LATEST ADDITIONS

B. Willis (Music); P. Miller (Lab)  |  Apr 02, 2018
The latest from a stellar group – drummer Gerald Cleaver, pianist David Virelles, bassist Reuben Rogers, and trumpeter Stanko – December Avenue is a collection of beautifully rendered tone-poems. There is a great delicacy to the musicianship – they are all fully engaged with their bandmates – and each track seems approached as if they have all the time in the world, and all the space they could possibly need to explore it. Even at his most upbeat, Stanko has a sweetly mournful quality. The opposite of frantic jazz, this collection is maturely intelligent, emotionally resonant, aesthetically unassailable, and gorgeously executed, without a hint of cliché.
Review: David Price,  |  Apr 01, 2018
hfnvintage.pngIt was an amp that gave fresh meaning to the term 'cooking on gas', but how does one of Sony's last classic super-integrateds shape up today? Time to find out...

The '70s was a time of great social change. At the beginning of the decade, black and white TVs, bicycles and outside toilets were the reality of life for many British people. But by the end of the '70s, most folks had colour TVs, family cars and swanky modern bathrooms – along with fitted kitchens, wall-to-wall carpeting and stereo systems in their homes. Although the music centre was the height of fashion, separates hi-fi was growing fast and many were willing to pay for serious equipment.

Review: Nick Tate,  |  Apr 01, 2018
hfnoutstanding.pngSporting a unique modular design that accommodates multiple tonearms, a tube-based PSU for the motor and novel heated bearing, this super deck is far from run of the mill

Does the world really need another high-end turntable? That’s the question Brinkmann’s Spyder has to answer, because there’s already a surfeit of fancy vinyl disc spinners sitting pretty in this high value market. This deck needs to be special in some way then, and so it proved. Costing £9795 in basic form, it’s one of two belt-driven decks in the German company’s range of hi-fi separates, sitting alongside the Balance 2 [HFN Jul ’14]. Brinkmann also makes the Bardo and Oasis direct-drive turntables, which themselves are interesting and innovative things.

Review and Lab: Keith Howard  |  Apr 01, 2018
hfnoutstanding.pngA staple at the Hi-Fi Show Live, Magnepan's largest Magneplanar finally gets its first in-depth test

Back in the 1980s, when the UK hi-fi scene began, belatedly, to experience products from places more exotic than Glasgow, Bradford, Huntingdon, Maidstone and Salisbury – ones that didn't say 'Made in Japan' on them – the USA provided a stream of surprises, one of the most memorable being Magneplanar loudspeakers. For most audiophiles, isodynamic drivers were something you found in a left-field Wharfedale headphone of the early 1970s, yet here were full-range panel speakers using essentially the same technology.

Review: Ken Kessler,  |  Apr 01, 2018
hfncommended.pngStill billed as 'The World's Most Powerful Integrated Amplifier', Perreaux's MOSFET flagship has been tickled-up with a new digital input module. And more power too...?

Side-by-side, you'd be forgiven for seeing no changes between the Perreaux Eloquence 255i integrated amplifier and the earlier 250i [HFN Aug '12]. Same rotary, same display, same number of buttons – even the price would leave you clueless, the six years between them inflating the £5695 of the earlier unit to £6895 in standard, line-level-only trim. Given the recent drop in the value of Sterling, that alone could account for the increase, so full marks to Perreaux.

Review: José Victor Henriques,  |  Apr 01, 2018
hfnoutstanding.pngInspired by the ‘Momentum’ circuit and industrial design that put D’Agostino Master Audio Systems on the map, its Progression series could make the biggest impact yet

The Progression Stereo amplifier is built around a dual-wound 1400VA toroidal transformer coupled to 400,000µF of power supply storage capacitance that feeds no fewer than 48 power transistors – 24 per channel. On paper this is said to generate 300W/8ohm, doubling into 4ohm [see PM’s Lab Report]. And it’s yours for roughly half the price of a pair of the company’s Progression Monoblocks [HFN Jun ’17].

Review: Andrew Everard,  |  Apr 01, 2018
hfncommended.pngWith an upgraded specification including an asynchronous USB input with DSD capability, ATC’s CD player/DAC/preamp aims to be a complete system front-end

Is this a new twist on the CD player? Or yet another new variation on the DAC? Well, neither actually, for as that ‘Mk2’ suffix suggests, this is a revised version of ATC’s innovative CDA CD player/DAC/preamp combination, selling for £2950 and designed as the perfect partner for the company’s £3375 P2 power amplifier [HFN Mar ’17], or its range of active speakers.

C. Breunig (Music); P. Miller (Lab)  |  Mar 26, 2018
96kHz & 192kHz/24-bit, FLAC*; Linn CKD572 (supplied by www. linnrecords. com) Sibelius’s First Symphony has long attracted hi-fi enthusiasts with landmark recordings by Collins, Maazel, and Vänskä that showed off your system – not least in the exciting scherzo with its textural contrasts. The Sixth, by contrast, was his most austere symphony, described by the composer as offering ‘pure cold spring water’.
B. Willis (Music); P. Miller (Lab)  |  Mar 19, 2018
Remember Ten Years After? This is the sort of ‘roots music’ that inspired that band, The Rolling Stones, Led Zeppelin, Golden Earring, Little Feat, and countless others. Heavy white-boy blues, simple lyrics, extremely repetitive rock arrangements with almost no rhythmic variation, an exaggerated bottom octave, and too much slide guitar all add up to minimal interest for this reviewer, but despite its utter familiarity, or perhaps because of it, lots of blues-rock fans will likely devour this album. Opinions vary, and that’s a very good thing. Many of its songs have been done better by other bands (‘You Got To Move,’ ‘Bid You Goodnight’) and fortunately, none of them runs longer than five minutes.
B. Willis (Music); P. Miller (Lab)  |  Mar 12, 2018
Fifty minutes of Charlie Parker’s hard bop could induce trepidation in some listeners, but that’s not what this intriguing collection is all about. Instead of Parker retreads or outtakes, it’s an assortment of all-star reinterpretations of Bird’s compositions, some of them superbly soulful and engaging (Madeleine Peyroux’s opener, for example) and others requiring true-believer enthusiasm for bebop (Barbara Hannigan’s ‘Epitaph Of Charlie Parker’, Jeffrey Wright’s ‘So Long’). The band features veterans from David Bowie’s Blackstar, with Craig Taborn on keyboards and musicianship is beyond reproach, as is the recording quality. This album will grab your attention – listen to it once, then maybe via the ‘random play’ function on your player.

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