Lab: Paul Miller

Review: Andrew Everard,  |  Nov 18, 2021  |  0 comments
hfnoutstandingArguably the most durable model in the Kudos catalogue, the C20 has witnessed a graceful 12-year evolution

As is so often the case, last time I was at a hi-fi show – c'mon, you remember shows – I was amused by the reaction of a visitor. Having listened to a fully active system using Naim electronics and a pair of Kudos Titan speakers, 'Hmmm,' he said to no-one in particular, and with deadpan seriousness, 'Not bad for a stand company…'. Well, stands may have been the beginnings of Kudos, but it's come a long way since then.

Review: Tim Jarman,  |  Nov 16, 2021  |  0 comments
hfnvintageIt may have been based on a machine from Dutch giant Philips but this was the first CD player from a specialist high-end British manufacturer. How will it sound today?

Compact Disc enjoyed a halo of glamour in its early years that the more established formats had lost. Talk of laser beams and digital electronics, those holographic rainbows on the disc surface – not to mention all the smart new hardware – brought an interest in top quality listening to a whole new demographic.

Review: Andrew Everard,  |  Nov 15, 2021  |  0 comments
hfnoutstandingOriginally inspired by Class D maven Bruno Putzys, the innovative Mola-Mola brand returns with a fully integrated version of its separate amp, DAC and phono technologies

Never judge a book by its cover… or an amplifier by its industrial design. Take the Kula integrated amplifier from Groningen-based Mola-Mola – at first glance you may raise an eyebrow at this relatively compact, if solidly-built and undeniably stylish, integrated amplifier's £9900 price-tag. Then, complete with optional onboard DAC (£5999) and £1799 MM/MC phono stage, it adds up to just under £17,700 – well, that should raise the other brow into an expression of some shock.

Review: Andrew Everard,  |  Nov 11, 2021  |  0 comments
hfnoutstandingBuilt as a 'box within a box', and promising a slicker all-round performance, Auralic's G2.1 series now extends to the fully-fledged Altair streaming DAC/preamplifier

We've commented previously on the similarity – at least in styling – between many of the products in the Auralic range, and here's another head-scratcher in the form of the Altair G2.1. It's only a little more than the Aries G2.1 'Wireless Streaming Transporter' [HFN Feb '21] – £4599 plays £4199 – yet this model, designated a 'Digital Audio Streamer', is a much more comprehensive product. It comes complete with onboard DAC, a preamp that allows it to drive a power amp or a pair of active speakers directly, and there are even analogue inputs – a line level and MM phono – to reinforce that role as a complete system hub.

Review: Mark Craven,  |  Nov 08, 2021  |  0 comments
hfnoutstandingHot off the production line, this flagship of MA's 7th-gen Silver range marks a significant uplift in performance

By now, there's surely not an audiophile alive who doesn't know that Monitor Audio's Platinum loudspeaker series is its pinnacle, and that as you move down through Gold, Silver and Bronze the prices become friendlier and the technology trickles. Silver – a range that's been rolling for over 20 years – represents the sweet spot in this hierarchy, and, says the UK company, is its most popular series. Judging from the performance, build quality and elegant design of the £1725 Silver 500 7G, I can't imagine this popularity waning.

Review: Ken Kessler,  |  Nov 04, 2021  |  0 comments
hfnoutstandingWith the DS 003, DS Audio delivers its 3rd generation technology in a system one-tenth the price of its flagship Grand Master. Can it hope to offer a taste of its authority?

Attesting to what I firmly believe is a 'hi-fi truth' – that differing technologies have innate sonic traits, eg, valve vs transistor – is this latest DS Audio 'optical' cartridge, the £4995 DS 003 with matching energiser. It replaces the £5050 DS 002 [HFN Jun '17], so there's even a slight price reduction.

Review: Ken Kessler,  |  Oct 25, 2021  |  0 comments
Dubbed the 'most audiophile' Debut turntable yet, this deck/arm/cartridge solution takes over from last year's Debut Carbon model with a host of detail refinements

Like the Land Rover and Ray-Ban sunglasses, the Pro-Ject Debut comes in many flavours. What started as a pure entry-level product has been joined by enough siblings over the last 20 years that the new Debut PRO reviewed here can be regarded as the range's flagship and crowning glory. The numerous improvements elevate the price to £699, but even that hasn't undermined this record deck's bargain status.

Review: Mark Craven,  |  Oct 22, 2021  |  0 comments
hfncommendedFrench brand celebrates its Ruby Anniversary with a rose-gold tinted treble and two fabulous cabinet finishes

There's a definite feeling you're getting your money's worth when you encounter Triangle's Antal 40th Anniversary loudspeaker. This French floorstander, reasonably tall at 113cm and surprisingly deep at 35cm, arrives in an oversized box and, once excavated, greets you with 40th Anniversary branding on the front baffle and its quartet of drivers with eye-catching rose-gold anodised aluminium trims. I wouldn't say it looks a million dollars – there are too many right angles for that – but it certainly looks like it should cost more than the £3000 ticket (less still via some online retailers).

Review: Tim Jarman,  |  Oct 21, 2021  |  0 comments
hfnvintageWith its four-channel amp and on-board SQ decoder, this '70s receiver was the lynchpin in what was arguably the most leading-edge quadraphonic system of its time...

The era of quadraphonic sound was not the hi-fi industry's finest. Appearing around 1973 but moribund by 1978, quadraphonic was the first big marketing failure by a sector that had so far enjoyed unalloyed success in convincing the public to buy into its latest developments. Confusing advertising, a damaging format war and a lack of consumer demand all played their part in the downfall of a concept which, at its peak, had been hailed as the future.

Review: Andrew Everard,  |  Oct 18, 2021  |  0 comments
hfnoutstandingIf it isn't broken, don't fix it... but Simaudio's MOON 280D outboard DAC is certainly enhanced by the addition of the updated MiND 2 streaming module and app

There are two ways to make a network music player. One is to take a streaming platform and integrate a DAC to provide analogue outputs, while the other is to start with a DAC and then build in the network playback capability. The two approaches have their strengths and weaknesses. Typically, the network player with DAC will be just what it says: a full-featured machine, usually complete with a display, but with limited connectivity for external digital sources. The DAC with streaming, meanwhile, will commonly have more digital ins, but sometimes less network audio capability.

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