Disc Players

The company is famed for its giant-killing budget CD players, but what can it do for £3000? Martin Colloms hears one of its high-end machines

Marantz is noted in the UK for its decade-long success in producing a chain of fine CD players at moderate prices. If sometimes contradictory on other matters, the audio press were almost uniform in singing their praises. But the success Marantz has enjoyed in Japan is less well known. By all accounts, high-quality audio remains very healthy there and Marantz engineer Ken Ishiwata has finely honed his skills in creating a range of high-end CD players that have achieved record sales in each directed market niche.

This SE version of Marantz's former 'Japan only' SA-12/PM-12 player/amp combo borrows very heavily indeed from the costlier KI Ruby series, but saves £1000 into the bargain

So what do we have here? The new SA-12SE SACD/CD player and PM-12SE integrated amplifier, selling for £2999 apiece, are the latest in a long line of 'special edition' products from Marantz. Its family tree includes 'Original Special Edition' models, when other brands got in on the 'SE' thing, and the 'KI Signature' versions tuned by the company's late Brand Ambassador, Ken Ishiwata.

Trickledown engineering wins hands down as the core technology behind Marantz's 12 series is buffed to a new polish, gaining network compatibility at an even lower price

The expression 'hot on the heels' is one thing, but to launch two sets of products seemingly offering similar features at much the same price might be seen as inviting customer confusion. Yes, that's just what Marantz has done, with the SA-12SE/PM-12SE SACD player and amplifier [HFN Nov '20] followed within weeks by the arrival of the 30 Series models – yes, an SACD player and amplifier. Add in the fact that both ranges draw heavily on previous models – to put it charitably – and one might well wonder what exactly is going on.

Odd timing, you may think. As SACD and DVD-A celebrate – if that’s the word – a decade of underachievement as CD’s putative successor(s), with DVD-A now moribund and SACD reduced to the status of a niche music carrier, Mark Levinson releases its first CD/SACD player. Not a universal player, note – the No512 has no truck with music on DVD-V or DVD-A, let alone BD – nor even one able to unlock the full potential of multichannel SACDs, since it is stereo only. Ironically, Mark Levinson the man, as opposed to Mark Levinson the company (with which he has had no association for many years), has long been a vocal advocate of SACD, but only now does a product bearing his name support the format that, in the interim, has become a cul-de-sac in audio’s tree of life.

It’s a fact that McIntosh gear has never been hugely popular this side of the Atlantic as its bold, retro styling appeals only to a minority of European consumers today. If you’re trying to integrate a high quality music system discreetly into a family-friendly living room it’s unlikely you’ll be shopping for a McIntosh. Which is something of a preamble to make the point that McIntosh’s latest MCD301 CD player is every bit a ‘big Mac’, sporting the marque’s traditional livery and looking as ‘macho’ as ever. It’s as American as a Hummer or a Harley alright.

Although CD has improved in leaps and bounds since its introduction, the sound initially disappointed many audiophiles and music lovers. One of the first companies to realise that CD replay could be improved was Meridian, giving rise, in 1984, to the Meridian MCD and MCD Pro. Based on a robust Philips mechanism, but with Meridian’s own analogue circuits and oscillator, the MCD Pro really lifted CD sound and a succession of Meridian CD players have continued to set high standards ever since. The CD-only 808 was launched in 2004, but Meridian has developed its replay technology so far since then that it has significantly re-designed and re-launched it as the 808.

Metronome’s T3A Signature CD transport, despite its not inconsiderable price, is substantially more affordable than the company’s ‘sculpted art’ Kalista and Calypso models. It’s a manual top-loader with an integrated power supply, housed in a sturdy chassis with a thick fascia of brushed aluminium available in silver or black. The unit sits on three substantial feet with circular recesses, into which inverted Delrin cones magnetically locate for maximum isolation from any external vibration. Sliding back the top plate cover of the T3A to load a CD reveals its transport mechanism, a Philips CDM12 Pro 2 v6.