Steve Sutherland

It may well have something to do with the wretched state of the world right now but have you noticed how the 1990s are back in vogue? Celebrated by those who lived through it as a halcyon decade on a par with the legendary 1960s, the '90s are being glowingly reassessed as a time of growth and hope when world politics had not gone totally crazy, we weren't all existing on the breadline, the arts were actually appreciated as something inspirational and worthwhile, and anything seemed within the range of possibility for just about everyone.

Name's Gregg...' We're some 30 minutes into the interview when the door to the cramped London hotel room opens and he stumbles in and collapses onto the bed. He's wearing headphones big as earmuffs and appears to be listening to something or other on his Walkman.

It's complicated. There's a song on Blue, Joni Mitchell's fourth LP, which is not the album we're here to celebrate. The track's called 'A Case Of You' and compares the giddiness of getting drunk with being in love. But that's not the type of case I have in mind. The case I'm thinking about is the one associated with a courtroom when the prosecution and defence argue over someone's guilt. In other words, the case of Joni Mitchell.

My friends and I, we were suit-and-tie guys...' This is Darryl L Lewis speaking. Don't worry, it's unlikely you'll have heard of Darryl. He's one of the people that musician and record producer Questlove invited into the edit suite when assembling the footage for Summer Of Soul, the film he created in 2021 documenting the 1969 Harlem Cultural Festival, which took place on six Sundays between June the 29th and August the 24th at Mount Morris Park (now Marcus Garvey Park) in Harlem, NYC.