyl fans wishing to digitise their prized record collections will want to sample this sleek, affordable turntable solution from an illustrious German brand
Like any company that can trace its lineage over one-and-a-quarter centuries, German turntable brand Thorens has had its share of high and, well, not-so-high points. Now under the ownership of ex-ELAC MD Gunter Kürten, the last three years has seen a revolution in the brand's ambitions, with a burgeoning product range to match.
Ken Kessler | Feb 24, 2022 | First Published: Mar 01, 1992
The irrepressible Antony Michaelson is at it again, with pre and power amps from Michaelson Audio and Musical Fidelity. Ken Kessler listens
Upon my taking delivery of the review samples of Da Vinci, about which I was warned in mid-summer 1991, company founder Antony Michaelson launched into his usual tirade about the high-end, with barrels of venom for American ballbuster amps in particular.