LATEST ADDITIONS

Ed Selley  |  Nov 24, 2010
With the introduction of stereo LPs in 1958, Leak wasted no time in bringing stereo equipment to market. The fi rst public demonstration of the Stereo 20 amp and matching preamp took place in April 1958 at the Audio Fair in London. This must have been quite a coupe for Leak as most rival manufacturers at the show were demonstrating mono equipment. The price of the Stereo 20 was 29 Guineas with its partnering Point One stereo preamp costing 20 Guineas.
Ed Selley  |  Nov 24, 2010
The Pyxis is a sturdy, handsomely-styled preamp which, in the best modern fashion, can be used with all manner of amplifi ers despite a plethora of Leema-only features. Pyxis provides both fully-balanced and single-ended analogue operation, with extensive custominstall/ home cinema-friendly settings and sockets. Its price is further ameliorated by the inclusion of digital ins and outs, including USB and S/PDIF in both directions, so the Pyxis is able to accommodate all of your digital sources and feed a computer for archiving. For another £500, the Pyxis can be supplied with an onboard phono section (based on Leema’s £3k Agena).
Ed Selley  |  Nov 24, 2010
With the C-600f preamp and the M-600A stereo power amplifiers, Luxman has delivered its interpretation of current generation solid-state excellence. The power amp offers balanced or single-ended operation, the option of converting it into a bridged monoblock of up to a specifi ed 120W/8ohm, plus a couple of neat touches on the back. Like all new Lux products, an indicator tells you with the press of a button if your mains polarity is correct. Another rear panel delight is a quartet of the largest speaker terminals I’ve ever seen, a nod to those who like tight terminals, but with an aperture for banana plugs.
Ed Selley  |  Nov 24, 2010
Leading from the top of this amplifier’s trump card specifi cation sheet is the £20,000 price tag, followed closely by the two-box design and claimed delivery of 1kW into an 8ohm load. Reading the spec-sheet alone does little to prepare you for the sheer size, weight and physical presence of the two-box Titan. It is massive, with a combined weight over 110kg, each unit boasting a footprint the size of a small chest of drawers. Sitting side-by-side you have two enormous works of art in milled aluminium – low, wide and deep.
Ed Selley  |  Nov 24, 2010
Bottom of the five-model XA. 5 series of mono power amplifiers, all of them true Class A designs, the XA60. 5 offers a rated output of 60W and, it’s claimed, much higher current capability than previous XA models: to the tune of a fi ve-fold improvement. So tough loudspeaker loads, of which there are still many, are grist to the XA.
Ed Selley  |  Nov 24, 2010
Radford Electronics was set up in Bristol by Arthur Radford back in 1959. In some ways Radford was a late starter in the world of high fi delity, especially compared to Peter Walker of Quad or Harold Leak, and the electronics refl ect this. Indeed, Radford’s designs are often described as being the most ‘modern’ of vintage amplifiers. It was the Series Two amplifiers, soon changed to Series Three, that put Radford’s designs on the map, the Series 3 range comprising two monoblocks – the MA 15 and MA 25 – plus two stereo versions, the STA 15 and STA 25.
Ed Selley  |  Nov 24, 2010
The history of Garrard as a manufacturer can be traced back to World War One, when the famous jewellers to royalty wished to do ‘their bit’ for the wartime effort, ultimately setting up an ammunitions company. After hostilities ceased, the family was left with a small manufacturing plant in Swindon, which switched to the manufacture of wind-up motors for gramophones. From Tommy gun to turntables, one might say. .
Paul Miller  |  Oct 14, 2010
It is no longer sufficient to offer a mere CD player, or even a CD/SACD player when time comes to tempt the well-heeled and digitally-inclined audiophile. Instead, the modern disc spinner must also service a wide range of alternative and necessarily higher resolution digital sources. Machines like the Chapter Audio Sonnet-S featured here are better described as flexible outboard DACs equipped with a mechanism to support the 16-bit granddaddy of all 5in discs. The CD player is dead, long live the CD player.
John Bamford & Paul Miller  |  Sep 06, 2010
You’ve got to take your hat off to Avid Hi-Fi. Its top-of-the-range Acutus deck, first introduced 12 years ago and enhanced with the launch of the Reference outboard power supply in 2006, is certainly one beast of a turntable. Resplendent in black and silver chrome that’s polished to a mirror finish, it makes for an imposing sight atop any audiophile’s equipment rack. Want to make the ultimate statement? The deck is also available to order finished in polished 24K gold plate, though for this you’ll have to add an extra 35% to the price.
Steve Harris & Paul Miller  |  Aug 16, 2010
When someone as determined and perfectionist as Conrad Mas of Avid decides to enter a new product area, the result is likely to be something special. With the Pulsare Phono, the aim was to produce a phono stage that could do the same things for music that an Avid turntable did. It had to have ‘that certain something that makes the music sound and feel real. ’ Even a first glance tells you that this an overkill design in specification, construction and features.

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