LATEST ADDITIONS

John Bamford & Paul Miller  |  Aug 15, 2010
Few would argue that the Oracle Delphi looks drop dead gorgeous. With its sleek, futuristic lines and gleaming precision-turned parts there’s something about its design that makes even disinterested passers-by pause to take a second look. Did I say futuristic? What’s remarkable about the design is that the first incarnation of the Oracle, looking not dissimilar to this latest Delphi Mk VI model, first went on sale in 1979 – the year that Thatcher arrived at Downing Street, The Village People topped the singles chart with ‘YMCA’ and the Christmas No 1 was Pink Floyd’s ‘Another Brick In The Wall’. Hailing from Quebec in Canada, designer Marcel Riendeau’s Oracle Audio Technologies created shock waves among the audio fraternity on the other side of the Atlantic with his ultramodern record player.
John Bamford & Keith Howard  |  Aug 14, 2010
When informed I had a pair of horn-loaded JBL floorstanders coming my way for auditioning I confess I wasn’t particularly enthralled. And I was quietly cursing as several of us groaned under the 73kg weight of each enclosure, man-handling them down the stairs into my basement listening den. Then I heard them. It was mid-afternoon when they were first fired up, powered by my resident Mark Levinson No.
John Bamford & Paul Miller  |  Jul 16, 2010
Hats off to the industrial designers at Emillé Labs. As with all the company’s reassuringly expensive tube amplifiers, the curiously named Cha’am integrated is a masterpiece of industrial design and it looks a million dollars. You can be forgiven if you’ve assumed the company is French. In fact, Emillé hails from South Korea, and is a specialist audio division of Kwangwoo Electronics [see ‘The Name Rings a Bell’ box-out].
Keith Howard & Paul Miller  |  Jul 16, 2010
The man with 16-bit ears, Barry Fox, is going to love this one: ‘the first true 32-bit fully asynchronous digital audio playback system’, otherwise known as the Simaudio Moon 750D. More of this anon. For now it’s enough to appreciate this flagship product encompasses both CD player and DAC, replete with digital outputs and inputs to service existing digital separates. When you free the 750D from its packaging the first thing you notice is its reassuringly solid construction.
Steve Harris & Paul Miller  |  Jul 16, 2010
For the Leicester-based company Icon Audio, the PS3 is a development prompted by its successful PS1 phono stage, now in MkII form. Both feature – as do its MP3 Mini Amp and HP8 headphone amp – the distinctive ‘peephole’ through which its complement of tubes may be glimpsed. For the PS3 phono stage, designer David Shaw has specified no fewer than seven triode valves including ECC88s and one 6SN7 for the output. The separate power supply unit has another six (EZ80, ECC83 and 5687 types) used for voltage rectification and regulation.
Ken Kessler & Paul Miller  |  Jul 16, 2010
Moving-coil cartridges have been around for more than a half-century, but they didn’t displace the moving magnet as ‘the audiophile’s choice’ until the 1970s. Before that, MMs ruled for two simple reasons: higher output and better tracking ability. For decades, Shure, Goldring, ADC and other moving magnetics were default purchases. They put few demands on phono stages, allowing the industry to standardise 47kohm inputs, and MMs (allegedly) took better care of LPs.
Ken Kessler & Paul Miller  |  Jul 15, 2010
If someone had told you, even as recently as 2000, that the market would be overrun with genuinely stunning turntables at sensible prices in 2010, you might have snorted with derision. During the LP’s limbo period of 1985-2005, as it clawed its way back to its current ‘cool’ status, the focus seemed to be on extremely expensive high-end players. That limbo period is now over thanks to CD’s decline, and the black vinyl record is regaining small but steady market share, including crucially an audience amongst those born after CD arrived. Clearaudio has always had affordable turntables for newcomers, but the company created something special with the Concept, one of those rare occasions when the object isn’t merely greater than the sum of its parts: it merits, straight out of the box, a gold star, an Oscar and a Michelin rating.
Paul Miller  |  Jun 16, 2010
So far there’s been no answer from Yamaha, Pioneer or Sony to the universal Blu-ray behemoths launched by Denon and Marantz. Since they were exclusively reviewed inHi-Fi News [Oct ’09 and Dec ’09], the £4500 DVD-A1UD and £5000 UD9004 have only been joined by slightly cheaper variants from the same stable. Although Marantz’s £2450 UD8004 could hardly be described as ‘cheap’. Instead, the first truly entry-level universal disc player has been launched from leftfield, from where no-one was looking – courtesy of the restless but hugely talented engineering team at Cambridge Audio.
Steve Harris & Paul Miller  |  Jun 15, 2010
Looks can be deceiving. At first glance, you might think that the TD 309 was designed just as an eye-catcher, but in reality it is easily the most radical and innovative turntable Thorens has produced since the company was revived around ten years ago by the dynamic Heinz Rohrer. For the TD 309 project, Rohrer called in Fink Audio Consulting of Essen in Germany, best known for its expertise in loudspeaker design. But, as Karl-Heinz Fink says, ‘We are all turntable guys! We like turntables! And if you work on loudspeakers, you deal with vibration at a micro level, dealing with problems that are similar.
Keith Howard & Paul Miller  |  Jun 14, 2010
From almost anybody else, the launch of a new outboard DAC would rate as one of the audio industry’s more mundane events. But a DAC from Naim Audio – called, yes, the Naim DAC – is a development of more moment. Not so much for what it is but because it unravels what was, until now, one of the marque’s design dogmas. Naim was late to the digital audio party, launching its first CD player in 1991, almost a decade after Compact Disc’s arrival.

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