Pre/Power Amplifiers

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Ken Kessler  |  Apr 24, 2020  |  First Published: Apr 24, 1986
hfnvintageKen Kessler takes delivery of the Audio Research SP-11 preamplifier

The time is early June, and let us imagine that this issue has been on the stands for two weeks. Editorial secretary Jennifer Scotland walks to where I am sitting and dumps a pile of letters on my desk. The angry correspondence has arrived.

Hi-Fi News Staff  |  Jan 20, 2015
User-friendly features are a major aspect of the current VTL Signature Series, including the power amp reviewed here. Based on four 6550 output tubes per channel, it has newly-designed output transformers, a larger power supply, and the Signature Series control electronics. When running, the tubes can be seen discreetly glowing through the smoked glass front window. (Our sample was fitted with KT88s, an option that adds £200 to the price.
Review: Adam Smith, Lab: Paul Miller  |  Jan 08, 2021
hfnvintageWith VFETs costing top dollar and facing stiff competition from other semiconductors, the late '70s saw Yamaha unveil a new pre/power amp duo. How does it sound today?

It's always intriguing to see how a company reacts to the realisation that a technology it has championed is reaching its sell-by date. This was the situation faced by Yamaha in the late 1970s. Since the middle of that decade, its top-end products had made use of Jun-ichi Nishizawa's Static Induction Transistor – more commonly known as the VFET – to great effect. This led to the development of designs such as the B-1 and B-2 power amplifiers, and C-1 preamplifier, all of which are still held in high regard.

Review: Adam Smith, Lab: Paul Miller  |  Sep 24, 2020
hfncommendedMasters of retro chic, Yamaha has evolved its one-time flagship A-S3000 integrated amplifier into a fully-fledged pre/power. And there's not a digital input in sight...

Talk to audiophiles that grew up through the 1990s and the chances are they associate brands such as Sony, Yamaha, Onkyo, Pioneer and Denon with meaty AV receivers and, possibly, mini systems. The reason is that it was around this time that the major Japanese corporations began directing their energies into developing products for the burgeoning home cinema market, meaning these younger hi-fi enthusiasts never really saw them flex their design muscles in the stereo arena.

Review: Andrew Everard, Lab: Paul Miller  |  May 01, 2018
hfncommended.pngCombining simplicity with flexibility, this pre/power combination from one of the best-known names in French hi-fi has much to offer – including the odd quirky feature...

Like some other French audio companies, Yves-Bernard André's eponymous brand has hovered on the periphery of UK hi-fi enthusiasts' perception. But the company has been on a mission to change all that, taking a more global view with a lineup extending to no fewer than five product ranges. The Passion models, represented here by the £6750 PRE550A preamp and £5750 AMP650 power amp, sit near the top of the pile.

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