Lab: Paul Miller

Review: Tim Jarman,  |  Dec 21, 2021  |  0 comments
hfnvintageThis machine marked a step-change in Sony's assault on the early CD player market as the company ditched its own DAC in favour of a third-party solution. How will it sound?

The components in Sony's ES series represented what the company regarded as the most advanced designs available. They were top of the range, and aimed at those who were prepared to pay a little extra to obtain the best possible performance.

Review: Mark Craven,  |  Dec 20, 2021  |  0 comments
hfnoutstandingFlagship of the ElectroMotion series, this hybrid electrostatic promises a taste of the range-topping Masterpiece loudspeakers at a more wallet-friendly price

The hi-fi market is replete with loudspeakers that look a little 'different', but few are as eye-catching as an electrostatic design where music appears to be coming almost from thin air. MartinLogan, the Kansas-based company established in the early 1980s, is one of the technology's best-known advocates. It began life with a 'static model, and even though its range has expanded since into conventional box-type speaker territory, its mantra remains 'wherever possible, we go electrostatic'.

Review: James Parker,  |  Dec 16, 2021  |  0 comments
hfnoutstandingThis London-based company may be a relative latecomer to the all-in-one streaming system market, but its debut models have style a-plenty – and performance to match

Given Cambridge Audio's track record in digital audio, it is perhaps a little surprising it's taken the company so long to enter the network systems arena. It was an early developer of add-on DACs in 1994 [see HFN Jun '21] and has been making streaming components for a good while, even going to the lengths of developing its own network audio hardware. The Cambridge catalogue currently caters for 'computer audio' enthusiasts with the entry-level £169 DacMagic 100 right up to the £4499 Edge NQ network preamp.

Review: Andrew Everard,  |  Dec 13, 2021  |  0 comments
hfnoutstandingThe latest additions to Chord Electronics' range don't immediately give up the secrets of what they do – but dig deeper, and you'll find they're intriguing digital components

There are times when one might think Kent-based Chord Electronics is being wilfully abstruse in its selection of model designations. After all, its flagship DAC is called DAVE [HFN Apr '16], and its pocket-sized DAC/player combination is the Mojo [HFN Jan '16] and Poly. Then there's the portable Hugo DAC/headphone amp, now in both Hugo 2 [HFN Aug '18] and less-portable Hugo TT (for 'tabletop') versions [HFN Dec '15], to which the company has now added two extra units, named 2go and 2yu.

Review: David Price,  |  Dec 09, 2021  |  0 comments
hfncommendedThe artisan of high-end tube audio, Jadis, has imbued more than a little Gallic flair into this 'entry level' integrated. Serve with sensitive speakers for a taste of magic...

Until the mid-1990s, valve amplifiers were typically persona non grata. The '80s had been all about solid-state – from tweaky low-powered integrateds to mega powerful monster power amps – and tubes didn't so much as get a look in. By the turn of the millennium however, the pendulum had swung back and tube amps were reinvented as exclusive objects of luxury and desire, famed for their sweet and satisfying sound. How times change!

Review: Ken Kessler,  |  Dec 06, 2021  |  0 comments
hfnoutstandingExposure returns to its roots with a full-width integrated inspired by the improved circuit design of the recent 5010 monoblock power amps. Does 'old school' still cut it?

Nostalgia doesn't come any better than this: an integrated amplifier that looks like it escaped from the 1980s, all minimalist and line-level and 440mm wide. But Exposure has been around for close to 50 years, so this isn't some exercise in retro from an arriviste brand with cod heritage. Rather, the 3510 is a device for reminding people like me of (hi-fi) life in simpler times.

Review: Andrew Everard,  |  Dec 02, 2021  |  0 comments
hfnoutstandingA new 800 series, and a return to the original 801 name, but the 801 D4's enhancements are more than skin deep

Some six years since the arrival of the Bowers & Wilkins 800 Series Diamond range, and over 40 years after the launch of the company's original 'no compromise' 801 model [Audio Milestones, HFN Jan '13], here we are with an all-new flagship lineup for the Worthing-based company. The timing's about right: in the rolling programme of upgrades, we've seen the 600 and 700 series replaced since the 800 D3 models broke cover [HFN Dec '15], and the company makes no secret of the fact that work started on these new 800s almost as soon as the last generation was released.

Review: Ed Selley,  |  Nov 26, 2021  |  0 comments
While one Austrian/Czech brand may account for over 50% of 'hi-fi' turntables sold, this hasn't stopped other brands from offering alternative vinyl-friendly packages

With enthusiasm for vinyl showing no sign of diminishing, many companies are now launching record players in a bid to reel in buyers. For the most part this process sees them approach an existing turntable manufacturer and select anything between core components on which to base their own design, to a complete 'turnkey' unit, requiring only the application of branding and a name.

Review: Ken Kessler,  |  Nov 24, 2021  |  0 comments
hfncommendedSince its birth, devotees of the LS3/5A have craved more bass – does the answer lie in Rogers' active AB3a sub?

Delayed because of the pandemic, Rogers' AB3a subwoofer is one year off being able to claim it's the 25th anniversary celebration of its passive predecessor, 1995's AB1. Yes, the gap between them has been that long. The postponement doesn't, however, diminish the delight LS3/5A users will show for the arrival of a dedicated active subwoofer for one of the most celebrated small monitors in the history of hi-fi. It's here, and it's a honey.

Review: Mark Craven,  |  Nov 22, 2021  |  0 comments
hfnoutstandingNAD's M33 BluOS streaming amplifier was the first to utilise Purifi's groundbreaking Eigentakt Class D modules. Now they are in a stripped-back 'purist' power amp...

We sometimes hear a hi-fi component described as 'a wolf in sheep's clothing', but the idiom seems particularly apt for NAD's C 298. From the outside, there's little to distinguish this £1700 power amp from market rivals – indeed, its general demeanour is so nondescript it would likely struggle to standout from flashier competition. But NAD, a company that's no stranger to high-tech design style elsewhere in its stable, has opted to keep the chassis simple and make the amp's story about what's going on inside.

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