Turntables, Arms & Cartridges

Urushi and I? We go wa-a-y back. It was in the April 1990 issue that I reviewed my first, never having seen such gorgeous lacquer on anything, let alone an MC cartridge. As with Sonus faber rewriting speaker design language, the Urushi was 'something else'. It wasn't the first time high-end cartridges exhibited aesthetics beyond the style of a cool profile – the body of Goldbug's Mr Brier [HFN May' 86] was egg-shaped wood, and pastel-anodised metal had been around for years – but this was jewellery.

Sometimes a product comes along that really hits the spot, delivering a combination of performance and value that shakes up the hi-fi world. Audiophiles of more mature years will be able to reel off a number of these, whether it be the NAD 3020 amplifier of the late '70s [HFN Nov '12], the mid '80s Wharfedale Diamond loudspeakers [HFN May '18], or the Marantz CD63 MkII KI Signature CD player from 1996.

The fact that Dual couldn't achieve serious success in the middle sector of the British turntable market back in the late '70s was testament to how fast the hi-fi world had changed. That part of the market was becoming the province of Japanese companies such as Pioneer, Sony and Technics, which were making complex, technologically advanced turntables packed with modern, user-friendly features that people wanted to buy.

Looks can be deceiving, especially if you first see a Continuum Obsidian turntable and Viper arm fully-assembled. Its three-legged, dust-coverless design recalls innumerable open-plan decks from affordable up to high-five-figure absurdity. Then you note the Continuum's price tag and realise it's of the latter: the Obsidian sells for £39,998, the Viper £11,998. Generously, you can save a grand buying the pair for £49,998.

None of us needs reminding that the enthusiasm for vinyl continues apace. Yet while manufacturers of turntables and tonearms were quick to serve this revitalised market, makers of pick-ups have taken a little while longer to catch up.

With that familiar sparkle in his eye, Pro-Ject's Heinz Lichtenegger unveiled a brand new CD player at the recent EISA Convention in Antwerp. What does this have to do with this new X1 turntable, you might ask? Well, he proudly explained that what he's now doing with CD spinners is precisely what he did with record players back in the early 1990s.

Elektromesstechnik – under the abbreviation EMT – is a brand that needs no introduction to vinyl fans, not least because of the reputation its turntables earned as the workhorses of recording and broadcast studios across the globe. The company's cartridges share a similar reputation for quality, robustness and reliability, but so far these have been somewhat overshadowed by its record decks. That's a pity, because not only has EMT been making pick-ups since 1959 but it has buyers in all four corners of the world.