LATEST ADDITIONS

Review: Tim Jarman,  |  Feb 07, 2020
hfnvintageCombining cool cosmetics with touch-sensitive control, this late '70s receiver was a watershed when it came to the way we interact with our kit. How does it sound today?

Released in 1977, B&O's Beomaster 2400 receiver brought touch-sensitive operation and full remote control to a world that expected nothing more from its hi-fi components than knobs and buttons. Its impact was immense, and soon the company's factory was unable to make receivers fast enough to satisfy demand. What's more, the unit's basic form and function lived on through a series of models that remained in production until 1992. And even by then, the design still looked fresh and modern.

Review: Andrew Everard,  |  Feb 06, 2020
hfnoutstandingThe ultimate expression of Paradigm's Persona speaker range is an active/passive hybrid, with room EQ too...

Canadian company Paradigm makes no bones about where its Persona range is pitched: it describes it as 'The Evolution of Luxury', as you might hope of a lineup topping out with the 9H speakers at £34,000 a pair. In fact the Persona 9H is currently Paradigm's absolute top model, being the priciest, and technically most complex, design in the company's flagship range. Like the other Persona models it comes in a choice of five standard colours: Harmony White, Vanta Black, Carbon Black gloss, plus metallic Aria Blue or Sonic Silver.

Ken Kessler  |  Feb 05, 2020
Is there an open-reel tape revival, asks Ken Kessler

If, in 1999, you were told that vinyl would enjoy such a massive revival that in 2019 HMV would be opening a flagship store in Birmingham stocking 25,000 records, and that turntables and LPs would appear in mainstream TV ads for watches and life insurance, you'd have laughed in disbelief. But then you would have paused, because both records and turntables were never entirely out of production.

Christopher Breunig  |  Feb 04, 2020
A tireless American virtuoso, he began his Decca discography as the 78rpm era ended. Now it's all boxed together at a bargain price. Christopher Breunig takes a listen

Exasperated by the pianist's fussiness over phrasing, when recording Brahms's D-minor Concerto with the LSO in 1962, George Szell conducting [HFN Aug '18] told him to 'just play the f***ing notes'.

Review: Andrew Everard,  |  Feb 03, 2020
hfnoutstandingEquipping its Centaur amplifier with a power supply from the Reference series Hercules model has done more than boost the output of this mkII – a true high-end heavyweight

At first glance, one might be forgiven for wondering what's going on here – after all, California-based Constellation Audio already has a Centaur II stereo power amplifier on its books, selling for a not inconsiderable £48,000. So the $64,000 question must surely be 'what is this second version, dubbed the Centaur II 500 Stereo, bringing to the party?'.

Ken Kessler  |  Jan 31, 2020  |  First Published: Jan 01, 1990
An acoustic ribbon hybrid loudspeaker at a realistic price without the need for a huge amplifier. Too good to be true? Ken Kessler finds out...

Hybrids are supposed to be the best of two or more technologies, and we've seen the approach used for all manner of products. The most feverish of hi-fi's Dr Frankensteins though, have always been devoted to loudspeakers.

Review: Ken Kessler,  |  Jan 30, 2020
hfnedchoiceLike a winery with one grape but a dozen variants, Koetsu's latest Urushis challenge moving-coil veterans with subtleties – will the Vermillion leave us seeing red?

Urushi and I? We go wa-a-y back. It was in the April 1990 issue that I reviewed my first, never having seen such gorgeous lacquer on anything, let alone an MC cartridge. As with Sonus faber rewriting speaker design language, the Urushi was 'something else'. It wasn't the first time high-end cartridges exhibited aesthetics beyond the style of a cool profile – the body of Goldbug's Mr Brier [HFN May' 86] was egg-shaped wood, and pastel-anodised metal had been around for years – but this was jewellery.

Johnny Black  |  Jan 29, 2020
With their first album a commercial disaster and the band now looking as if they might soon be without a record deal, they entered the studio with a set of tracks that trod the line between blues and radio-friendly rock 'n' roll. Could they come up trumps?

On its release in early 1972, Little Feat's second album, Sailin' Shoes, didn't even sniff the Billboard Top 40, selling a meagre 13,000 copies. In the decades that followed, however, the album's status has grown immeasurably, making it one of the most acclaimed releases of its era.

Review: Andrew Everard,  |  Jan 28, 2020
hfnoutstandingHere's a compact amp with both digital and analogue inputs, plus a full Roon-ready network audio implementation, and radically lowered price – what's not to like?

Alot can happen in three years, and while the amplifier we have here is very much the smaller sibling of the DIA-400S [HFN Oct '16], it's also boosted by the inclusion of the Danish company's NPM module, a complete network audio solution giving access to a wide range of streaming options.

Review: Andrew Everard,  |  Jan 24, 2020
hfnoutstandingAdding Roon-ready capability to its highly customised DAC has given this curiously-named Dutch company another highly intriguing device. Nothing fishy here!

For an insight into the digital audio product we have before us, the £8999 Mola-Mola Tambaqui, I turn to no less an authority than biologist, author and TV presenter Jeremy Wade, best-known for his series River Monsters and Dark Waters, in which he goes in search of – and catches – some of the world's largest and most predatory fish.

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