This month we review and test releases from: Karen O & Danger Mouse, Madison Cunningham, Landgren/Wollny/Danielsson/Haffner, Fumio Yasuda and Boston SO/Andris Nelsons.
While first to market with a portable player, Sony soon found itself overtaken by rivals. Its answer was a now-iconic machine, driven by a belt. But how does it sound today?
Sony's original D-50 'Compact Disc Compact Player', released in late 1984, was the first practical portable to reach consumers. Named to commemorate the company's 50th anniversary, the player's ¥50,000 price tag ensured that it dominated the market. However, the fact that it cost ¥100,000 to manufacture meant that this came at some expense to Sony.
The inaugural product in Colorado-based Boulder's 500 series is this MM/MC phono preamp – fully balanced throughout, including the connection to your turntable
Modern phono stages seem to fall into one of two camps – those with multiple inputs, multiple gain options and a seemingly endless permutation of impedance and capacitance settings [see EAT E-Glo S, HFN Mar '17], and those, like the Boulder 508, that seek to minimise switching and variable gain in favour of one, potentially simpler, signal path.
This 'music server' is rather more than it might initially appear, and you can apparently use it alone, or with another music server model, the CX. So what's that all about?
One soon comes to realise that, in the new world of computer-based music playback, nothing is quite what it seems. What's more, the terminology used to describe the products designed to make it possible seems almost wilfully imprecise.
Released at the very end of 1975, the band's fourth album saw them hoping to build upon their success as one of the decade's most successful pop acts. Yet the very clash of creativity that produced such hits as 'I'm Not In Love' would split the group in two
Since its release in 1976, 10cc's How Dare You! has been described variously as soft rock, art rock, glam rock and even progressive rock. But one neologism that hopefully will never catch on – yet it evokes the essence of both the group and this album in particular – is 'sophisti-pop'.